A Feminist Historian’s Year-End Reading and Viewing Guide

PUBLISHED 12/7/2025 by

As the year winds down, I find myself returning—as I always do—to the stories, performances and ideas that have shaped my teaching and thinking. Feminism’s past is never really past; it’s a living archive we carry with us, full of unresolved questions, missteps, breakthroughs and beautiful, complicated people. This year’s reading and viewing list reflects that sensibility.

Liberation forces its contemporary narrator—and its audience—to reckon with the impossible expectations we’ve placed on small groups of women in church basements.

Molly Jong-Fast’s memoir presses on the tender, maddening ties between feminist foremothers and the daughters who grew up in their shadow.

Sarah Weinman’s study of spousal rape laws exposes just how recently the law stopped treating wives’ bodies as open territory—while showing how fiercely survivors and advocates have had to push for change that should never have been controversial.

Making the Invisible Visible: How Misogyny Is Driving Rising Political Violence

PUBLISHED 12/4/2025 by

We have seen a rise in political assassinations and assassination attempts, along with violent extremist attacks that have ticked upward for years. Mass casualty plots in the U.S. have increased by over 2,000 percent since the 1990s, leading to the deaths or grievous injury of thousands of people in shootings at schools, grocery stores, theaters, parades, concerts, houses of worship and more.

In the search for explanations, the public and policy discourse is most often swept up in heated debates about far-left or far-right ideologies.

But the data shows that the biggest and clearest predictor of mass shootings, across ideologies, sits somewhere else: in rising gendered grievances, patriarchal backlash, and the perpetrators’ histories of gender-based violence and misogyny.

Shout Your Abortion Short Films Seek to Normalize Keeping Abortion Pills at Home: ‘You Always Have Options’

PUBLISHED 12/2/2025 by

The grassroots abortion-stigma-busting juggernaut Shout Your Abortion has released two new powerful public service announcements urging people across the U.S. to order abortion pills in advance to have on hand, in case they have an unwanted pregnancy.

Made by Detroit-based filmmaker Na Forest Lim, the short films follow two women—a teenager named Dani and a single mother in her 30s named Poppy—who find out they are pregnant and use abortion pills at home, supported by friends and family.

Both of the main characters have easy access to abortion pills: Dani’s friend arrives with pills in her backpack, and Poppy keeps a pack tucked away in her top dresser drawer.

Building on that vision of easy access, the Dani PSA shows what it looks like when abortion pills are already part of teenagers’ lives and a pregnancy never has the chance to become a crisis.

‘Liberation’ Playwright Bess Wohl on Theater as Resistance: ‘Theater Is Dialogue. Autocracy Is a Monologue.’

PUBLISHED 11/25/2025 by

At the Feminist Majority Foundation (publisher of Ms.) Global Women’s Rights Awards on Nov. 18 in Los Angeles, FMF honored the team behind the Broadway smash hit Liberation: playwright Bess Wohl, director Whitney White and Lisa Cronin Wohl, an OG Ms. writer from the 1970s.

“Theater is made up of dialogue. Autocracy is a monologue. Theater is about community: We watch a play together. Autocracy seeks to isolate us. Theater is about curiosity: A good play asks a question. Autocracy is not interested in questions, only in control.

“So, thank you, because in honoring this play, you honor the role of dialogue, community and questions in creating social change.”

Novel ‘Truth Is’ Shows What It Really Takes for a Teen to Get an Abortion in 2025

PUBLISHED 11/22/2025 by

Truth Is is a pro-choice novel in every sense of the phrase. Truth’s choice to move forward with an abortion is made early on in the novel and the majority of the book focuses on her life and her choices after her decision.

I hope that years from now, a student picks up this book and reads about the challenges that the book’s main character Truth faces and goes, “Is that really how it was back then?”

For adults who engage with Truth’s story, I want us to consider the limitations we sometimes unknowingly put on young people. I want us to consider the heights young people could reach if they were granted opportunities and community support, the way Truth ultimately does in the novel.

Trump’s War on Women Journalists Reveals His Fear of Truth

PUBLISHED 11/21/2025 by

There is a cold wind that blows every time Donald Trump opens his mouth to belittle a woman who dares to ask him a question. Last week, that wind swept through Air Force One when Bloomberg reporter Catherine Lucey pressed him on the Epstein files. A reasonable question in a democracy: If there’s nothing incriminating, why fight so hard to keep the documents sealed? Trump wheeled toward her, finger stabbing the air, and snarled, “Quiet! Quiet, piggy.”

Lucey returned two days later—undaunted. Her courage was met with more schoolyard taunts: “You are the worst … I don’t know why they even have you.”

That is the tell of a man losing control: a loud desperation masquerading as swagger. The sound of someone terrified that truth might be closing in.

And we will keep telling the truth about Trump, about Epstein, about the women and children harmed, exploited, dismissed, erased. We owe it to the victims who never got to ask their own questions.

When the Headline Gets It Wrong: Feminism Isn’t the Problem—Patriarchy Is

PUBLISHED 11/8/2025 by | UPDATED 11/13/2025 at 9:49 A.M. PT

When I saw the headline “Did Women Ruin the Workplace? And if So, Can Conservative Feminism Fix It?” in The New York Times Opinion section, my heart sank. It felt like a headline torn from another era—a provocation that had no place in 2025.

False accusations remain extremely rare—estimated at between 2 percent and 8 percent of reports—while roughly two-thirds of sexual assaults are never reported at all. The crisis is sexual violence, not accountability.

Yet, for centuries, women have been labeled “emotional” or “petty” to justify their exclusion from leadership and public life. Hearing these stereotypes revived in 2025—in The New York Times, no less—is disheartening. At a time when reproductive rights are being stripped away and women’s autonomy is under attack, we don’t need pseudo-intellectual nostalgia for patriarchy disguised as debate. We need truth, solidarity and progress.

The message from the writers is clear: Women should know their place. But women already do—it’s everywhere decisions are made, everywhere power is exercised, everywhere the future is being built. We’re not staying in our lane. We made the road. And we’re not going anywhere.

Fear, Privilege and the Illusion of Safety in ‘Only Murders in the Building’

PUBLISHED 11/7/2025 by

As Hulu’s Only Murders in the Building unfolds, safety begins to look less like locked doors and more like open conversation.

The friendship among Charles (Steve Martin), Oliver (Martin Short) and Mabel (Selena Gomez) is where this transformation starts. Mabel—young, Latina and less financially secure—doesn’t fit the Arconia’s image of who belongs. But through her, Charles and Oliver begin to question the false comfort of wealth and privacy. Together, they build a kind of safety grounded in trust and shared vulnerability.

By its later seasons, Only Murders has redefined what security means. It’s no longer about who can afford to keep others out—it’s about who’s willing to let others in. The show suggests that real safety comes not from walls, locks or property values, but from empathy, care and connection.

Through Art and Storytelling, Artist Harmonia Rosales’ First Book Brings African-Centered Myths to Life

PUBLISHED 11/3/2025 by

When Harmonia Rosales first unveiled The Creation of God in 2017—a reimagining of Michelangelo’s The Creation of Adam with a Black woman as the divine—she didn’t just challenge art history; she remade it in her image. With her brush, Rosales flipped the script on Western depictions of power, beauty and divinity, centering Black womanhood and African spiritual traditions long erased from the canon.

Her new book, Chronicles of Ori, continues that reclamation through story. A lushly illustrated volume rooted in Yoruba mythology, the work brings to life the Orishas, divine figures of West African cosmology, and weaves them together with familiar names like Eve—both biblical and mitochondrial—into a mythology that claims space for the African diaspora beyond enslavement.

“I felt that we needed a mythology,” Rosales told Ms. “We needed something to connect to besides enslavement, because that’s what seems to be in the Western canon.”

With Chronicles of Ori, she offers that connection: a world where African gods are unmasked, women embody creation itself, and the sacred is painted in brown skin. Through her art and her words, Rosales restores what history fragmented—melding spirituality, storytelling and imagination into what she calls a new kind of mythology, one that reclaims both memory and power.