More Than A Magazine, A Movement
Tiffany Shlain’s Dendrofemonology, presented by the National Women’s History Museum and Women Connect4Good, remakes the historical tree ring into a timeline of the story of women and power in society.
The feminist history tree ring will be on display from Nov. 1-4, 2023, at the National Mall in Washington, D.C.
In Barbie, Greta Gerwig creates a world where femininity is celebrated in the mainstream.
The U.S. ranks as the 19th most dangerous country for women, 11th in maternal mortality, 30th in closing the gender pay gap, 75th in women’s political representation, and painfully lacks paid family leave and equal access to health care. But Ms. has always understood: Feminist movements around the world hold answers to some of the U.S.’s most intractable problems. Ms. Global is taking note of feminists worldwide.
This time with news from Iran, Colombia, the Vatican, India, Zimbabwe, Luxembourg, and more.
A new groundbreaking exhibit at the University of Pennsylvania Architectural Archives recovers the story of a 19th-century architect named Minerva Parker Nichols (1862-1949). She was one of the country’s first woman architects, practicing in Philadelphia in the 1880s and 1890s. Over her lifetime, she designed over 80 buildings across the country, but Nichols has been largely forgotten.
The exhibit hopes to change that. It runs from March 21 to June 17 at University of Pennsylvania’s Architectural Archives and will then travel to University of Massachusetts, Amherst next year.
The U.S. ranks as the 19th most dangerous country for women, 11th in maternal mortality, 30th in closing the gender pay gap, 75th in women’s political representation, and painfully lacks paid family leave and equal access to healthcare. But Ms. has always understood: Feminist movements around the world hold answers to some of the U.S.’s most intractable problems. Ms. Global is taking note of feminists worldwide.
This month: News from Sierra Leone, Brazil, Senegal, India, China, Haiti, Saudi Arabia, Indonesia, and more.
Ms. Muse is a discovery place for riotous, righteous and resonant feminist poetry that nourishes and gives voice to a rising tide of resistance—brought to you by Ms. digital columnist Chivas Sandage.
What childhood experiences with language informed your relationship with poetry and life? How did you first find your voice?
In 2015, sisters Yusra and Sara Mardini, trained as professional swimmers by their father, fled Syria with hopes of escaping their war-torn homeland. During the harrowing 25-day journey, the dinghy’s motor broke and the boat began to sink—so Yusra and Sara jumped into the frigid waters to drag the boat to shore. Eventually granted asylum in Germany, Yusra began training again at a Berlin pool and was selected to compete as part of the Refugee Olympic Team at the 2016 Rio Olympics.
Their story has been captured in The Swimmers, an evocative biographical drama directed by Sally El Hosaini and released on Netflix last month. In this Q&A, Sally El Hosaini and Yusra Mardini discuss the experience of making the film, how to tell true stories, and what they hope viewers will take away.
Ms. Muse is a discovery place for riotous, righteous and resonant feminist poetry that nourishes and gives voice to a rising tide of female resistance.
How do you redeem a woman’s worst nightmare lived—or at least one of them? How do you give a mute, silenced or dead woman a voice? These are a few of the questions answered by Melissa Studdard’s poems.
“after I died / I put my clothes back on. / Like women do. / When everything has been taken.”
Jennifer Baumgardner, founder and editor of LIBER: A Feminist Review, believes that a literary journal can be a place where women’s history intersects with today’s most pressing feminist debates. Baumgardner and Charis Caputo, LIBER’s senior editor, aim to include “a lot of diferent perspecives and be a big feminist tent for as many people as possible.”
The Southern Black Girls & Women’s Consortium has published an open letter in support of rapper Megan Thee Stallion, denouncing violence against women.
“There is no amount of power or prestige that can prevent a woman from becoming a victim of violence and there is no level of achievement that exempts women from our society’s complacency with that violence.”