More Than A Magazine, A Movement
There is a pattern here: Black women must ride on the coattails of protective manhood—a respected dad, a Hollywood white male “bodyguard”—to secure the top prize.
In a world that constantly tells women in general, and Black women specifically, that we just might be “imposters,” Beyoncé affirms us and allows us to luxuriate in a Black woman defiantly and truthfully announcing that “I’m the bar.” We revel in her excellence, even if some would try to diminish that greatness as “not good enough.”
PBS’ American Experience premieres documentary film on pioneering writer and anthropologist Zora Neale Hurston (1891-1960). Directed by Tracy Heather Strain, Zora Neale Hurston: Claiming a Space is the first film to explore Hurston’s life and ethnographic work in great detail.
“Anthropology only started looking at the literary styles of novels and non-scholarly writing in the late ’80s. But Zora had already been there and done that,” said Irma McClaurin, Black feminist poet, anthropologist and Hurston expert.
It’s that time of year to reflect on highlights of 2022 and the ways that feminism showed up and showed out in our popular culture.
From Wednesday Addams’ cool confidence, to some fabulous baby bump reveals, to Megan Thee Stallion’s spotlight on mental health … here are our top 10 favorite moments.
A new documentary on the extraordinary life of civil rights pioneer Rosa Parks (1913-2005) premieres this week on Peacock. Co-directed by Yoruba Richen and Johanna Hamilton and executive-produced by Soledad O’Brian, The Rebellious Life of Mrs. Rosa Parks does much to prove she was more than a symbol.
The Ms. community, family, friends and colleagues recently said goodbye to R. Dianne Bartlow—professor, scholar, feminist writer, Emmy-winning producer and director. She’s left too soon, at the age of 67 after a short battle with lung cancer.
I remember Dianne for her easygoing temperament and her patience. Dianne was humble and down-to-earth, which is why I was surprised to learn of her accomplishments as an award-winning television writer-producer.
Ms. spoke with film producer Nicole London about learning Harriet Tubman’s visions of freedom during the Civil War.
“Her story was really well-documented. And that’s all the more disgraceful about how much we still don’t know about her story.”
The Woman King, a new film starring Viola Davis, reclaims the narrative of the fiercely resistant African “Amazons.”
“My hope is that young African-descended girls and women see themselves in these powerful women. I hope they too will aspire for greatness.”
Renaissance, Beyoncé’s seventh solo album, offers a much different vibe and one that also represents an intergenerational inheritance engulfed in the pleasures of Black dance music vibrating across the various subcultures of Black communities around the world.
Black women—across genders, sexualities and communities—have been the blueprint, and Beyoncé’s Renaissance proves that.
“We felt it our responsibility to depict the war on Black women’s bodies raging in this conservative state,” said Katori Hall, creator of Starz’s P-Valley.
This year’s Met Gala invited A-list celebrities in the midst of an ongoing pandemic, racial divides, rising inflation costs, and the widening gap between the top 1 percent and everyone else.
During this event a leaked draft of the majority opinion from the Supreme Court immediately sent shockwaves, as the public learned that our highest court intends to overturn Roe v. Wade, which guarantees the right to abortion. Suddenly, the extreme wealth on display at the Met Gala seemed to represent all the “gilded” hubris of an historical era that seemed more “golden” than it really was—as we are now thrust back to a dystopian and despairing future we must confront and resist at all costs.
