America’s monuments tell us who matters. Yet on the National Mall, where presidents, generals and founding fathers dominate the landscape, women’s contributions remain strikingly absent.
The battle over a permanent Smithsonian American Women’s History Museum exposes how contested women’s place in our national story still is.
The museum’s new exhibit, Unhidden Heroines, uses augmented reality to offer a glimpse of what that story could look like—one in which women are no longer relegated to footnotes but recognized as central figures in shaping the nation.
The exhibit profiles five exceptional women whose substantial contributions to American history have been largely unrecognized or obscured in the historical record: Mary Katharine Goddard, the printer who published the first signed copy of the Declaration of Independence; Dr. Dorothy Height, a civil and women’s rights activist known as the “Godmother of the Civil Rights Movement”; Julia Ward Howe, creator of a rallying cry, “The Battle Hymn of the Republic,” for the Union cause during the Civil War; Elizebeth Smith Friedman, a cryptanalyst central to cracking Nazi code during World War II; and Polly Cooper, an Oneida woman pivotal to the success of Washington’s Continental Army.
Despite strong bipartisan support for the brick-and-mortar women’s museum project—and having raised tens of millions of dollars for its establishment—momentum for the public-private partnership suffered a setback on the Hill: The bill that would have finalized the museum’s location on the Mall was scuttled after Republicans added anti-trans language barring the depiction of “any biological male as a female” in its exhibits and giving President Trump control over selection of its location.
It’s not the first time the administration has claimed to protect women’s rights while actually setting back their interests or causing them harm.