‘I’m This. I’m That. I’m Many Things’: Pratibha Parmar on Andrea Dworkin and ‘My Name Is Andrea’

Pratibha Parmar’s 2022 film about Andrea Dworkin brought both pushback and praise within feminist and queer communities. In this Q&A, Parmar shares her thoughts on reactions to the film but also about her interest in Dworkin.

“There is an arc between generations of female artists’ protesting violence against women. And I want Andrea’s voice to be part of the conversation on its own terms and in its complexity.”

Rest in Power: Urvashi Vaid, the Queer Movement’s Legendary Firebrand

There has never been a queer leader like Urvashi Vaid. Until her death of metastatic breast cancer on May 14 at age 63, she spent the better part of five decades fighting injustice. Principle drove Urvashi in almost everything she did. She exploded onto the scene with a dynamism that has never been equaled since.

“The lesbian agenda is the reconstruction of families … the reimagining of power … the reorganization of the economic system … the reinforcement of civil rights and dignity for all people … the end of the oppression of women, the end of racism, sexism, ableism, homophobia … the reestablishment of a proper relationship to our environment. … When I list this laundry list of oppression, it does not overwhelm me; it tells me how far I have to go in my struggle; it tells me who my allies are.”

Beyoncé’s Ode to Black Joy: Merging Past and Future in ‘Renaissance’

Renaissance, Beyoncé’s seventh solo album, offers a much different vibe and one that also represents an intergenerational inheritance engulfed in the pleasures of Black dance music vibrating across the various subcultures of Black communities around the world.

Black women—across genders, sexualities and communities—have been the blueprint, and Beyoncé’s Renaissance proves that.

Gender Is Still Burning: The Ms. Q&A with Jennie Livingston

When filmmaker Jennie Livingston stumbled upon drag ball culture in the late 1980s, they had no idea how much the resulting film would resonate. Released in 1990, Livingston’s first documentary Paris Is Burning showcases drag balls during the late 1980s in Harlem, New York City, and features interviews with numerous queer and trans Black and Latinx performers who comprised the various “houses” in competition at the balls. Decades later, the film continues to resonate.