Author: Janell Hobson

Janell Hobson is professor of women's, gender and sexuality studies at the University at Albany. She is the author of When God Lost Her Tongue: Historical Consciousness and the Black Feminist Imagination. She is also the editor of Tubman 200: The Harriet Tubman Bicentennial Project.

Through Art and Storytelling, Artist Harmonia Rosales’ First Book Brings African-Centered Myths to Life

When Harmonia Rosales first unveiled The Creation of God in 2017—a reimagining of Michelangelo’s The Creation of Adam with a Black woman as the divine—she didn’t just challenge art history; she remade it in her image. With her brush, Rosales flipped the script on Western depictions of power, beauty and divinity, centering Black womanhood and African spiritual traditions long erased from the canon.

Her new book, Chronicles of Ori, continues that reclamation through story. A lushly illustrated volume rooted in Yoruba mythology, the work brings to life the Orishas, divine figures of West African cosmology, and weaves them together with familiar names like Eve—both biblical and mitochondrial—into a mythology that claims space for the African diaspora beyond enslavement.

“I felt that we needed a mythology,” Rosales told Ms. “We needed something to connect to besides enslavement, because that’s what seems to be in the Western canon.”

With Chronicles of Ori, she offers that connection: a world where African gods are unmasked, women embody creation itself, and the sacred is painted in brown skin. Through her art and her words, Rosales restores what history fragmented—melding spirituality, storytelling and imagination into what she calls a new kind of mythology, one that reclaims both memory and power.

‘Freeing Black Girls’ and ‘Loving Black Boys’: Tamura Lomax on Revolutionary Mothering During Troubled Times

Tamura Lomax, a trailblazing Black feminist religious scholar, is on a mission to deliver a “Black feminist Bible on racism and revolutionary mother” with two companion books. The first, Freeing Black Girls, was published this year (2025); the second, Loving Black Boys, comes out next year.

Ms. contributing editor Janell Hobson spoke with Dr. Lomax about her latest works and the radical vision of “revolutionary mothering” that guides them.

“Black feminist mothering becomes this experiment. If people can teach sexism and hatred and racism, can we teach Black feminist politics? Is that possible? If we just do it from birth, and it’s just normal everyday talk it’s not this lesson that happens once at the dinner table but it’s just part of our everyday living. Can we do that the same way that we teach hatred?

“Revolutionary mothering is teaching those Black feminist politics everywhere—in the car, on the couch, during movie night, after the basketball game, in the football stands. It’s teaching a radical politics of our rights, our collective right to bodily autonomy first and foremost.”

University Leaders Must Act: An Open Letter on the Threats Facing Critical Interdisciplinary Programs Like Women’s and Gender Studies

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Academic leaders today face a defining test. As the Trump administration seeks to strip research funding, eliminate diversity and inclusion, and give political appointees sweeping control, presidents and provosts must decide what legacy they will leave. The attacks on women’s, gender and sexuality studies—as well as Africana, Indigenous, disability and other interdisciplinary programs—are part of a broader campaign to delegitimize fields that challenge systems of privilege. We are again in turbulent times, not unlike past eras when leaders had to defend the teaching of evolution, admit women and Black students, or resist political interference. The choices made now will echo for decades.

Despite claims that these programs are too small or unsustainable, the evidence tells a different story. These courses draw students across disciplines, fulfill general education requirements, and prepare graduates for a diverse global workforce. Market data show they are often cost-effective, with faculty teaching across departments and reaching wide audiences. Employers stress the importance of the very skills our graduates carry: critical thinking, collaboration and cultural humility. The question for higher education leaders is clear: Will you stand with these programs that represent the best of our democratic values—or allow them to be dismantled by political opportunism and short-sighted cuts?

The Great American Jeans Debate: Racializing Beauty and Democratizing ‘Good Genes’ in Commercial Media

“Sydney Sweeney has great jeans.” Get it?

The issue is, we all get it and cannot avoid the ad’s uncomfortable truths about how women’s bodies convey different symbols and meanings. As a symbol of beauty, Sweeney certainly fits the bill as an attractive, voluptuous young woman who has capitalized on her looks. However, when the camera emphasizes Sweeney’s blue eyes just after panning across her body as she gives a quasi-scientific lesson on how “genes” get passed down, beauty is no longer just about whether a young woman is attractive enough to serve as an ad campaign’s spokesperson. It’s about which type of woman gets to define beauty and promoting scientific fixation on “good genes,” a holdover from the era of eugenics (which literally means “good genes”). 

The best “all-American jeans” advertisement should capture this sense of aspirational dreaming. And Ralph Lauren “Oak Bluffs” ads do just that. These campaigns depict the collegiate, bougie aesthetic of Black middle-class life—represented by those African Americans attending HBCUs and vacationing in Oak Bluffs at Martha’s Vineyard during the summertime—and resonates more positively for a wider audience than American Eagle’s exclusionary “great genes” messaging.

Built on Magic: Black Women’s Spiritual Legacy in American History

The “Black Feminist in Public” series continues with a feature on Lindsey Stewart, an associate professor at the University of Memphis, whose latest book, The Conjuring of America: Mojos, Mermaids, Medicine, and 400 Years of Black Women’s Magic, released this week. A native Southerner, born and raised in South Louisiana, Stewart draws on the literary and cultural traditions of Black women in this region, also highlighted in her first book, The Politics of Black Joy: Zora Neale Hurston and Neo-Abolitionism (2021). With our popular culture now learning to celebrate “conjure women”—from Beyoncé to HBO shows like Lovecraft Country and recent films like The Exorcist: Believer (2023) and this year’s Sinners, The Conjuring of America could not have come at a better time.

Ms.’ Janell Hobson spoke with Lindsey Stewart earlier this summer to discuss her latest book.

“So many of the things that we interact with in our daily lives have hidden origins. And Black people are not just Black people, but magic. … I’m interested in how Black women used magic, used conjure to create a sense of safety in their communities. It was a type of luck management.”

“One of the things I’m trying to do with this book is to debunk the scariness and the association with evil that comes out of conjure, because when you look at Black culture, it’s present in so many of the sayings, superstitions, and practices that we use everyday, even though it’s been rejected in these Christian spaces.”

“There’s another lineage of Negro Mammies, another story about Negro Mammies that’s powerful. They were amazing women. And one of the things I wanted to do with this book is help Black women get closer to their ancestors and release the shame about how we survived. These women were powerful.”

Kaila Adia Story on Why Queer Liberation Must Center Black Feminism

The Black Feminist in Public series continues with a conversation with Kaila Adia Story, professor of women’s, gender and sexuality studies at the University of Louisville, co-host of the award-winning podcast Strange Fruit and is the author of the recently published The Rainbow Ain’t Never Been Enuf: On the Myth of LGBTQ+ Solidarity.

“Black feminist thinkers and scholars are the blueprint for not only Black feminist liberation but queer liberation, trans liberation,” said Kaila Adia Story.

Artist Autumn Breon’s Requiem for Reproductive Freedom: Honoring Adriana Smith Through Performance

Autumn Breon is using performance and mixed media art to both celebrate Black women’s achievements and honor their struggles. Her latest performance, Dignity Denied, shines a light on the case of Adriana Smith.

“I wanted to show what lack of autonomy, what surveillance looks like, and durational performance felt like the best way to highlight her situation.”

“You might have a six-week abortion ban. You might have whatever other oppressive policies in place. We have always found ways to aid and abet each other, and we always will.”

A’Lelia Bundles Claims Family History and Black Cultural Legacies With New Book ‘Joy Goddess’

“Langston Hughes called [A’Lelia Walker] the ‘Joy Goddess’ of Harlem’s 1920s,” said A’Lelia Bundles, great-great-granddaughter of Madam C.J. Walker and author of Joy Goddess: A’Lelia Walker and the Harlem Renaissance, out June 11.

“Now, her life was not always happy. But I think his idea was that she used her wealth, her influence and her homes to create a joyful space and a welcoming space for a wide range of people.”

The Feminist Leadership Syllabus: Where History, Politics and Pedagogy Meet

When women assume a position of power, does she represent feminist leadership? Can she govern according to feminist principles? What is the difference between women’s leadership and feminist leadership?

This public syllabus on feminist leadership, assembled by Ms. contributing editor Janell Hobson and students in her graduate research seminar at the University at Albany, is an attempt to respond to these questions by exploring different examples of feminist leaders and feminist movements—both globally and historically.

We hope this syllabus can educate us on the kind of feminist leadership that will move us forward toward an inclusive democracy.

(This is Part 2 of a two-part series on women leaders and feminist leadership. Part 1—out last week—breaks down Angela Bassett’s role as U.S. president in the latest and final installment of Mission: Impossible, and how her representation on screen blurs the line between the impossible fictions and possible realities of women’s power in American politics.)