Celluloid Ceiling Doesn’t Give an Inch

Alas, another awards season is upon us, and another slate of Oscar nominees has disappointed those of us foolishly hoping for gender parity.

With that said, the Oscars matter about as much as the Grammys (remember Crash winning over Brokeback Mountain?) Where the Oscars do matter, however, is that they accurately mirror gender diversity in the mainstream film industry–where women still only hold a fraction of the creative roles.

Martha M. Lauzen, a professor at San Diego State University, has completed her annual “Celluloid Ceiling” study of the employment of women on the top 250 highest grossing domestic films of 2010, and she’s has been kind enough to give Ms. a look at her findings:

-       In 2010, women comprised 16% of all directors, executive producers, producers, writers, cinematographers, and editors working on the top 250 domestic grossing films.  This represents a decline of 1 percentage point from 1998 and is even with 2009 figures.

-       Women comprised 7% of all directors working on the top 250 films of 2010.

-       Women accounted for 10% of writers working on the top 250 films of 2010.

-       Women accounted for 24% of all producers working on the top 250 films of 2010.

-       Women accounted for 18% of all editors working on the top 250 films of 2010.

-       Women comprised 2% of all cinematographers working on the top 250 films of 2010.

-       Women were most likely to work in the romantic comedy, documentary, and romantic drama genres.  They were least likely to work in the horror, action, and comedy genres.

The statistics may look hopeless, but remember that they are for the 250 highest-grossing films. Women directors, writers, producers, editors and cinematographers are out there, they just need a lot more exposure (and subsequently, recognition). And as Ms. editor Michele Kort previously implored readers, the only way to see an immediate shift in the number of women directing mainstream films is for audience members to support women in the field:

We can do our part as movie viewers to help raise this pitifully low rate. If a film comes out that’s directed by a woman, make a point to see it in a theater. If you’re an Academy member, vote for women directors. Wouldn’t it be amazing if, one day, the preponderance of Oscar-nominated films were directed by women?

If you prefer your dismal stats framed by lovely black-and-white shots, here’s a great film on this topic from the Women’s Media Center:

Image from Flickr user Ramón Cutanda / CC2.0.

Comments

  1. snobographer says:

    "The Kids Are All Right" is nominated for Best Picture, but Lisa Cholodenko isn't up for Best Director. I personally didn't think the movie was all that great, but it was at least as well directed as anything else that's up for Best Director. So what's up with the Academy? They think since they finally awarded Bigelow last year, that should be the end of it?

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