Born in 1825 to free African American parents, Frances Ellen Watkins Harper was a prolific journalist and poet as well as an abolitionist and suffragist. In “Songs for the People,” she imagines poetry filling “the world with peace.”
These poets cover North Korean missal taunts, the water crisis in Flint, the inadequacy of the U.S. government’s apology to Native Americans, children affected by school shootings and economic divides in their poems that radiate defiance and vision.
“The Letter” is playful and fanciful, celebrating the beloved through letter writing—although in the final stanza, Amy Lowell reveals the complexity of her emotions.
Ms. is carving out a new discovery place for riotous, righteous and resonant feminist poetry to nourish and give voice to a rising tide of female resistance—and it starts right here.
Women have been responding to sexual harassment for generations. Poet Genevieve Taggard, born in 1894 in Washington state, was one of them; in “The Quiet Woman,” she captures fury and anger “like a surly tiger” of a woman fending off an unwanted advance.
A multilingual poet, publisher, print-based activist, begrudging academic, lover of smut and eternal other, de la tierra was everything I couldn’t resist as a young, queer writer still struggling to find community.