If you have been following pop culture over the past 5fiveyears, you probably know the genesis of vampire fathers: He’s the vampire who turns you into a vampire via toothsome bite. The most popular contemporary vampire series, Twilight and True Blood don’t feature any vampire mothers. But they do present us with a number of good, even godly, vampire fathers. Twilight’s Carlisle Cullen is a perfect undead dad to permanently teenage vampire Edward. And when Bill Compton (above), the hunky undead leading man of HBO’s True Blood, becomes a reluctant father to vampire Jessica, he steps up quite well.
It’s clear Twilight author Stephanie Meyer would put Carlisle up for the prize for best vampire dad. He literally MAKES his vampire Brady-Bunch family (right), by, yes, turning people into vampires. How preferable to having to reside in one of those icky woman-wombs for nine months! And, in a saga that so values the sex-free life, he is a surprisingly good matchmaker, turning first the seductive Rosalie into a vampire to provide his century-long-virgin-son Edward an opportunity for bumping uglies, then, when that doesn’t fly, voting to make Bella undead. (Imagine if he sought sex partners for DAUGHTERS–now that would likely cause quite the stir, no?)
Even the non-vampire dads in these series compete for best dad status. In Twilight, Charlie is a benevolent dad to heroine Bella Swan, giving her the space and independence most teens desire and even supplying her with cool wheels. Billy Black is touchingly protective of both his werewolf son Jacob and Bella, and Sam is the dedicated, if overly authoritarian, muscle-daddy of the werewolf pack. True Blood is full of touchingly queer fathering arrangements: queer cook Lafayette serves as a quasi-father to his cousin Tara, shapeshifter Sam acts as dad to waitress Arlene’s kids when she is on a bender induced by an evil manead (don’t ask!), and the town yokel Hoyt plays the role of compassionate, forgiving father-figure to his unlikeable mother.
But, if I had to pick a vampire daddy to call my own, I would pick the surprisingly progressive Bill of True Blood. Despite his reluctance to vamparent, he is patient with his new vampire daughter, Jessica, helping her to find a synthetic blood she can tolerate and carefully teaching her the rules of vampire life. And, with heroine Sookie’s help, he recognizes Jessica is a sexual being and does not go all Edward-in-Twilight-crazy with talk of her “virtue” or how sex will damn her soul. The final episode of Season Two included a particularly touching scene where Bill and Jessica are each dressed to the nines for impending dates. Bill tells Jessica “you look quite the vision.” She worries this is a nice comment to soften his coming complaints about her dating a mortal (the goodhearted-but-hapless Hoyt). Instead, Bill admits “times have changed” and tells her “I hope you and Hoyt have a nice time.” What a nice trade from dad as quasi-virginity warrior (a concept Jessica Valenti explores in her book The Purity Myth). I would much prefer this kind but not-overbearing Bill to Carlisle’s creepy matchmaker habits!
The uber-pale good vampire daddies in Twilight and True Blood certainly outclass the bad vampire dads of older texts. Such narratives represent vampire dads as crazy, violent and racist (as in the 1987 film Near Dark), as creep-fest, power-hungry patriarchs (1987’s The Lost Boys), or as tooth-happy ghouls who turn innocent girls into wanton, lustful beasts (as in Stoker’s paradigmatic Dracula). In contrast, the human daddies are the bomb. In Near Dark, for example, protagonist Caleb is turned back into a human by his kindly father. Daddy even saves Caleb’s vampire love Meg, who turned Caleb into a vampire in the first place. How sweet.
While these dad-savior that populate vampire narratives are appealing–they allow us to envision fathers who approve of our chosen mates (as Bill and Carlisle do) and granddads hip enough to recognize the local teen bike gang is not what it seems (as in The Lost Boys)–they fail to have equally satisfying mother figures. They reveal the sad fact that our culture still assumes that fathers, even when vampires, werewolves, or shape shifters, know best.
Twilight takes “father-knows-best” to an extra level of creepiness with the notion (one fostered by Freud and certainly held by many Mormon polygamists) that females are seeking daddies via their romantic relationships. In a horribly irksome piece originally posted at Save the Males (who knew they needed saving!), writer Henry Makow argues that men “ought to be more ‘father-like’ in their approach to women;” they “should seek younger women who ‘look up’ to them.” Meyer seems to agree with this notion, providing Bella with a man who has 100 years on her and matching up baby Renesmee and toddler Claire with much older wolves via the imprinting meme (were the wolves “imprint” on a mate – a sort of love at first sight which involves male wolves imprinting on much younger female humans).
Such May/December romance is only natural, according to Makow:
Many men want a daughter-figure, someone who will demonstrate the loyalty, trust and devotion that a girl feels for her father. A man wants to be affirmed in his authority as husband and father, not mothered like a child.
So there you have it people: If you are a hetero woman, go find yourselves an older daddy-man to look up to! If you’re not hetero, you can read more (PLEASE DON’T!) from Makow on how homosexuality is destroying capitalism, the family and the world.
To close, here’s hoping that you, dear readers, have a good father or father-figure in your life to celebrate this Sunday. And, nope, I don’t mind at all if that figure happens to be a vampire, werewolf or even a woman! Seems to me we should celebrate parenting in general rather than gendering the phenomenon.
Top: Vampire daddy Bill Cullen helps his charge, Jessica, find a synthetic blood she can tolerate. From Flickr user darkchachal under Creative Commons 2.0. Right: Cullen family from Flickr user edwardcullen97 under Creative Commons 2.0.