Herstory

An ‘Old Boy’s Network’: Groundbreaking Report Exposes Decades of Catholic Clergy Abuse and Ongoing Protection of Abusers

PUBLISHED 10/14/2026 by and

Massachusetts Attorney General Andrea Campbell released a 203-page report on Sept. 30 showing more than 270 Catholic priests abused at least 1,000 children over several decades in the dioceses of Fall River, Springfield and Worcester.

The report focuses on how church leadership, including bishops, perpetuated this abuse by failing to report crimes to the police, obstructing investigations into these crimes and repeatedly reassigning perpetrators to new parishes, where they abused even more children. The report also details the ways current Catholic leadership continues to circumvent policies and procedures designed to protect children.

“For decades, survivors of clergy sexual abuse, including those who are no longer alive, have carried the devastating consequences of abuse, while the institutions entrusted with their care too often failed to protect them,” said AG Campbell. “This report provides for the first time a public accounting of the unimaginable harms afflicted on children in the Fall River, Springfield and Worcester dioceses.”

This report is the latest of many revealing widespread clergy sexual abuse and institutional coverups in the Catholic Church and other male-dominated patriarchal religions.

The Massachusetts attorney general’s report catalogs testimony from several survivors of abuse, including Frank Fitzpatrick, who was repeatedly gang-raped by James Porter and other priests beginning when he was a 9-year-old altar boy.

“I am that boy. I carry him with me, always,” wrote Fitzpatrick. “He took your violence, you shameful enablers who do nothing but cover up and perpetuate the cycle of systemic abuse. You call yourselves representatives of God. God has no place in anything you stand for. God is safety; God is nurturing; God is protection; God is Love.”

From Mormonism to Ms. Magazine: A Former Tradwife’s Story of Unlearning Submission and Reclaiming My Voice

PUBLISHED 10/9/2026 by

The decades-long Christian nationalist movement and second Trump administration have vigorously pushed tradwife ideology to encourage vulnerable young women to abandon their autonomy in favor of a promised “easy life.”

As a former devout Mormon housewife—and now as a PhD student in history focusing on gender and sexuality and a feminist activist—I see tradwife propaganda, not as an innocent internet subculture, but as a calculated political ideology with a lived understanding of the harmful psychological socialization of these messages.

By sharing my journey from a devout Mormon to the pages of Ms., I hope to offer a stark warning to the young women being targeted by today’s algorithmic propaganda. 

‘The Story Is Not Finished’: Robin Morgan, Feminist Pioneer and Former Ms. Editor in Chief, in Her Very Last Interview

PUBLISHED 10/8/2026 by

I had the privilege of interviewing Robin Morgan this summer. It turned out to be her last ever interview, as it was only a few weeks for her death.

On a hot afternoon in August, I arrived at Morgan’s New York home, situated on a tree-lined block. “Come in, come in!” she exclaimed, gesturing with her hands from her front door.

Then there were the rows upon rows of books lining nearly every wall, all neatly organized. There were no nooks and crannies in Morgan’s apartment, only books. “I wish I’d written more,” she said to me quietly, looking at her overstuffed shelves. “I should have written more. I know I’ll be on my deathbed thinking, ‘I should have written more.’”

As we walked outside, she smiled and gestured at the true source of her pride: her garden. I marveled at the lush greenery and took great pleasure sitting under the shade of a large, ancient-looking linden tree while listening to the gentle bubbling of a small water fountain.

“I used to sleep out here,” Morgan said, pointing to a reclining day bed and smiling wistfully. Parkinson’s disease had reshaped her body, her speech, the ability to travel freely and her relationships. She was trying to “make something of the disease, rather than what it would make of me.”

Her formal politicization, not surprisingly, was rooted in the liberal left—and then it was not. The left, like all ideological political groups in those days, was male dominated. She joined leftist movements believing in shared liberation and thinking the genders “were marching together toward freedom and we were all equal—but we weren’t,” she said.

“The women were doing all the shit work, and the men were running around being leaders and heroes. It made me furious.” Her fury lit a spark under her and she wrote “Goodbye to All That,” a direct name-naming attack on the male left.

After Her Near-Fatal Pregnancy Crisis, Amanda Zurawski Is Finally a Mom

PUBLISHED 10/1/2026 by

In 2022, Amanda Zurawski became a national figure after she nearly died from pregnancy complications in Texas. Zurawski had conceived that pregnancy through intrauterine insemination (IUI), but when her water broke at 18 weeks, doctors delayed abortion care until she developed life-threatening sepsis. The infection left severe scarring in her reproductive organs, leading her and her husband, Josh, to pursue IVF and a surrogate, who gave birth to their son, August, on Sept. 13.

“August Mikel James Zurawski was born on Sep. 13, and he is happy and healthy. We are the happiest. … For the present, we hope to stay in Texas and fight. But now we have someone else to think about.”

Whitney Houston Was Always the Artist Behind Her Own Stardom

PUBLISHED 9/29/2026 by

In 1983, Whitney Houston appeared on The Merv Griffin Show to sing “Home.” The performance reveals the bright, complex selfhood Whitney sought to express even in spaces that were framed for her, not by her.

Whereas hosts today speak with artists themselves, not their male chaperones, the segment begins with Merv introducing not Whitney but Clive Davis, the head of her label, Arista, whom he praises as “a giant of a man, probably the most knowledgeable man the record business has ever known.”

The gesture was likely meant to secure the gentleman’s agreement, whereby Clive would break new Arista artists on the show.

Their exchange was as good a point of origin as any for the mythology always ready to spring up around the female artist: She is the raw material, the spark of gold, that the great man discovers and shapes.

Black women are often commandeered in this way, their rise attributed to some power beyond themselves, and to the men who recount their own crucial role to whomever will listen.

In ‘Lotus Leadership,’ Kamini Ramani Explores What Immigrant Daughters Owe the Mothers Who Taught Them to Be Strong but Quiet

PUBLISHED 9/25/2026 by

Before any of it, there was a girl on a bus. Kamini Ramani grew up in Bombay, trudging through knee-deep monsoon water to board the Number 122 red double-decker while watching for men who would try to grope girls in the crowd. She was also raised on stories about goddesses—fearsome women who fought back.

Ramani is clear about what came with those stories: pressure to achieve, expectations that women be humble and meek, and rules about whom they could marry or love. Every Indian daughter is handed two things at once: goddesses who fight back, and a warning never to be one of them. Her new book, *Lotus Leadership*, treats the two as separable.

In the interviews I’ve done for this series and for a book of my own, the story that surfaces is often about a mother: whether she made a single refusal or still resents that she never did. Either way, the daughter is the one who finds out what it was worth—and which parts of that inheritance she wants to carry forward.

(This piece is part of an ongoing series, Redefining Power: How Indian American Women Are Rewriting the Rules of Leadership, Identity and Care. The series explores what it means to modernize without losing our roots—through candid conversations with Indian American women reshaping culture, power and possibility.)

Amid Reproductive Rights Rollbacks, a New USPS Stamp Honors Sarah Orne Jewett, Who Imagined Lives for Women Beyond Marriage

PUBLISHED 9/24/2026 by

The U.S. Postal Service (USPS) issued a new stamp late last month honoring 19th-century writer Sarah Orne Jewett—putting a woman whose work centered on female independence and unconventional lives, into mailboxes and collection books across the country.

The stamp, the 35th in USPS’ Literary Arts series, was unveiled in Jewett’s hometown of South Berwick, Maine. Its portrait of Jewett appears against the Maine coast, a reference to her best-known work, The Country of the Pointed Firs. USPS says renewed interest in Jewett’s writing has been driven partly by her strong female characters.

In 2025, Ms. selected Abortion Stories: American Literature Before Roe v. Wade, edited by Karen Weingarten, as one of the most anticipated feminist books of the year. The published collection brings together literature documenting abortion before Roe v. Wade, including an excerpt from Jewett’s The Country of the Pointed Firs.

Jewett never explicitly writes the word “abortion” in the published passage. Instead, one of the novel’s central characters, Mrs. Todd, is an herbalist who gathers plants and receives women who arrive privately at her door seeking remedies and whispered instructions. Weingarten said she included the passage because abortion exists in its subtext, reflecting a period when reproductive knowledge could be encoded in language about women’s networks of care.

That history makes the timing of Jewett’s stamp particularly striking. More than four years after the Supreme Court overturned Roe v. Wade, abortion remains banned outright in 13 states, with additional states enforcing early gestational limits. Battles over reproductive healthcare continue at both the state and federal levels—from access to medication abortion, to funding for family-planning services.

Jewett’s face is now traveling through a postal system caught up in that debate, across a country still contesting reproductive freedom. The stamp itself makes no claim about voting or reproductive rights. But there is something notable about a federal institution commemorating a woman whose work has become part of the literary history of abortion at the same moment reproductive autonomy is again being fiercely contested.

No Liberation Without Community: In One of Her Final Interviews, Gloria Steinem on Her New Memoir, Chosen Family and the Future of Feminism

PUBLISHED 9/24/2026 by

“Feminism is positive, widely embraced and global. It is spreading and growing. That gives me hope.”

In one of her final interviews, the late Gloria Steinem discusses her new memoir and the optimism that fueled her feminism.

“The written word has always been magic to me,” Gloria Steinem—celebrated writer, feminist activist and cofounder of this magazine—observes in her charming new memoir, An Unexpected Life. “One of my greatest pleasures has always been opening a book and finding a friend.”

In this posthumous release, she gives us exactly that: a volume that is wise and witty, intimate and inspiring. It’s a chance to get to know her not as an icon, but as a friend.

Gloria and I chatted about the book the month before her death.

Respectability Politics and the Making of a Menopause Justice Movement

PUBLISHED 9/23/2026 by

After generations of silence, menopause has entered mainstream conversation with remarkable speed, thanks in part to Gen X’s insistence and the emergence of older millennials navigating perimenopause. People are finding language for once-isolating experiences, and researchers and clinicians are paying closer attention.

But this cultural reboot demands that we ask whose stories are treated as authoritative, whose leadership is recognized and resourced, and who can access the care and knowledge being produced. Paid memberships, subscription communities, influencer content, concierge care, exclusive events and information behind paywalls are rapidly turning menopause into a marketplace. Who gains power as the conversation grows?

What may once have operated as a strategy for surviving racial terror has hardened, in many contemporary institutions and marketplaces, into an entrance requirement: Prove you are polished, palatable, professionally credentialed, “properly” gendered, sufficiently resourced and nonthreatening before your suffering can be believed or your leadership affirmed.

We are therefore being asked to interrogate more than whose voices, stories and activism are championed and pushed to the forefront. We must also examine whose knowledge is treated as credible, whose testimony becomes evidence, and whose experiences are permitted to define the full breadth of menopause. If legitimacy still depends on proximity to whiteness, wealth, cisgender identity, able-bodiedness, professional status or institutional approval, then the table has not been transformed. It has simply diversified its guest list.

(This essay is part of the latest Women & Democracy installment, in partnership with Black Girls’ Guide to Surviving Menopause. Menopause is not only a physical transition—it is also cultural, social and political. Recognizing its full scope is essential to advancing true health and civic equity.)

What Rights Should the Constitution Protect? Alicia Keys and Leigh Blake Are Asking You to Decide

PUBLISHED 9/23/2026 by

On Saturday, Sept. 26, Alicia Keys will use a special performance at the Global Citizen Festival in New York City’s Central Park to amplify the People’s Bill of Rights 250, a civic initiative asking Americans to help define the rights the Constitution should protect during the country’s next 250 years.

During her “Alicia Keys & Friends” performance, Keys will bring the People’s Bill of Rights’ message—“WE THE PEOPLE. AGAIN.”—to tens of thousands of festivalgoers.

“The People’s Bill of Rights 250 is about … passing the mic,” says Keys, “making sure every voice gets heard, and giving people the power to shape what comes next.”

It asks Americans to participate in small online deliberations and ultimately vote on which ideas should move forward. Current deliberations ask Americans to consider whether healthcare, reproductive freedom, equality for women and girls, housing, education and environmental protections should be constitutional rights. You can add your own idea (if you feel like typing), or just swipe right or left on others’ ideas.

Leigh Blake, a longtime activist who has spent decades using music and culture to mobilize people around social causes, co-spearheaded of the People’s Bill of Rights 250. The project is an extension of a decades-long philosophy of activism: that ordinary people have more in common than they are told, that rights are inseparable from human dignity, and that meaningful changes come through collective action and service.

“There’s always going to be people on the fringes,” she says, “but I don’t think we’re divided as a country in the way we’ve been led to believe we are.”

Blake describes the initiative as operating almost like “politics without politicians.” Instead of waiting for elected officials to decide which issues deserve attention, Americans can propose their own ideas and vote on the proposals of others.