More Than A Magazine, A Movement
As a medical professional, I felt it was my duty to give the millions of pregnant people misled by people like David Reardon the correct information regarding this life-saving medication.
Self-managed abortion through pills is a life-saving method for many. And Americans deserve to know it’s safe, private and effective.
Girls are showing up, shaping popular culture for the better. Their choices tell us about friendship, connection, and how to forge joy in this world.
Of course, the power of girls as consumers and taste-makers isn’t new. And life remains pretty damn hard for young people. But when I see the Swifties in their ecstatic thrall, or the pink-clad Barbie hordes stampeding toward the theater, I think: We could all use a little more of that sincerity and exuberance in our lives.
In Barbie, Greta Gerwig pushes her message of feminist disruption as far as she can for a mainstream movie. She is reckoning with Barbie’s legacy and literally rewriting the script through active questioning and engagement. It’s a huge start.
In Barbie, Greta Gerwig creates a world where femininity is celebrated in the mainstream.
What does Barbie mean to a Black woman who was once “the Black girl”?
She reminds me that representation does not always come in the form of a person; sometimes, it’s a doll that allows you to embrace your creativity, dreams and imagination far beyond what society believes you are capable of … all in pink stiletto heels.
From the Summer 2008 issue of Ms. magazine:
The summer of 1973 was the season of the supermama: kickass Black women such as Pam Grier and Tamara Dobson, who starred in big-screen “Blaxploitation” action films.
The cultural nostalgia for Blaxploitation has never really died. And at the movies in recent years, Black women continue to be underrepresented among the latest kick-butt heroes. Yet my hope for new supermamas survives. The screen and action cinema not only have room for Black women—but need them.
(For more iconic, ground-breaking stories like this, pre-order
50 YEARS OF Ms.: THE BEST OF THE PATHFINDING MAGAZINE THAT IGNITED A REVOLUTION (Alfred A. Knopf)—a collection of the most audacious, norm-breaking coverage Ms. has published.)
The U.S. ranks as the 19th most dangerous country for women, 11th in maternal mortality, 30th in closing the gender pay gap, 75th in women’s political representation, and painfully lacks paid family leave and equal access to health care. But Ms. has always understood: Feminist movements around the world hold answers to some of the U.S.’s most intractable problems. Ms. Global is taking note of feminists worldwide.
This week: News from Somalia, Afghanistan, Burundi, Egypt, Germany, and more.
The NCAA women’s March Madness tournament just broke all records for attendance and TV viewership. But what pundits and fans have been talking about is LSU forward Angel Reese’s giving Iowa’s sharp-shooting National Player of the Year Caitlin Clark hell with a couple of hand gestures.
Still, Reese has everyone talking, doesn’t she? Is that really a bad thing for women’s basketball?
From the August 1986 issue of Ms.:
“Men’s novels are about men. Women’s novels are about men too, but from a different point of view. You can have a men’s novel with no women in it, except possibly the landlady or the horse, but you can’t have a women’s novel with no men in it.”
“Men’s novels are about how to get power. Killing and so on, or winning and so on. So are women’s novels, though the method is different. In men’s novels, getting the woman or women goes along with getting the power. It’s a perk, not a means. In women’s novels, you get the power by getting the man.”
The vulva is the oldest and most common object in prehistoric art. Carved in stone or painted on cave walls, images of the vulva were created around the world. Once revered, the vulva’s inherent power in bringing forth new life made it dangerous, and men tried—and are still trying—to denude it of power, tame, control and erase it.
