Given the precarious state of abortion rights in the U.S. and the fervent hope that we’ll make it to the 50th anniversary of Roe v. Wade next year, it’s fitting that Sundance included two films about the Janes, an underground network of women in Chicago in the late 1960s who helped procure safe abortions for those in need of them before the legalization of the procedure nationwide.
Directed by Phyllis Nagy—the brilliant screenwriter who adapted Patricia Highsmith’s novel Carol—and written by Hayley Schore and Roshan Sethi, Call Jane employs a composite character, Joy (Elizabeth Banks), as a conduit through which to tell the story of the Janes. But Joy’s can-do spirit doesn’t strike the the right tone for an account of a collaborative, revolutionary group of women who put themselves at tremendous risk to procure safe abortions for desperate girls and women.
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