Seventh Son, the film adaption of portions of The Last Apprentice series by Joseph Delaney has much going for it: compelling visuals, an episodic format with lots of beasties and action, a pleasing admixture of humor, horror and romance wrapped in a fantasy/supernatural package and, best of all, witches: good, bad and in-between. You might […]
Author: Natalie Wilson
5 Fabulous Feminist Films from Sundance
While feminist achievements in popular culture are not always easy to come by, the last few months have brought more than a few heartening examples. This year’s Golden Globes, for instance, had a plethora of feminist moments. Perhaps more surprisingly, even the Super Bowl featured anti-domestic-violence ads, an anti-racism ad starring Mindy Kaling and a spot […]
Unbroken: Jolie’s Testament to the Human Spirit
Starvation, deprivation and torture permeate Unbroken, making director Angelina Jolie’s film (based on Laura Hillenbrand’s book), one that invokes flinches, jerks, audible gasps and covering one’s eyes. The edge-of-the-seat opening sequence, set in a B-24 bomber that is being shot apart above the Pacific Ocean, captures the noise of war as well as the heart-pumping […]
The “Both/And” Celebration of “Into the Woods”
The film adaptation of the Tony Award-winning Stephen Sondheim/James Lapine musical Into the Woods should please feminist lovers of musicals, fairy tales and narratives that don’t take themselves too seriously. The film, like the play, pokes fun at our all-too-human wishes and failed quests and, oh joy of joys, suggests heteromonogamy is the true tall […]
The Final Hobbit Film: One Kick-Ass Chick Among the Sausagefest
You like battle scenes? You’ll probably like The Hobbit: The Battle of the Five Armies, the last of director Peter Jackson’s six films based on the work of J.R.R. Tolkien. Battle scenes make up the majority of the 144-minute film—and that doesn’t even count preparing for battles and talking about battles. Though there are some […]
Sometimes the Master’s Tools Can Light a Fire
Dystopian and utopian texts are incredibly important for envisioning our world otherwise, a point emphasized by Ursula K. Le Guin at the 2014 National Book Awards. In her speech, Le Guin noted that we need writers who “can see through our fear-stricken society … to other ways of being,” and she named the profit motive […]
“Twilight” Screenplay Contest to Boost Women Writers and Directors
Just when you thought Twilight had receded into the zeitgeists-of-popular-culture-past, a new short film contest called “The Storytellers— New Voices of The Twilight Saga” promises to bring the series, and its vibrant fan base, back to life. Before you grit your teeth and shake your feminist fist, bemoaning that one of the most regressive, non-feminist-friendly blockbuster sagas is […]
What’s Missing From the Gone Girl Debate? Privilege!
WARNING: THIS PIECE CONTAINS SPOILERS Gone Girl has been called misogynist, an amalgamation of negative stereotypes of women, a text that perpetuates rape culture, and a narrative that fuels men’s rights activists’ ugly depiction of the gender equality feminists are trying to achieve. Putting the talent of the author aside—because I do think Gillian Flynn […]
“This Is Where I Leave You” — Chutzpah v. Repression
Jane Fonda and Tina Fey, two comic masterminds in one film? Yes, please! 9 to 5, which Ms. magazine featured on its January cover in 1981, remains one of my favorite comedies. Fonda as the naïve, buttoned-up secretary Judy, learns how to ovary-up from her feisty coworkers Violet (Lily Tomlin) and Doralee (Dolly Parton). In real […]
Lost in a Maze of Males
The Maze Runner, the new post-apocalyptic film based on James Dashner’s 2009 book, has a strong lead female and a diverse cast in terms of race (what a nice change from the too-white Hunger Games!). But, when I mention “a strong lead female,” I literally mean “a”—yes, as in one—one female among a gaggle of adolescent […]