It’s not that Martin Scorsese’s most recent opus, The Wolf of Wall Street needs yet another review or another debate on whether it’s misogynist. It’s the attempt by the film’s star, perennial Scorsese muse Leonardo DiCaprio, to qualify it and Scorsese as “punk rock” that drew our ire and forced our pens.
Author: Pye Ian
Pye Ian is a corporate strategic planning consultant with more than two decades of experience in the media, financial services, public policy and energy sectors. Pye has sat on the boards of or advised multiple nonprofit and philanthropic organizations in education, sustainable economics, alternative energy and foreign affairs.