Women in Film and TV

Inspired by the Greek Myth, Independent Film Series ‘The Cassandra Project’ Asks Viewers to Believe Women

PUBLISHED 7/26/2026 by

Even in the wake of the #MeToo movement and heighteend awareness around sexual vioelnce, sexual assault is still one of the most underreported crimes. Although one in four women will experience sexual violence in her lifetime, fewer than 5 percent of these cases ever get reported to the police. In many situations, women fear that the police won’t believe them.

Unfortunately, this fear is well founded. Even though so few reports of sexual assault make it to the police in the first place, data shows that law enforcement will determine that one in five reported cases is “unfounded” and dismiss it.

There are dire consequences to not believing women. The Cassandra Project, a new trilogy of independent short films spearheaded by filmmaker Barclay DeVeau, hopes to illustrate “the profound consequences that arise when women are not believed and their voices are disregarded and dismissed.”

Documentary ‘State of Firsts’ Follows Sarah McBride’s Historic Journey to Congress

PUBLISHED 7/22/2026 by

A new documentary, State of Firsts, released during Pride Month, chronicles Rep. Sarah McBride (D-Del.)’s historic path to Congress amid growing anti-transgender rhetoric. It is now showing in select theaters across the country.

Directed by trans filmmaker Chase Joynt, the documentary offers a behind-the-scenes look at McBride’s journey to becoming the first openly transgender elected official in the U.S. Congress.

What Happens When a Dancer Is Forced to Become a Refugee? ‘Born to Dance, Forced to Run’ Captures Life Under the Shadow of Deportation

PUBLISHED 7/22/2026 by

Born to Dance, Forced to Run is a powerful new documentary that follows Steeven Labady, a queer Haitian dancer whose relentless pursuit of his artistic dreams is continually upended by displacement, asylum battles and the constant threat of deportation. Through his extraordinary journey, filmmaker and Haitian feminist activist Pascale Solages reveals the human cost of migration policies, transforming an abstract political debate into an intimate story of resilience, survival and hope.

At a moment when the Trump administration is dismantling Temporary Protected Status for Haitians and escalating immigration enforcement, the film’s message could not be more urgent. It’s a deeply human portrait of what it means to live undocumented under the shadow of deportation.

Born to Dance, Forced to Run premieres in New York on Saturday, July 25, at 6 p.m. at the Brooklyn Children’s Museum, where audiences will have an opportunity to experience this moving documentary on the big screen, followed by a Q&A.

Christopher Nolan’s ‘The Odyssey’ Reclaims the Diversity of the Ancient World

PUBLISHED 7/21/2026 by

Christopher Nolan’s The Odyssey validates the culture through this quarter-billion-dollar Hollywood production—best seen and appreciated in movie theaters. So, why did some react to this latest retelling of The Odyssey as if the mere presence of a Black woman would delegitimize its place in history? And should we ignore them as out-of-touch fringe extremists? 

Before The Odyssey even reached theaters, Nyong’o’s casting as Helen of Troy ignited predictable outrage from white supremacists and anti-“woke” commentators who claimed a Black actor had no place in one of Western civilization’s foundational myths. But as scholars of antiquity make clear, that backlash says far more about modern racial politics than it does about the ancient world itself.

Nolan’s sweeping adaptation arrives at a moment when the fight over history is also a fight over power. By embracing a multiracial cast, The Odyssey challenges centuries of whitewashing and reminds us that the ancient Mediterranean was far more diverse than many have been taught to believe.

The diversity of the ancient world is our collective heritage—not the exclusive property of those seeking to rewrite the past.

If You’re Alone on the Prairie, Would You Rather Meet a Man or a Wolf?

PUBLISHED 7/10/2026 by and

It would be easy to be cynical about a remake of Little House on the Prairie (Netflix). At a moment when “tradwife” nostalgia and gender politics dominate so much of our cultural conversation, the series arrives as an unexpected relief—and maybe just what we need today.

The series presents a vision of manhood built around care rather than conquest: thoughtful men, flawed men, men for whom fatherhood is the center of their lives. They aren’t heroes, exactly—just plain, decent men trying to find their footing in a country freshly out of a war that ended slavery, even as it stepped into a new era of oppressing the people who were already here. The show never lets you forget that history. It’s always present, but it’s carried by characters wrestling with the same universal struggles we all recognize.

The women and girls matter just as much. They’re fierce and determined, never reduced to helpless victims—and it’s largely through how the men in the show treat them that we get the show’s gentlest lessons on how men and women can meet each other halfway.

TV Still Has a Lot to Learn About Abortion

PUBLISHED 6/25/2026 by

Four years after Dobbs, television has become more willing to acknowledge the legal and political barriers to abortion care—but too often, it still reinforces harmful myths.

While shows like Grey’s Anatomy have depicted the devastating consequences of abortion bans, others continue to fall back on familiar tropes. In And Just Like That, the show largely sidesteps abortion as a normal, legitimate choice—especially for an affluent married mother in New York. And recently, the critically acclaimed Margo’s Got Money Troubles builds its entire premise around a young woman rejecting abortion despite pressure from those around her.

Those storytelling choices matter. Research shows that accurate abortion storylines can increase public understanding, reduce stigma and even help people feel more confident in their own reproductive healthcare decisions.

Yet television still rarely reflects the reality of abortion today—from the fact that most abortion patients are already parents, to the widespread use of medication abortion.

In an era of widespread confusion and misinformation, TV has the power to inform millions of viewers, but only if it moves beyond outdated narratives and portrays abortion as the ordinary healthcare decision it is for so many people.

Keeping Score: Threats Against Abortion Clinics Doubled in 2025; Sounding the Alarm on ‘Horrible Conditions’ of Delaney Immigration Center; Pride Celebrations Around the U.S.

PUBLISHED 6/10/2026 by

In every issue of Ms., we track research on our progress in the fight for equality, catalogue can’t-miss quotes from feminist voices and keep tabs on the feminist movement’s many milestones. We’re Keeping Score online, too—in this biweekly roundup.

This week:
—”Trump only seems to have the capability to fire female secretaries,” observes AOC.
—Two-thirds of abortion clinics reported violence or harassment in 2025.
—The TAKE IT DOWN Act (Tools to Address Known Exploitation by Immobilizing Technological Deepfakes on Websites and Networks Act) took effect last month. It requires social media sites to take down non-consensual sexual imagery within 48 hours.
—Members of Congress visited the Delaney Hall Immigration Detention Center after detainees started a hunger strike to protest inhumane conditions.
—The Trump administration announced an investigation into E. Jean Carroll, who Trump sexually abused and defamed.
—Harvey Weinstein’s New York rape trial resulted in another mistrial.
—A North Carolina bill would allow deadly force against patients seeking abortion care.
—Healthcare premiums have skyrocketed, forcing 21 percent of HealthCare.gov enrollees to lose coverage.
—Women freelancers charge an average of 19 percent less per hour than men.
—Americans are struggling to access disability benefits after cuts to the Social Security Administration.
—Social media platforms are enabling anti-LGBTQ hate and censorship.
—Rep. Ayanna Pressley (D-Mass.) and Sen. Dick Durbin (D-Ill.) reintroduced the Federal Death Penalty Prohibition Act to ban the death penalty at the federal level. Last month, the DOJ announced they would bring back firing squads and potentially electrocution and lethal gas for executions.
—A comprehensive calendar shows all the Pride parades this month, across the country and globe.

… and more.

Rest in Power: Marjane Satrapi, Whose Masterpiece ‘Persepolis’ Transformed the World’s Understanding of Iran

PUBLISHED 6/8/2026 by

Marjane Satrapi, best known for her memoir and film Persepolis, has died, aged 56. The death of this much loved Iranian French artist, graphic novelist, filmmaker and activist has been met with widespread celebration of her life—and its dedication to resistance, freedom and humanity. French president Emmanuel Macron paid tribute to “a great artist who transformed an Iranian childhood into a universal fable.”

Satrapi illustrated the dislocations of revolution, migration, adolescence and return in such a way that her memoir travelled far beyond her home country.

Through its deceptively simple black-and-white illustrations, Persepolis became globally influential because it offered an intimate account of revolutionary Iran and exile that challenged dominant stereotypes.

For many readers, Satrapi is still the woman who explained Iran in the simplest, yet most powerful way.

‘Obsession’ and the Rise of Incel Horror: When Men’s Entitlement Becomes the Monster

PUBLISHED 6/4/2026 by

When I first watched Curry Barker’s Obsession, I assumed the horror was obvious. Not the supernatural curse at the center of the film but the decision that sets it in motion: a man deciding he is entitled to a woman’s love, to a woman’s body, regardless of her consent. 

Online, women have begun calling this kind of story “incel horror.” Particularly on TikTok, women for the first time are naming a terrifying and longstanding element in horror films often left unsaid. The real nightmare being the expectation that men depicted as the hero or the victim believe they are owed the bodies of the women in the story. As one TikToker shares, women’s reinterpretation of past films and casting a new light on modern films like Obsession (2026) through a feminist lens is going to change the future of cinema. 

In Barker’s film, it wasn’t the occult magic in the “One Wish Willow” toy that caused Bear to “control” Nikki—it was Bear’s belief that it was okay for him to make this wish in the first place. Barker places the central threat within Nikki who becomes obsessed with Bear and kills several of their friends. Conversely, feminists recognize that it’s Bear’s expectation that he is owed her affection and that he is right to use a supernatural entity to gain it, as the true horror.