More Than A Magazine, A Movement
Written by Naomi Alderman and adapted into a TV series for Prime Video, The Power asks a deceptively simple question: What would happen if, overnight, girls and some women worldwide gained the ability to administer electric shocks at will?
Ms. spoke with Naomi Alderman about her novel and how she sees its television adaptation resonating in the years since the book’s initial release.
The series finale of The Owl House premiered last weekend on the Disney Channel—a story of a neurodivergent Latina girl named Luz Noceda, who stumbles into a realm inhabited by witches and demons.
Just this month, Warner Bros announced a new decade-long TV series adaptation of all seven Harry Potter books. But we don’t need another Harry Potter adaptation. We don’t need a rich, white, abled, cisgender, heterosexual woman with limited feminist views representing or speaking for us. What we need are new stories—better stories. Stories that better represent human diversity and actively seek to include as many different voices as possible. The Owl House was one of those stories, and while I’m heartbroken it ended sooner than it should have, I know there will be more.
Today there are many challenges to reproductive justice. HBO’s The Last of Us raises important questions about those human rights and justice.
In 2015, sisters Yusra and Sara Mardini, trained as professional swimmers by their father, fled Syria with hopes of escaping their war-torn homeland. During the harrowing 25-day journey, the dinghy’s motor broke and the boat began to sink—so Yusra and Sara jumped into the frigid waters to drag the boat to shore. Eventually granted asylum in Germany, Yusra began training again at a Berlin pool and was selected to compete as part of the Refugee Olympic Team at the 2016 Rio Olympics.
Their story has been captured in The Swimmers, an evocative biographical drama directed by Sally El Hosaini and released on Netflix last month. In this Q&A, Sally El Hosaini and Yusra Mardini discuss the experience of making the film, how to tell true stories, and what they hope viewers will take away.
This year’s Met Gala invited A-list celebrities in the midst of an ongoing pandemic, racial divides, rising inflation costs, and the widening gap between the top 1 percent and everyone else.
During this event a leaked draft of the majority opinion from the Supreme Court immediately sent shockwaves, as the public learned that our highest court intends to overturn Roe v. Wade, which guarantees the right to abortion. Suddenly, the extreme wealth on display at the Met Gala seemed to represent all the “gilded” hubris of an historical era that seemed more “golden” than it really was—as we are now thrust back to a dystopian and despairing future we must confront and resist at all costs.
Like other fans of Amazon’s The Marvelous Mrs. Maisel, I’ll be binge-watching when the fourth season of the hit series finally drops on Friday, Feb. 18.
I can’t help but wonder if the fictional Midge Maisel was influenced by the real-life Mary Ware Dennett or what would happen if they met. From 1915 through the 1930s, Dennett’s pioneering battles against U.S. government censorship helped pave the way for the freedom of speech Mrs. Maisel relies on and fights to expand.
I want to be a king. Just one that happens to be a girl.
Although words themselves are not responsible for sexism, many perpetuate the idea that men and women are so different that you must use separate words—even if they are doing the same thing.
Since we appear to be in one of the dark timelines, it shouldn’t be any wonder that a lot of that good comes to us in the form of fictional media.
These 10 shows that came out this year captured my attention because of their distinctive and dynamic women characters. Most of these shows were created by women and/or employ many women as writers and directors of individual episodes. All of them feature compelling women protagonists or co-leads.
From the swearing in of our first woman vice president, Kamala Harris, to the severe restrictions on reproductive rights, 2021 has been a mixed bag for feminism. Of course, popular culture—ever a pulse from which to measure the present moment—served as a guide this year for feminist expression.
Here is a list of what got us thinking and talking about feminism in popular culture.
Since the coronavirus pandemic began, there have been numerous reports about discrimination and violence against Asian Americans. In response, now is a chance to prioritize Asian American studies as a way to work towards both racial and environmental justice.
