
“Rafiki” is banned in its home country. “Little Woods” takes on a world designed to keep the poor and oppressed poor and oppressed. “Fast Color” re-conceives the superhero. And this weekend, you can watch all three on the big screen.
Hope Singsen had done very little producing before she began putting together The #HealMeToo Festival, which just wrapped in New York City. She started with a plan to find a space to produce Skin, her solo show about the road and obstacles to healing and reclaiming intimacy after childhood sexual trauma, and to share that […]
Katherine Reki punctuates the end of each sentence with exuberant laughter, as if the world is a place of great joy. This is more a reflection of her good nature, because the focus of her work as an emerging filmmaker—”A Mother’s Blood,” about witchcraft accusations in Papua New Guinea—is anything but a laughing matter.
Imagine an app that tracks your movement wherever you go. Imagine that it sends notifications to a male member in your family whenever you check in at an airport. Imagine that it gives them the power, in just a few clicks on their own smartphone, of banning you from traveling altogether. This app is called Absher. You can find it at the Google Marketplace and in the Apple App Store.
In an intense two-month sprint, the DH Lab at MIT hit the ground running with the Gender/Novels project. Their mission? To teach a program to deliver meaningful data about gender from a truly colossal number of books on a sentence-by-sentence level of detail—and to establish their new lab as a force on campus. This is what they learned.