‘Pink Belt’ Documentary Follows Aparna Rajawat’s Mission to Train Women and Girls in Self-Defense Across India

PUBLISHED 4/17/2026 by

Even as a child, Aparna Rajawat could see how boys in India were more respected, safer and freer than girls.

Wanting a way to defend herself, Rajawat cut her hair short and disguised herself as a boy, attending karate lessons behind her father’s back with the help of her mother and sister. By the time he discovered her secret, she was so good her coach was able to convince her father to let her continue. She went on to become a national champion and compete internationally, all while she was a teenager.

But that’s only the beginning of Rajawat’s story—a story in which her own achievements are only a backdrop to a life-long quest to inspire other Indian women and girls to achieve their dreams and protect themselves in a country where, despite its many advancements, incidents of sexual assault are still rampant and survivors struggle to get justice.

Enter Pink Belt Mission, Rajawat’s nonprofit, through which she works as a motivational speaker as well as training thousands of girls and women in self-defense.

It’s also the subject of a new documentary directed by John McCrite. A remarkable film, Pink Belt starts with Aparna Rajawat’s story, but goes much further, illuminating a path for anyone who cares about human rights to take that first step towards making a difference in their own communities and beyond.

Fewer Teen Births Is Good, Unless You’re the Patriarchy

PUBLISHED 4/17/2026 by

How on-brand for the federal government to announce that U.S. birth rates are falling—just as The Testaments, the long-awaited sequel to The Handmaid’s Tale, dropped on Hulu.

In the fictional nation of Gilead, first envisioned by Margaret Atwood in her 1985 dystopian novel and expanded on screen for nearly a decade now, declining fertility catalyzed a Christian nationalist revolution in modern-day America, spawning a society rooted in patriarchal dominance and state-sanctioned violence. The Testaments, now three episodes in, is making a deliberate appeal to Gen Z and young viewers, featuring the spectacularly savvy Chase Infiniti and Lucy Halliday among Gilead’s tradwife-in-training rebels.

Doubly fascinating then, that it is the real-life status of teen birth rates in particular now driving the news. In a drop considered “extraordinary” by statisticians, the number of babies born to mothers between the ages of 15 and 19 fell by 7 percent in 2025.

Nevertheless, many on the right jumped directly into the fray to publicly lament that teens are having fewer babies.

Black Feminist Visionary Beverly Guy-Sheftall to Discuss New Book ‘Black! Feminist! Free!’ @ LA Ms. Mag HQ, April 23

PUBLISHED 4/14/2026 by

A leading voice in Black feminist scholarship will take center stage in Beverly Hills later this month, as Beverly Guy-Sheftall joins professor and dean emerita Bonnie Thornton Dill for a public conversation on her new book, Black! Feminist! Free!

The event, hosted at Ms. magazine headquarters in Los Angeles on Thursday, April 23, from 6 to 8 p.m., is free and open to the public. Attendees can expect an evening of reflection, dialogue and community, with light refreshments provided. Copies of Guy-Sheftall’s book will be available for purchase on site, followed by a signing hosted by Reparations Club. RSVP today!

‘First They Came for My College’: The Takeover of a Florida College and the Students Who Refused to Disappear

PUBLISHED 4/9/2026 by

When I told coworkers and friends I was going to see a documentary about the right-wing takeover of a small public Florida college, the reaction was immediate and unanimous: Why would you do that to yourself? Too depressing. I’d be too angry.

They weren’t wrong. Premiering at SXSW last month and directed by Patrick Bresnan, First They Came for My College is, at times, almost unbearable to watch—a slow, procedural dismantling of a public institution, carried out in meeting rooms and press conferences and budget lines.

But what stayed with me wasn’t only the anger—it was the stubborn, surprising insistence on community, joy and showing up anyway.

These Fathers of Trans Children in the U.S. Are Deconstructing Their Own Masculinity to Become Better Parents

PUBLISHED 4/9/2026 by

The Dads, a new feature-length documentary, follows the fathers of trans, nonbinary and gender-expansive children as they weather the rapid escalation of anti-trans legislation in the United States over the past two years. Directed and produced by Luchina Fisher, the film debuted last month at the South by Southwest (SXSW) Film Festival.

The film bears witness to parents’ struggle with whether to stay in the United States or move abroad in face of bans on restrooms, sports and gender-affirming care for trans youth.

In the end, The Dads is about faith—faith in the experiment of the United States, faith in dads to know who their children are and how best to protect them, and faith in all dads to grow and learn who they are. 

Sinead O’Connor Was Right: It’s Time to Revisit Some of Pop Culture’s Most Maligned Women

PUBLISHED 3/24/2026 by

An excerpt from Allison T. Butler’s The Judgment of Gender: How Women Are Centered and Silenced in Pop Culture, published March 8, 2026:

While Sinead O’Connor was roundly criticized for ripping up the picture of the pope, the passage of time has revealed: She was right.

O’Connor was labeled a pop star, but she never saw herself that way. From Rememberings: “Everyone wants a pop star, see? But I’m a protest singer. I just had stuff to get off my chest. I had no desire for fame.”

Netflix Documentary ‘Inside the Manosphere’ Exposes a Digital Pipeline to Misogyny

PUBLISHED 3/22/2026 by

On March 11, Netflix released Inside the Manosphere, a new documentary by Louis Theroux that hit the No. 1 spot on Netflix. It is an uncomfortable but necessary examination of how the manoverse—a loose conglomeration of men’s rights and red pill influencers, podcasters and politicians—exploits and harms young boys and teenagers.

At the heart of the documentary is a profound inequity in the influencer space between the experiences and expectations of men and women. While the male content creators are eager to proclaim traditional values, they exalt “one-sided monogamy,” where they expect women to remain loyal to them (“my wife doesn’t talk to any men”) while they have multiple partners. While they shame women who do sex work on OnlyFans, one of the influencers, Harrison Sullivan, funds an OnlyFans creator house. His excuses—that it’s just business, that he would never allow his own daughter to do OnlyFans—attempts to create distance and deniability between him and his commercial choices and consequences. 

A majority of the influencers Theroux speaks to seem to be aware of the harm they cause. Sullivan even warns Theroux that young teenage boys should not be watching their content, and blames the parents that would allow their children to consume this content. Several seconds later, we see the influencer taking photos with young fans.

What’s worse is witnessing how damaging the manosphere rhetoric is to men.

When content creator Justin Waller meets up with two of his fans on the street, one of them shares, “He’s one of my greatest role models,” and when asked what he has learned from Waller and others’ content says, “Life as a man, you’re born without value. We have to build that value.” Waller jumps in and says that women are born with value because of their beauty but “nobody’s gonna invite him on a trip to Miami. … He has to be valuable to other men.”

How devastating that these men are raised not just to accept, but to thank, influencers and content creators that tell them they are born without inherent value.