Author: Kate Schaab

Kate Schaab is an associate professor of interdisciplinary studies at Kennesaw State University (Ga.).

Fear, Privilege and the Illusion of Safety in ‘Only Murders in the Building’

As Hulu’s Only Murders in the Building unfolds, safety begins to look less like locked doors and more like open conversation.

The friendship among Charles (Steve Martin), Oliver (Martin Short) and Mabel (Selena Gomez) is where this transformation starts. Mabel—young, Latina and less financially secure—doesn’t fit the Arconia’s image of who belongs. But through her, Charles and Oliver begin to question the false comfort of wealth and privacy. Together, they build a kind of safety grounded in trust and shared vulnerability.

By its later seasons, Only Murders has redefined what security means. It’s no longer about who can afford to keep others out—it’s about who’s willing to let others in. The show suggests that real safety comes not from walls, locks or property values, but from empathy, care and connection.

FX’s ‘The Bear’ Season 4 Embraces Feminist Leadership, Challenging Aggressive Masculinity and Reimagining the Workplace

The renowned show’s newest season is carving a new, feminist path for recognition of women-led workplaces, in spite of a history of white, male dominance.

Cultural depictions of feminist leadership, even when fictional, can help us both imagine and demand better. We need not settle for egotistical, unpredictable, manipulative leaders who focus on personal gains and grievances.

Women, Christianity and the Politics of Submission in ‘The Handmaid’s Tale’ and ‘The Righteous Gemstones’

The popular and critically acclaimed series The Handmaid’s Tale and The Righteous Gemstones each recently wrapped a successful series run.

When placed in conversation, The Righteous Gemstones and The Handmaid’s Tale expose the dangerous consequences of women participating in the cultural backlash against feminism. The tradwife ideologies that Amber and Judy negotiate, and that Serena Joy embraces in theory, become a totalitarian nightmare for women in The Handmaid’s Tale.

‘Bluey’ Is a Feminist Parenting Tool (Missteps and All)

Bluey has been praised for challenging restrictive gender norms and modeling equitable relationships and, in a quite different take, for upholding “traditional” values by promoting respect for parents and marriage. Critics have also questioned whether the show is anti-feminist by pointing to misogynistic storylines and limited diversity. 

For me, Bluey is a tool. The seven-minute episodes often prompt conversation, offer a thoughtful guide for answering complex questions, and inspire creative and engaging play. The show has real value in our house. 

‘Severance’ and Threats to Bodily Autonomy—Past, Present and Future

When cultural texts such as Severance show how characters experience and endure attacks against bodily autonomy, it can help make the threats more salient for viewers. Questions and commentary about bodily autonomy pervade Severance and are a key concern for protecting and strengthening workers’ rights in the real world. Yet, bodily autonomy in the contemporary workplace is under threat.