Theatre and Performance Art

Theater in the Time of Trump: Feminist Storytelling Against the Backdrop of Authoritarianism

The Trump administration’s assault on the John F. Kennedy Center for the Performing Arts continues, with another tranche of staff fired last Friday—employees in its government relations, marketing and social media departments. A prevailing question remains: What does the future of national public theater hold? Will the show(s) go on?

News of the latest job cuts overlapped with the one-year anniversary of opening night of the Broadway show Suffs. Its anniversary got me thinking about the vital role of feminist storytelling against the backdrop of authoritarianism. We know that in a robust democracy, live performance is not merely “nice to have” or an outlet for escape. The ideas to which we are exposed in the theater mean exponentially more: They are a measurement of our collective pulse, a gauge of our collective potential and a glimpse into how much farther forward we might propel (or fall).

With all that in mind, I headed off to Broadway to check out the shows I suspected might smack of such sensibility. With Tony nominations just one week away, here are recommendations for the hottest shows for which pro-democracy viewers can root.

Why Weren’t Women Allowed to Act in Shakespeare’s Plays?

Numerous English theatergoers considered seeing women on the public stage for the first time a pivotal moment.

The role of Desdemona, the devoted, loving wife murdered by her husband in Othello, wasn’t performed by a woman until 1660—about six decades after Shakespeare wrote the play. This is because when Shakespeare was writing for the early modern stage, young men and boys performed all the women’s parts.

Women’s History Month Is a Time for Optimism

Dispatches from Week 2 of Women’s History Month:

It’s Week 2 of Women’s History Month, and just knowing the federal government might well ban those three words in sequence—along with “gender,” “female,” “feminism” and about 250 others—you can bet I’m feeling extra rebellious as I write this column.

I am back from celebrating International Women’s Day (March 8) at South by Southwest. Among the festival keynotes, Chelsea Clinton urged that optimism is fundamentally a moral and political choice. Remaining optimistic, she remarked, is like “saying we do not have to accept the status quo. … We do accept that we may not be able to do everything all at once, but we can always do something.”

Women’s History Month is a solemn reminder that our reaction—and our commitment to action—also requires that we hold tight to the optimism our foremothers possessed.

Feminist Musicals ‘Teeth’ and ‘Suffs’ Steel Us for the Next Four Years

As feminist resistance faces a critical crossroads, Suffs and Teeth present two diverging paths: marching forward or tearing it all down.

It is the feminist movement’s challenge moving into a time that will most certainly require vigilance and resistance to consider how to reconcile these two paths forward. Will we keep marching? Or will we lick our teeth? 

One More Award Due to ‘Baby Reindeer’: Best Filming of a Rape Scene

Much ink has been spilled on the extraordinary series Baby Reindeer, especially its refusal to be reductive in depicting complex and charged sexually subjects and the groundbreaking nature of its portrayal of male-on-male sexual assault and its consequences. What gets overlooked: Baby Reindeer is a vivid, visceral lesson in how to film a rape scene.

The filming of episode four—the construction, the point of view, the relentless focus, the utter absence of sensationalism and exploitation—can serve as a valuable lesson in how to film a rape scene: steering difficult scenes away from the abuser’s point of view, placing them in a space that allows the audience to understand, defend and respect the survivor.

We Heart: Trans Activists Stage Peaceful (and Joyful) Dance Party Protest in Capitol Hill Women’s Restroom

Anyone walking into the bathroom on Capitol Hill Thursday morning found a buoyant dance party in progress: A group of trans artists and activists staged a protest in a women’s restroom in the U.S. Capitol, dancing to the song “Meeting in the Ladies Room” by the all-women pop and R&B band Klymaxx.

“It always starts with things that people feel are insignificant, like public restrooms, but it never stops there,” said Hope Giselle-Godsey, one of the Capitol Hill dancers. “We’re here today to ensure they understand that we will not be erased—one bathroom at a time—or shoved back into the proverbial closet out of deference to the comfort of those who speak to eradicate us.”

‘Mercutio Loves Romeo Loves Juliet Loves’ Brings Joy Into Its ‘Queer Kinda’ Adaptation at NYC Theater

Boomerang Theatre Company’s premiere production of Mercutio Loves Romeo Loves Juliet Loves by Gina Femia is keenly, tenderly aware of the pain of high school theater and being a teenage girl.

Directed by Scott Ebersold, the play is “a new queer kinda adaptation of Romeo and Juliet,” according to Boomerang’s online program, marking the first-ever production of Femia’s new play.

Mercutio Loves Romeo Loves Juliet Loves is running at The Jeffrey and Paula Gural Theatre at ART/New York until Nov. 24, 2024.

1969, a Pre-Roe Experience: An Excerpt From New Memoir, ‘A Termination’

In her new memoir, A Termination, writer and actor Honor Moore recounts her decision to have an abortion in 1969: “I didn’t think about I’m having an abortion, I just did it. Blasted through fear; I want this life, not that life. … I made the decision by myself. But also with the remote-control help of my mother: ‘Don’t come home pregnant.'”

Abortions are sought by a wide range of people for many different reasons. There is no single story. Telling stories of then and now shows how critical abortion has been and continues to be for women and girls. (Share your abortion story by emailing myabortionstory@msmagazine.com.)

‘Suffs’ Celebrates 51 Years of Women’s Equality Day

This year we commemorate the 51st anniversary of Women’s Equality Day with perhaps more optimistic urgency than ever before.

Amid the buzz, there has been an overt, palpable melding of pop culture and politics. That includes on Broadway, where the two-time Tony Award winning show, Suffs, tells the story of the fight for women’s suffrage—and all the humanity and perfectly imperfect organizing strategies of the cadre of activists who won the right to vote for women—in song.