‘Guerilla Storytelling’ and Joyful Resistance: Rep. Teresa Leger Fernández and the DWC’s Plan to Combat Project 2025

The Democratic Women’s Caucus (DWC) this week announced the election of Rep. Teresa Leger Fernández (D-N.M.) as DWC’s chair for the 119th Congress, which starts in January. Leger Fernández served as the DWC vice chair in the 118th Congress and will now lead the largest ever DWC, which includes a record-breaking 96 members in the new Congress. 

Ms. executive editor, Kathy Spillar, sat down with Rep. Leger Fernández, to discuss priorities for the DWC—both to fight back against what will be repeated attacks by the Trump administration on women’s rights and programs benefiting women and their children, as well as strategies for moving forward toward equality. 

Sahra Mani’s ‘Bread & Roses’: A Documentary ‘About Afghan Women, by Afghan Women, When the World Had Stopped Seeing Them’

In her new documentary, Bread & Roses (available now on Apple+), filmmaker Sahra Mani reveals the fierce and courageous resistance of Afghan women defying the Taliban—who wish to make them disappear.

It’s a documentary about Afghan women, by Afghan women, at a time when the world had stopped seeing them.

Rest in Power: Nikki Giovanni, the Angel of Black Poetry

Yolande Cornelia “Nikki” Giovanni Jr.—poet, writer, feminist and civil rights activist and educator—has died. Born June 7, 1943 , Giovanni was the author of more than 25 books and subject of the award-winning 2023 documentary Going to Mars.

A poem written in her honor:

“Nikki Giovanni,

Black poetic angel extraordinaire

who wrote to us

and for us;

gave us Black folk,

and the world,

a legacy of words

that exuded courage:

words of truthtelling

words of Black magic

words of inspiration

words of your life

words of your vision

words of love

for us,

your global Black community.”

Not Your Mother’s Activism: Young Women’s Political Expression on Social Media

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Young women are the avant-garde of political expression online, developing expressive forms of political communication that collapse traditional distinctions between personal and political, aesthetic and substantive, emotional and analytical. Their approaches suggest new possibilities for political discourse that acknowledges rather than suppresses the role of affect, identity, and visual rhetoric in political mobilization. This piece draws from research presented in the authors’ new book, Not Your Parents’ Politics: Understanding Young People’s Political Expression on Social Media (Oxford University Press, 2024).

Flying Free: Wicked’s Feminist Message

In Wicked, there are many parallels to our own universe: the rise of fascism in Oz; the vilification of a powerful woman (whose laugh some incidentally described as a “cackle”) concerned about the well-being of the most marginalized among us; a media enabling propaganda to villainize said powerful woman and prop up an empty shell of a man specializing in elaborate cons; and the failure of solidarity between women.

Part 1 ends with Elphaba’s ostracism from Oz, but the cinematic pan of her ascension in the sky looks less like tragedy and more like triumph. In times that require moral clarity, a perpetual outsider coming to self-actualization, freed from systems of power because she’s found her own, highlights that we have to look to different skies and different lenses to find a new kind of heroism.

December 2024 Reads for the Rest of Us

Each month, we provide Ms. readers with a list of new books being published by writers from historically excluded groups.

I don’t know where this year went, but it was a tough one on many fronts. For better or for worse, here we are. Enjoy these 12 titles—then keep your eyes peeled for my Best of the Rest for 2024. 

Imagining Revolution and Hope in 2033 America: An Excerpt from ‘Solis’

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An excerpt from Solis:

In 2033, life in the New American Republic is bleak. A xenophobic and racist government has imprisoned thousands of undocumented people in a giant labor camp in the Arizona desert. Black people, Brown people, Asian people and Indigenous people are dumped on the cage floors, their bodies almost broken and their hearts filled with fear. The prisoners are forced to scavenge for a precious and newly discovered chemical in the surrounding mines. This chemical is being used by the president to control the weather. The climate crisis and global drought has pushed the country to the forefront of the water wars that are ravaging the world. The work is grueling, the torture inhumane. This world seems hopeless.

And yet, in the darkest of places is where the fierce light of revolution ignites.

In New Book on Abortion Pills, Carrie Baker Chronicles the History of Resistance and Resilience That Changed the Abortion Landscape

“Pills have become the frontline of the battle for abortion access,” writes professor and Ms. contributor editor Carrie N. Baker in her new book Abortion Pills: U.S. History and Politics—the first to offer a comprehensive history of abortion pills in the United States.

‘Mercutio Loves Romeo Loves Juliet Loves’ Brings Joy Into Its ‘Queer Kinda’ Adaptation at NYC Theater

Boomerang Theatre Company’s premiere production of Mercutio Loves Romeo Loves Juliet Loves by Gina Femia is keenly, tenderly aware of the pain of high school theater and being a teenage girl.

Directed by Scott Ebersold, the play is “a new queer kinda adaptation of Romeo and Juliet,” according to Boomerang’s online program, marking the first-ever production of Femia’s new play.

Mercutio Loves Romeo Loves Juliet Loves is running at The Jeffrey and Paula Gural Theatre at ART/New York until Nov. 24, 2024.

The ‘Woman in Charge’: Diane von Furstenberg’s Lifelong Commitment to Empowering Women, Fashion and Philanthropy

Though her fame as a designer came through the success of her iconic wrap dress, Diane von Furstenberg has said, “I don’t think I had a vocation for fashion; I had a vocation to be a woman in charge.”

Towards the end of the exhibit—on display at the Skirball Cultural Center in Los Angeles until Aug. 31, 2025—a QR code directs visitors to sign up for her more recent innovation: the “InCharge platform,” which serves as “a place to rally, where we use our connections to help all women be the women they want to be.” Its aim urges women to make “first a commitment to ourselves” by “owning who we are” and then to use the platform to “connect, expand, inspire, and advocate.” It is her latest project in a lifetime of advocacy meant to strengthen women.