“The world needs to see us. The world needs to see everybody, you know? People don’t know these stories, unless we write them.”
“I was reading all this stuff about feminism every day and trying to think about these large questions and I thought, what’s a comedic take on it?”
“It’s always a problem of calling attention to the discrimination that exists and then also not wanting to have to think about gender anymore. Yeah, that would be great, but we’re not there yet.”
“I’m a child of an immigrant and a child from poverty. I’m a woman who’s been through various forms of abuse. I know that those mind games of making something beautiful out of ugly is what I do for a living. I want the world to feel that.”
“It wasn’t a normal day-to-day kind of world I was living in at that time after seeing that film… It just lit up some place in my brain and in my heart and in my soul. There are no words. You can’t explain it when something like that happens. You just experience it. And it takes you and it leads you. You’re not leading it.”
When TV comedies like Shrill tackle abortion, they do away with the drama.
Since Donald Trump’s inauguration, the Education Department has been threatened with massive budget cuts, faced repeated risk of wholesale elimination and suffered many smaller blows adding up to significant injury— and students are feeling the pain.
Crumbling classrooms, 25-year-old textbooks and insulting pay? Teachers are not going to take it anymore. With their #REDforED rallies and walkouts, our nation’s predominantly female educators are reminding us of the lesson we learned in kindergarten: Listen to the teachers.
It’s no wonder she’s graced the Ms. cover five times and counting. Wonder Woman remains a dynamic symbol of women’s potential, the possibilities of feminism and the hopes of humanity.
More than 30 years after its original publishing, as our own government systematically strips rights from women, we revisit Margaret Atwood’s vision in The Handmaid’s Tale. We heed her warning.