“Top Girls” is Top-Notch Feminist Theater

Few women playwrights have garnered as much praise and generated as much controversy as Caryl Churchill. Her work has been called feminist, post-modern, post-colonial, Marxist, experimental, irritating, innovative, ludicrous and brilliant. She has worked with feminist collectives such as Monstrous Regiment and at establishment institutions such as the Royal Court Theatre, where she was the […]

Binders Full of Women and People-of-Color Playwrights

At a recent panel on diversity in Southern California theater, several of the artistic directors on the panel trotted out familiar platitudes about their commitment to diversity, their willingness to challenge their audiences with plays about people that don’t look like them and their desire to build a more diverse audience. Yet these same artistic […]

Women’s Bodies in Oscar-Nominated Films

One of the Oscars’ main gender problems is the Academy Award for Best Picture. Most films are produced by teams of both men and women, making segregation in that category impossible. And yet, the Best Picture category is where we can see the clearest evidence of the Academy’s preference for male-driven films.

How Much Do You Know About “Women’s Lib”?

During my years as an undergraduate at the University of North Carolina at Chapel Hill, I took as many classes as I could in their well-reputed women’s studies department. When I was required to take a sociology class, I took “The Foundations of Feminism.” For my philosophy requirement, I chose “Philosophy of Feminism.” A literature […]

Attacking Rape Culture with Gallows Humor

TRIGGER WARNING: Discussion of rape and rape culture … When Jessie Kahnweiler started talking about making a comedic short film called Meet My Rapist about her personal experience with rape, everyone from friends and family to Hollywood insiders to feminists wary of offending victims urged her to rethink the idea. A P.R. consultant urged her to […]

A Feminist Guide to Horror Movies, Part 4

When the film industry finds an idea that works, they tend to use it again and again. And again. In the realm of horror, once a franchise has spawned seven or so sequels, filmmakers capitalize on name recognition by simply going back to the beginning and starting over. This Halloween season’s Carrie represents the fifth […]