AMC’s new drama “Kevin Can F**k Himself” upends the “sitcom wife” trope we all know and hate. When Allison—or Kevin—leaves the room, the lighting gets darker, the camera angle shifts, and suddenly, Allison is no longer a supporting character but rather the star, increasingly frustrated with her life and role.
Author: Janelle Sheetz
Janelle Sheetz is a graduate of Pitt-Greensburg’s English Writing program. Her work has recently appeared in Atta Girl and Change Becomes You (via The Good Men Project). She lives in the Pittsburgh area with her husband, son and two cats.