More Than A Magazine, A Movement
Companion starts with a dreamy tradwife fantasy and ends in a blood-soaked feminist reckoning. Writer-director Drew Hancock’s film may nod to Scream, Ex Machina and Black Mirror, but it carves out its own smart, brutal allegory for waking up from the fantasy of obedience. Sophie Thatcher’s performance anchors the story as Iris evolves from Stepford-perfect to gloriously feral, reminding us that when women start asking questions, the whole system bleeds.
With South by Southwest (SXSW) Film Festival in Austin’s rearview mirror, some of its most talented female filmmakers still have a long road ahead to bring their movies to public screens. Even the women who clinched premieres at one of America’s most prestigious festivals have to hustle to support their craft.
“The streaming channels that dominate global viewership are no longer buying many smaller or risk-taking projects,” wrote Keri Putnam of the Harvard Kennedy School’s Shorenstein Center.
“The number one challenge is fundraising,” said Anayansi Prado, director of Uvalde Mom, which premiered at SXSW and tells story of Angeli Rose Gomez made worldwide headlines during by jumping a fence during a school shooting and racing in unarmed to save her two young sons.