I believe that the things we don’t express will kill us. Kill us as a country, kill us as people. Paula Vogel Walking the streets of Philadelphia is like walking through time. Reenactors in colonial garb occupy park benches and linger next to food carts, ready to regale passers-by with stories of our […]
Few women playwrights have garnered as much praise and generated as much controversy as Caryl Churchill. Her work has been called feminist, post-modern, post-colonial, Marxist, experimental, irritating, innovative, ludicrous and brilliant. She has worked with feminist collectives such as Monstrous Regiment and at establishment institutions such as the Royal Court Theatre, where she was the […]
Deborah Salem-Smith’s play Love Alone is an intimate play about family and grief that also manages to take on gay rights and medical malpractice.
The success of The Light in the Piazza (it won eight Tony Awards) proves, yet again, that stories by women—even women in their late 40s!—do sell tickets and do make great art.
Given the astonishing range of theater being made by women and people of color all over the country, the reluctance of major theaters to walk the walk they talk is increasingly at odds with the reality of American theater as a whole. Yet somehow, the argument is still being made that there just aren’t plays out there by women and people of color that are ready to be produced in the big time.
One of the Oscars’ main gender problems is the Academy Award for Best Picture. Most films are produced by teams of both men and women, making segregation in that category impossible. And yet, the Best Picture category is where we can see the clearest evidence of the Academy’s preference for male-driven films.
During my years as an undergraduate at the University of North Carolina at Chapel Hill, I took as many classes as I could in their well-reputed women’s studies department. When I was required to take a sociology class, I took “The Foundations of Feminism.” For my philosophy requirement, I chose “Philosophy of Feminism.” A literature […]
TRIGGER WARNING: Discussion of rape and rape culture … When Jessie Kahnweiler started talking about making a comedic short film called Meet My Rapist about her personal experience with rape, everyone from friends and family to Hollywood insiders to feminists wary of offending victims urged her to rethink the idea. A P.R. consultant urged her to […]
Already missing Halloween? Me too. Much to my dismay, this October featured only one horror movie release with Carrie. The next installment of Paranormal Activity (we’ve had one every October for the last three years) was moved to 2014, but moviegoers were able to catch a preview before screenings of Carrie, and it looks like […]
Carrie is largely about how women find their own channels of power, but also what men fear about women and women’s sexuality. Writing the book in 1973 and only three years out of college, I was fully aware of what Women’s Liberation implied for me and others of my sex. Carrie is woman feeling her […]