‘Freda’ Is the Film We Need Now

Because Haiti is in the news again, we are bombarded with stories about unrelenting political turmoil, destabilizing unrest and crippling poverty.

Set in contemporary Port-au-Prince, Gessica Généus’s film Freda affirms that not only do Haitian women exist, but that their existence is replete with complexity and beauty. A feminist film in every way, Freda’s commitment to the female characters especially asks us to carefully consider what we look for when we see Haitian women.

The War on Women Report: Anti-Abortion Movement Says It’s ‘Pro-Woman’; Kanye West’s Misogynistic Slurs; Brittney Griner’s Appeal Rejected

U.S. patriarchal authoritarianism is on the rise, and democracy is on the decline. But day after day, we stay vigilant in our goals to dismantle patriarchy at every turn. The fight is far from over. We are watching, and we refuse to go back. This is the War on Women Report.

This month: The anti-abortion movement frames its tactics as “pro-woman,” Kanye West claims Black women are engaging in genocide, the House Committee votes to subpoena Trump, Brittney Griner’s appeal is rejected and more.

‘I’m This. I’m That. I’m Many Things’: Pratibha Parmar on Andrea Dworkin and ‘My Name Is Andrea’

Pratibha Parmar’s 2022 film about Andrea Dworkin brought both pushback and praise within feminist and queer communities. In this Q&A, Parmar shares her thoughts on reactions to the film but also about her interest in Dworkin.

“There is an arc between generations of female artists’ protesting violence against women. And I want Andrea’s voice to be part of the conversation on its own terms and in its complexity.”

The Bonobo Sisterhood Versus White Supremacist Patriarchy

Diane Rosenfeld’s new book The Bonobo Sisterhood: Revolution Through Female Alliance is a call to action, a way forward and societal shift that can free us from the grips of patriarchy.

“The bonobos are peaceful, loving, food sharing, freely sexual and xenophilic, meaning they love strangers, they do not fear them,” because “they have nothing to fear,” she writes. In the bonobos, Rosenfeld finds proof positive that “patriarchy is not inevitable.”