‘No One Wants to Talk About Women in Tech’: Why WIRED Made an Issue All About Women

Katie Drummond “can’t remember working with a single female editor during [her] first stint at WIRED.”

The magazine’s global editorial director put out one of the most relatable and heartbreaking editor’s letters in a long time, to commemorate the magazine’s first “Women Issue.” In it, she describes not only the cultural need (yes, still) for women’s issues in the publication, but also calls out her experience with gender discrimination—including some frankly gross comments made by her very own bosses and teammates—over the past 17 years.

She writes: “It’s gotten easier to be an ambitious woman, but if my own personal experience is any indication, not by nearly enough. The steady reminders of sexism and deeply ingrained gender dynamics have had consequences: I wonder, often, if I was granted certain jobs or opportunities for less-than-professional reasons; on the flip side, I also wonder if I got them to fulfill some kind of quota. … And I’ve got it relatively easy: If a white, straight woman working in media and technology deals with this much bullshit, imagine the experience of a woman who happens to be a person of color, or gay, or transgender.”

Drummond and her team decided it was more necessary than ever to talk about women in tech—and that they would need an entire issue of the magazine to do so.

In an interview with Ms., Drummond explains how the first-ever dedicated WIRED Women Issue came to be.

Respectability Politics and the Making of a Menopause Justice Movement

After generations of silence, menopause has entered mainstream conversation with remarkable speed, thanks in part to Gen X’s insistence and the emergence of older millennials navigating perimenopause. People are finding language for once-isolating experiences, and researchers and clinicians are paying closer attention.

But this cultural reboot demands that we ask whose stories are treated as authoritative, whose leadership is recognized and resourced, and who can access the care and knowledge being produced. Paid memberships, subscription communities, influencer content, concierge care, exclusive events and information behind paywalls are rapidly turning menopause into a marketplace. Who gains power as the conversation grows?

What may once have operated as a strategy for surviving racial terror has hardened, in many contemporary institutions and marketplaces, into an entrance requirement: Prove you are polished, palatable, professionally credentialed, “properly” gendered, sufficiently resourced and nonthreatening before your suffering can be believed or your leadership affirmed.

We are therefore being asked to interrogate more than whose voices, stories and activism are championed and pushed to the forefront. We must also examine whose knowledge is treated as credible, whose testimony becomes evidence, and whose experiences are permitted to define the full breadth of menopause. If legitimacy still depends on proximity to whiteness, wealth, cisgender identity, able-bodiedness, professional status or institutional approval, then the table has not been transformed. It has simply diversified its guest list.

(This essay is part of the latest Women & Democracy installment, in partnership with Black Girls’ Guide to Surviving Menopause. Menopause is not only a physical transition—it is also cultural, social and political. Recognizing its full scope is essential to advancing true health and civic equity.)

Why Blaming Sydney Sweeney Misses the Point

If you follow the mainstream press and social media, you would assume that Sydney Sweeney is an amazingly powerful 29-year-old woman. With her new hypersexualized ad for Novig, she stands accused of single-handedly debasing women, especially female athletes, and has, according to The New York Times, reversed decades of progress.

But if Sydney Sweeney refused to do the ad, thousands of other women would have happily taken her place.

It’s much easier to blame the individual woman—as we see in the media frenzy against Sydney Sweeney—than the real culprits: the violently misogynistic porn industry.

Activists Have Fought for Disability Justice. So-Called ‘Sickfluencers’ Still Face Medical Sexism.

Mainstream legacy media in the U.K. has found a new target: young disabled women.

Last week, Telegraph editor Poppy Coburn published “How having a disability became cool,” arguing so-called “sickfluencers” are “turning chronic illness into a lifestyle trend.” Just a month earlier, Times of London columnist Kathleen Stock suggested the disproportionate number of Gen Z women diagnosed with what she called “vague syndromes” may be experiencing “social contagion.” Both pieces cast suspicion on young disabled women and the ways they discuss chronic illness and use mobility aids, reflecting a growing strain of far-right rhetoric that treats disabled women’s accounts of their own bodies with suspicion.

Never Surrender: Empowered Wives Were Never the Problem

Over the past year, several women-focused articles in the New York Times declared feminism has gone too far, and put the onus on women to fix what is broken.

An article asking if liberal feminism “ruined the workplace” broke the internet late last year.

An article last month featured a conversation with influential, right-wing columnist Louise Perry, about how women need to change, in order to close the growing gap between men and women. Perry’s position justifies re‑inscribing patriarchal control over women’s bodies and sexuality in the name of “protecting” us.

I feel a familiar sense of disappointment in the recent feature, “Women Are Too Controlling, She Wrote. Her Message Still Resonates,” about Laura Doyle, author of The Surrendered Wife, a 2001 self‑help book and the basis for a relationship “movement” that teaches women to relinquish control in their marriages, defer to their husbands’ decisions (including finances), and focus on their own “self‑care” and gratitude to restore intimacy and harmony.

Each article asks a version of the same question: How should women change?

Doyle’s message and the broader “surrendered wife” ideology, is troubling.

What struck me even more was that one of the country’s most influential newspapers presented it as a growing cultural trend, without examining the cultural forces and gender expectations that have long reinforced this ideology.

Women and feminism don’t need to surrender. They were never the problem.    

Normalizing Entitlement: How Ordinary Moments Sustain Extraordinary Disrespect

Over the course of three days, three very different public moments involving Kristen Welker, Cardi B, Donald Trump, Charles Barkley and Jon Stewart left me thinking about the cultural permissions our society grants men—and the expectations it places on women.

The incidents were not identical, nor should they be treated as such. Yet each revealed a familiar dynamic: a woman doing her job became the target of insults, objectification, condescension or scrutiny that shifted attention away from the original behavior and onto the woman herself.

Whether it was Trump calling Welker “crooked” and “stupid” before ending an interview with “Thank you, darling,” Barkley reducing Cardi B’s halftime performance to jokes about her breasts, or Stewart questioning whether Welker responded appropriately to Trump’s treatment, the pattern was strikingly consistent: Women are often expected not only to endure disrespect, but to manage it in ways that make others comfortable.

These moments are not simply about the individuals involved. They offer a window into the broader cultural permissions that allow entitlement to flourish—permissions that are reinforced through humor, rationalized through frustration and sustained by the expectation that women will absorb the consequences with grace.

When we focus only on the personalities, we miss the larger system that makes these moments feel ordinary in the first place.

Sinead O’Connor Was Right: It’s Time to Revisit Some of Pop Culture’s Most Maligned Women

An excerpt from Allison T. Butler’s The Judgment of Gender: How Women Are Centered and Silenced in Pop Culture, published March 8, 2026:

While Sinead O’Connor was roundly criticized for ripping up the picture of the pope, the passage of time has revealed: She was right.

O’Connor was labeled a pop star, but she never saw herself that way. From Rememberings: “Everyone wants a pop star, see? But I’m a protest singer. I just had stuff to get off my chest. I had no desire for fame.”

There Is Power in the Word ‘Patriarchy.’ We Need to Start Using It.

News commentators still overlook the obvious when they speculate about why the majority of white female voters in the last three presidential elections cast their ballots for a dishonest, fraudulent, racist, misogynistic sexual predator or why people who call themselves Christians support someone who embodies in virtually every way the opposite of “what would Jesus do?”

I’m tired of snapping at the talking heads on the TV or computer screen, “Come on, say the P word! It’s the patriarchy, stupid!”

We can trace harmful sex binaries, reproductive control and white Christian nationalism back to the same root system: patriarchy. Naming it is the first step toward dismantling its power. 

The Missing Voices in the Epstein Files’ Media Commentary: Sexual Assault Prevention Educators

The Epstein files scandal has all the elements of a gigantic media spectacle. It encompasses everything from true crime to political intrigue, and offers a peak behind closed doors into the lifestyles of the rich and famous. It has more than a little sex and violence. 

It’s a conspiracy theory come to life.

Media commentary has explored seemingly every angle. Or has it? On closer examination, something has been missing.