‘Mercutio Loves Romeo Loves Juliet Loves’ Brings Joy Into Its ‘Queer Kinda’ Adaptation at NYC Theater

Boomerang Theatre Company’s premiere production of Mercutio Loves Romeo Loves Juliet Loves by Gina Femia is keenly, tenderly aware of the pain of high school theater and being a teenage girl.

Directed by Scott Ebersold, the play is “a new queer kinda adaptation of Romeo and Juliet,” according to Boomerang’s online program, marking the first-ever production of Femia’s new play.

Mercutio Loves Romeo Loves Juliet Loves is running at The Jeffrey and Paula Gural Theatre at ART/New York until Nov. 24, 2024.

The ‘Woman in Charge’: Diane von Furstenberg’s Lifelong Commitment to Empowering Women, Fashion and Philanthropy

Though her fame as a designer came through the success of her iconic wrap dress, Diane von Furstenberg has said, “I don’t think I had a vocation for fashion; I had a vocation to be a woman in charge.”

Towards the end of the exhibit—on display at the Skirball Cultural Center in Los Angeles until Aug. 31, 2025—a QR code directs visitors to sign up for her more recent innovation: the “InCharge platform,” which serves as “a place to rally, where we use our connections to help all women be the women they want to be.” Its aim urges women to make “first a commitment to ourselves” by “owning who we are” and then to use the platform to “connect, expand, inspire, and advocate.” It is her latest project in a lifetime of advocacy meant to strengthen women.

November 2024 Reads for the Rest of Us

I hope, I hope. Until then, I read. 

Reading makes me a better, kinder, more empathetic person. It helps me not to feel so alone and so discouraged. It counteracts the desperation and uncertainty I feel more often lately.

So, friends, here’s to reading. And here’s to hope. And here are the 20 soothing, motivating, educating, loving and ass-kicking books releasing this month that I recommend.

New Ad Creates ‘Permission Structure’ for Men to Support Harris

Among the most memorable ads of the political season are a pair of 30-second spots with explicitly gendered themes featuring voiceovers from two of America’s most beloved movie stars. The ads each play on the idea of “permission structures,” the assumption that voters sometimes need to be given permission to vote for a candidate or party that is not popular with their social group.

During this election cycle, Democrats and Democratic-aligned groups seem finally to have figured out that they need to respond, in part by creating a special kind of permission structure for men to support them. Permission for men to vote for their values and conscience just might make a difference in what promises to be a very close election.

Free Screening: World War I Documentary ‘The Hello Girls’ Introduces the First Women Allowed to Serve in the U.S. Military

In honor of Veterans Day (celebrated each year on Nov. 11), the nonprofit organization Foundation for Women Warriors is set to host a screening of the powerful documentary The Hello Girls on Nov. 6, 2024. This screening aims to shed light on the extraordinary stories of women who broke barriers and paved the way for women’s role in the military.

The documentary tells the inspiring tale of 223 women who answered President Woodrow Wilson’s call to serve their country during World War I. The Nov. 6 event will feature a screening of the documentary, followed by a panel discussion with experts on women’s history and feminism. Attendees will gain insights on the Hello Girls’ experiences and their enduring impact on society.

Documentary ‘The Young Vote’ Introduces America to the Young People Shaping Its Future

The Young Vote is a powerful documentary by Diane Robinson, now streaming on PBS. The film highlights the stories of young changemakers.

One of the opportunities young people have to shape their future in the U.S. is the chance to participate in the democratic process and vote. Even where there are free and fair elections, voters need to increasingly navigate their way through fake news, AI-generated deep fakes, and a splintered and polarized media landscape where it’s more difficult than ever to know what to believe and who to trust.

Hollywood’s Role in Perpetuating the ‘Angry Black Woman’ Trope

After Vice President Kamala Harris recently completed an interview with a combative Fox News host, pundits agreed she “gave a master class on what it means to be a Black woman in politics” by demonstrating cool, calm, effective leadership. The Grio’s Gerren Keith Gaynor noted she avoided the “angry Black woman” trope—a stereotype that not only permeates politics but has deep roots in the entertainment industry. 

In recent years, a more diverse and empowering portrayal of Black women on the big screen has celebrated complexity and identity. For nearly all of its existence, though, Hollywood has been anything but inclusive, often illustrating one-dimensional perspectives of Black women. The history of inadequate representation—and certainly positive representation—helped form the “angry Black woman” stereotype, among other false narratives. 

Documentary ‘Zurawski v. Texas’ Shows the Horror of Abortion Bans—and the Bravery of Those Who Fight Them

As voters head to the ballot box to vote for the very leaders who will directly decide their reproductive healthcare access, the documentary Zurawski v. Texas is on national tour, screening in movie theaters across the country.

Executive produced by Hillary and Chelsea Clinton and directed by Maisie Crow and Abbie Perrault, the film achieves the remarkable, bringing audiences directly into the lives of three plaintiffs and their lawyer in the groundbreaking lawsuit from the Center for Reproductive Rights challenging Texas’ abject failure to honor medical exceptions under its abortion ban. The documentary gets up close and personal, shedding light on the devastating consequences experienced by each of the women—their doctor’s appointments, family interactions, surrogacy attempts, courtroom testimonies and a heart-wrenching funeral—at the hands of the state.