More Than A Magazine, A Movement
The following poems of resistance are written by five poets who identify as women or once did. These poems are about our lives, our mothers and grandmothers, our younger selves and changing selves. The myths, lies and abuse we were raised on. Our beauty and our truths, our lovers and marriages, children and childlessness. The particular deals we make with our lives and “the true honey of freedom.”
Our poetry and stories—our songs—bring us together, remind and ignite us, and make us strong.
It took bravery for Rep. Ayanna Pressley (D-Mass.) and Jada Pinkett Smith to reveal their alopecia and rock a shaved head. The two revived the national conversation around alopecia—an autoimmune disease in which the body attacks its healthy hair follicles.
“To be bald as a woman really does disrupt conventional and societal norms of what is appropriate, what is professional, what is attractive, what is feminine,” said Pressley.
Victoria Chang’s website lists her as “poet, writer and editor”—but just three words can’t contain all that she does or who she is. She is also a teacher at Antioch University, MBA graduate, editor of the New York Times Magazine’s poetry column, Guggenheim fellow, YA novelist and children’s picture book author, as well as other hybrid work. She’s also a mother, friend and tireless advocate for more representation within the literary world.
In this interview, we discuss her influences, past and present projects, and how claiming ambition is still contested for a woman in the literary world.
Over the course of 15 years, Ellen Warner—American photojournalist, portrait photographer and author—interviewed and photographed women from different cultures about life after age 50. These women ranged from an author and translator in Connecticut, to a sacred healer in Indonesia, a doctor in Saudi Arabia, a retired cook in Antigua, and the first French woman TV anchor.
These photos will be on display at the Women’s Studies Research Center at Brandeis University in Waltham, Mass., part of a solo art exhibition titled, “The Second Half: Forty Women Reveal Life After Fifty,” on view from Sept. 30 to Oct. 29, 2022.
Daniella Mestyanek Young’s powerfully immersive and exceptionally honest debut memoir Uncultured describes her childhood growing up in the Children of God cult.
I also grew up in a cult. I know that the path out—both physically and emotionally—involves education, critical thinking, and taking one’s power back.
Some employees of the “happiest place on Earth” can barely afford housing and food, while the CEO makes an annual salary in the multi-millions.
“Without collective bargaining, in some form, whether it’s unions or some other para-union type organizations, we all live at the mercy of Jeff Bezos, we all live at the mercy of Bob Iger. Is that really the society you want to live in?” Abigail Disney told Ms., ahead of her new documentary, The American Dream and Other Fairy Tales, out in select theaters and on streaming Sept. 23, 2022.
Weekend Reading for Women’s Representation is a compilation of stories about women’s representation.
This week: U.S. women’s soccer team officially secures equal pay; Black women win big at the Emmys; how ranked-choice voting would help women candidates compete in New York City; and more.
In the dating show franchise’s 20-year history, there have only been two self-identified plus-sized contestants—and both went home on night one. This campaign is hoping to change that.
Ms. has always understood: Feminist movements around the world hold answers to some of the U.S.’s most intractable problems. Ms.. Global is taking note of feminists worldwide.
This week: Scotland paves way for period poverty movement; volunteers provide menstrual products in Pakistan, amid floods; Pride marches in Poland; Spain passes “yes means yes” consent law; and more.
Colleen Hoover’s best-selling novel, It Ends With Us, was the sixth best-selling book of 2021, BookTok is going nuts over it and USA Today called it “the kind of book that gets handed down.” The novel centers on the relationship between Lily and Ryle, a young newlywed couple who live in Boston.
Hoover’s writing is being touted as part of a resurgence of romance writing, but It Ends With Us is not a romance novel; it’s a celebration of toxic masculinity.
