The Harriet Tubman Bicentennial Project concludes with the Harriet Tubman Syllabus—an exhaustive list of works about and inspired by Harriet Tubman, which confirms the wide-reaching impact of her legacy more than a hundred years after her passing on March 10, 1913.
Author: Janell Hobson
A Conversation with Mary N. Elliott, Curator of American Slavery at the Smithsonian Museum
Our final conversation in the Harriet Tubman Bicentennial Project features Mary N. Elliott, museum specialist and curator of American slavery at the Smithsonian Museum. Elliott helped to research, conceptualize and design the “Slavery and Freedom” inaugural exhibition for Smithsonian’s National Museum of African American History and Culture.
“Who is this woman beyond the iconic? That was really important for us: to humanize the experiences of African Americans and to also show that we’re not monolithic.”
Karen V. Hill, Director of the Harriet Tubman Home: ‘She Was Able To Separate the Brutality of Slavery From How She Loved the Land’
Karen V. Hill is president and CEO of the Harriet Tubman Home, Inc. in Auburn, N.Y. She has successfully pursued federal legislation to have Harriet Tubman’s homestead become one of the newest units of the National Park Service.
“To me that’s just startling, that this place in Maryland where she had been treated so harshly, she was able to separate the brutality of slavery from how she loved the land.”
A Conversation with Artist Nettrice Gaskins, ‘Beacon of Hope’ Creator
Nettrice Gaskins is a digital artist and self-identified Afrofuturist whose work has been receiving national attention. A 2021 Ford global fellow, Gaskins’s work is featured in the current “FUTURES” exhibit at the Smithsonian.
Ms.’s Janell Hobson, who invited Gaskins to create original art for the Harriet Tubman Bicentennial Project, interviewed the artist over Zoom.
A Conversation with Music Composer Nkeiru Okoye of ‘Harriet Tubman’ Opera Fame
Dr. Nkeiru Okoye, whose first name means “the future is great,” has already dazzled the world as an internationally recognized music composer of opera, symphonic, choral, chamber, solo piano and vocal works. A 2021 Guggenheim fellow, Okoye is best known for her opera Harriet Tubman: When I Crossed that Line to Freedom, which premiered with The American Opera Project in 2014.
Family Portraits of a Legend: Conversations with the Descendants of Harriet Tubman
Tubman was the fifth of nine children born enslaved to Harriet “Rit” Green and Benjamin “Ben” Ross in Dorchester County, Md. She rescued her parents and some of her siblings, in-laws, nieces and nephews from the clutches of chattel slavery. Their descendants thus have a special connection to “Aunt Harriet.”
“We are witnessing slavery in many forms throughout the world. My advice: Don’t own anybody and don’t let anybody own you. Seek your own freedom, set yourself free, and when you do, take somebody else with you.”
Tubman 200: Harriet Tubman Bicentennial Project Explores the Meaning of Freedom Through One Extraordinary Life
Launched Tuesday, Feb. 1, and culminating on March 10, the Harriet Tubman Bicentennial Project pays tribute to this feminist icon with a special commemorative issue through Ms. online and in print.
The project explores the meaning of freedom through the example of this one extraordinary life.
2021’s Best Feminist Pop Culture Moments
From the swearing in of our first woman vice president, Kamala Harris, to the severe restrictions on reproductive rights, 2021 has been a mixed bag for feminism. Of course, popular culture—ever a pulse from which to measure the present moment—served as a guide this year for feminist expression.
Here is a list of what got us thinking and talking about feminism in popular culture.
bell hooks: The Black Feminist Guide That Literally Saved Our Lives
bell hooks’s death is a reminder that the work continues, and that it is even more imperative to continue resisting systemic oppressions, to carve a path to liberation.
Her signed message to me—”Janell! To loving blackness –bell hooks”—still resonates with me because I have approached my critiques through this radical positioning of “loving blackness” and doing so as resistance to “white supremacist capitalist patriarchy.”
Black Feminist in Public: Black Life, Literature and the Black Feminist Imagination—a Conversation Between Farah Jasmine Griffin and Janell Hobson
On September 25, Black feminist scholars Farah Jasmine Griffin and Janell Hobson took part in a public conversaton about their respective new books, discussing Black literature and the Black feminist imagination.
“When I talk about ‘Black feminist imagination,’ I am thinking of how Black women have been able to articulate the presence of an absence. How do we give voice to silence?”