Jack MacInnes / Courtesy of Sundance Institute
One Syrian Girl’s Life in Exile Reveals the Long Road After War
Winner of Sundance’s Audience Award in the World Cinema Documentary category, as well as the Directing Award for filmmakers Itab Azzam and Jack MacInnes, One in a Million lives up to its title. It homes in with a laser focus on the experiences of Israa, a Syrian girl whose family undertakes the perilous migration to Germany after the start of the Syrian civil war.
When the filmmakers first meet Israa in 2015, she is an inquisitive 11-year-old selling cigarettes on the street in Turkey while her family waits for the chance to cross the Mediterranean. The journey that follows—overcrowded rafts, long treks across multiple borders and nights spent sleeping on the street—contains harrowing moments, but it ultimately occupies only a sliver of the film’s larger story.
Once the family arrives in Germany, where the filmmakers check in with them over the next nine years, One in a Million reveals a far more complicated and intimate portrait of migration and acculturation.
As Israa grows from child to teenager to young adult, she navigates questions of identity, freedom and belonging, while her mother Nisreen becomes increasingly confident and independent in a country that offers opportunities she was denied in Syria. The result is a quietly riveting portrait of family life in transition, showing how the experience of displacement continues to reshape relationships, expectations and the possibilities of who each person might become.
(This is one in a series of film reviews from the 2026 Sundance Film Festival, focused on films by women, trans or nonbinary directors that tell compelling stories about the lives of women and girls.)
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Founding Feminists: 250 Years of an Unfinished Revolution (With Janell Hobson)
Two hundred and fifty years ago, a small group of men declared that “all men are created equal,” casting a vision of liberty that has shaped the American imagination ever since. But even as they debated freedom in Philadelphia, women were writing, organizing, governing, resisting and insisting on their place within the nation taking form.
As Ms. launches a new series on our country’s Founding Feminists this month, Dr. Michele Goodwin is joined by the series’ editor, Professor Janell Hobson, to discuss what America’s 250th anniversary means for women and the feminist agenda.
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Driving the Vote for Equality Launches, Reviving a 1916 Suffrage Tour for the ERA
In 1916, two adventurous, gutsy women—Alice Snitjer Burke, 39, and Nell Richardson, 25, both members of the National American Woman’s Suffrage Association—were determined to spread the message about the importance of women’s suffrage. With support from NAWSA, they volunteered to make an epic car trip across the country and back in a small Saxon roadster for “the cause.” At the time, few women drove cars, and automobiles were a big part of a major cultural shift from horses and buggies. Such a trip would be symbolic on many levels.
Their journey often made front-page news due in part to the novelty of seeing a woman drive a car, but Alice and Nell kept the focus on “votes for women.”
The Driving the Vote for Equality tour officially launched on March 1, 2026, at the New York Historical in Manhattan. A restored 1914 Saxon automobile—matching the make and model driven by Burke and Richardson in 1916—has begun retracing their cross-country route to promote congressional recognition of the Equal Rights Amendment. Former Rep. Carolyn Maloney, a longtime ERA champion, is spearheading the campaign.
Ken Florey Suffrage Collection / Gado / Getty Images
America’s Founding Feminists: Rewriting America’s Origin Story
Two hundred and fifty years ago, a small group of men declared that “all men are created equal,” casting a vision of liberty that has shaped the American imagination ever since.
Yet even as they debated freedom in Philadelphia, women were writing, organizing, governing, resisting and insisting on their place within the nation taking form. Some, like Mary Katherine Goddard, literally set their names in print; others, like Phillis Wheatley, wrote themselves into intellectual existence against a backdrop of enslavement and doubt. Still others left their mark through acts of refusal and flight, choosing freedom when the republic would not grant it.
A new series, Founding Feminists—launching at the start of Women’s History Month—unfolds over two months, twice a week. On this semiquincentennial of the United States, Ms. turns to these “founding feminists” not as anachronistic heroines, but as architects of an unfinished democratic project. There is no nation without women at its core—no democracy without their labor, intellect, resistance and imagination.
From Haudenosaunee matrilineal governance, to Black women’s freedom-seeking acts, from revolutionary manifestos to quiet domestic rebellions, our Founding Feminists series reexamines the past to illuminate our present moment of backlash and possibility.
If the Declaration of Independence set forth a promise of equality, it was women—across race, class, sexuality and nationality—who pressed the nation to live up to it.
Two hundred and fifty years later, their questions remain ours: What does freedom truly mean, and who gets to claim it?
