“Resist Everything but Temptation” analyzes Oscar Wilde’s anarchist philosphies and offers a way of framing creative work that can lead us to its more conscious political use.
Through a brand-new website, the team behind #PeriodFutures decided to take action in the hopes of tackling the many challenges that riddle the menstrual health industry—from access, affordability and sustainability, to education and stigma.
Posing in front of mosaic tiles and Victorian paintings, sporting handmade outfits like feathered, cotton candy-colored dresses or quarantine-friendly bathrobes, a young woman exposes the misogynistic undertones of art at big-name museums like the National Gallery in London and the Getty in Los Angeles. She stands at about a foot tall with an annotated notecard on a small wooden stick in hand. Her name is Barbie.
Why are there not more recognized women artists in museums? Why are artworks by women—especially native artists who are women—classified as a separate and distinct form? That is, not as art but as craft? “Hearts of Our People: Native Women Artists” goes right to the core of that question.