Some will call it sacrilege for us to compare Barbie, a film that appears to celebrate artificiality and superficiality, with the deeply noir multiple award-winning film many say is the greatest of all time, Citizen Kane. However, we suggest that both films are owed acclaim for the risks their directors took in broaching the most anxiety-provoking of all human concerns: death.
Barbie the doll depicts the central thesis of our work as feminist social psychologists: that fear of death that undergirds the control of women and their bodies, and women’s own efforts to conform to societal expectations for their bodily control.