In his new book Spare, Prince Harry outlines the trauma he experienced as a child after Princess Diana’s death, as well as the whitewashing and abuse he and his wife, Meghan Markle, suffered at the hands of both the press and his royal family. As a survivor of sexual violence, I recognize Harry’s plight and also the incredibly painful journey of losing relatives because of truth-telling in an effort to be whole again.
By 2018, Johnny Depp was bordering on irrelevancy—but he soon gained a tremendous fandom as a public trial unfolded, prompted by abuse allegations from his ex-wife Amber Heard. In December, Heard announced she would no longer be moving forward with her appeal because “cannot afford to risk an impossible bill—one that is not just financial, but also psychological, physical and emotional.”
Depp has paved a new path for accused men in search of cultural capital—and accomplished the very thing women throughout the ages have been baselessly accused of: leveraging victimhood to gain status. Depp, whose career was flailing, became not just a rallying cry for men’s rights and the supposed victimhood of being a successful, wealthy, white man in a changing world, but a newly hot commodity in Hollywood once again with a thriving fan base.
The Super Bowl Halftime Show is a time-honored but impossible set-up. Women artists have experienced especially harsh post-show takes. So what will it be in Rihanna’s case?
There’s a tremendous amount of pressure on her performance post-baby, her first live appearance since 2018. The gendered expectations and sexist labeling of women in music vary by individual, and racism has a significant impact in certain cases. But this abuse in all cases works to enforce norms of behavior expected of women.
Perhaps if we recognize the cycle, we might better tune out the toxic takes to come.
U.S. patriarchal authoritarianism is on the rise, and democracy is on the decline. But day after day, we stay vigilant in our goals to dismantle patriarchy at every turn. The fight is far from over. We are watching, and we refuse to go back. This is the War on Women Report.
This month: WNBA star Brittney Griner is home; abortion is unavailable in 14 states, the number of women experiencing police force is rising; Harvey Weinstein was found guilty of sexual assault; Fox News star Tucker Carlson was named ‘Misinformer of the Year;’ and more.
Pratibha Parmar’s 2022 film about Andrea Dworkin brought both pushback and praise within feminist and queer communities. In this Q&A, Parmar shares her thoughts on reactions to the film but also about her interest in Dworkin.
“There is an arc between generations of female artists’ protesting violence against women. And I want Andrea’s voice to be part of the conversation on its own terms and in its complexity.”
It took bravery for Rep. Ayanna Pressley (D-Mass.) and Jada Pinkett Smith to reveal their alopecia and rock a shaved head. The two revived the national conversation around alopecia—an autoimmune disease in which the body attacks its healthy hair follicles.
“To be bald as a woman really does disrupt conventional and societal norms of what is appropriate, what is professional, what is attractive, what is feminine,” said Pressley.
For almost two weeks, protests have been raging across Iran, triggered by the death of 22-year-old Mahsa Amini, who was in custody of the morality police at the time of her death. Her alleged crime was not abiding by the country’s hijab rules.
Iranian human rights lawyer and long-time friend of Ms. magazine, Nasrin Sotoudeh has spent her career fighting for the rights of women and minorities in the Middle East. In a letter to Ms., Sotoudeh connected what’s happening with Iran to the global fight for women’s rights.
In the dating show franchise’s 20-year history, there have only been two self-identified plus-sized contestants—and both went home on night one. This campaign is hoping to change that.
On July 18, the music video for P!nk’s new song, “Irrelevant,” dropped and has since been deemed a ‘protest anthem.’ She explained, “As a woman with an opinion and the fearlessness to voice that opinion, it gets very tiring when the only retort is to tell me how irrelevant I am. I am relevant because I exist and because I am a human being. No one is irrelevant. And no one can take away my voice.”
The proceeds from the new track will be donated to Michelle Obama’s national, nonpartisan voting initiative When We All Vote.
At the time of the Center for American Women and Politics’ founding, there were so few women in politics that some male colleagues wondered aloud what the organization would even study.
Five decades later, in a year marked by critical milestones and mixed outcomes for women’s rights and representation, the Center for American Women and Politics (CAWP) at Rutgers Eagleton Institute of Politics is celebrating its anniversary as the original and preeminent source for data, research and resources regarding women in American politics and public life. Ms. spoke recently with Debbie Walsh, CAWP’s director for the last two decades, about the significance of that half-century mark.