More Than A Magazine, A Movement
The Barbie movie reveals one of the patriarchy’s dirty little secrets: Not only does the patriarchy exclude and punish women; but it also harms men who don’t meet the very narrow definitions of ‘manhood’ that are most favored.
Millions of men have already seen the movie and enjoyed it immensely. This success is a testament to our ability to laugh at ourselves and some of the less attractive features of male-dominated cultures, without crying foul and embracing an unearned victim status.
With opening weekend now in the rearview mirror (of her pink convertible), Barbie has raked in more than $200 million at the box office—smashing prior records for women-directed and summer blockbusters. Reviews have run the gamut. But it is the Wall Street Journal’s take, in particular, that caught our eye—and reviewer Kyle Smith’s quip that Barbie “contains more swipes at ‘the patriarchy’ than a year’s worth of Ms. magazine.”
To this, we at Ms. say: Hear, hear! We’ve been tackling feminist issues for five decades—including in our forthcoming book, 50 YEARS OF Ms.: THE BEST OF THE PATHFINDING MAGAZINE THAT IGNITED A REVOLUTION. So we know firsthand the force behind this magazine and its vast community of readers.
Girls are showing up, shaping popular culture for the better. Their choices tell us about friendship, connection, and how to forge joy in this world.
Of course, the power of girls as consumers and taste-makers isn’t new. And life remains pretty damn hard for young people. But when I see the Swifties in their ecstatic thrall, or the pink-clad Barbie hordes stampeding toward the theater, I think: We could all use a little more of that sincerity and exuberance in our lives.
In Barbie, Greta Gerwig pushes her message of feminist disruption as far as she can for a mainstream movie. She is reckoning with Barbie’s legacy and literally rewriting the script through active questioning and engagement. It’s a huge start.
Despite our collective love for larger-than-life motion pictures, I must lament the dearth of images of Black women in heroic, star-turning roles.
But in Barbieland, a topsy-turvy world where women run things—in contrast to the “real world” of patriarchy—we can imagine women in every possible role. Let’s hope Barbie’s commercial success encourages more support for films that feature diverse women as big-screen heroes. There are so many more stories to be told.
In Barbie, Greta Gerwig creates a world where femininity is celebrated in the mainstream.
A new documentary Below the Belt, executive produced by Hillary Clinton and directed by Shannon Cohn, demonstrates why endometriosis—and women’s health—is an urgent social justice issue for feminists.
The film follows the lives of four women living with endometriosis—a disease that can cause debilitating pain, infertility and menstrual issues.
Ted Lasso stayed true to its most salient value in our current media landscape by casually and comfortably addressing the possibility of healthier masculinity in heavily male-dominated spaces. This is particularly groundbreaking given the context of aggression in men’s sports, especially English football.
From the Summer 2008 issue of Ms. magazine:
The summer of 1973 was the season of the supermama: kickass Black women such as Pam Grier and Tamara Dobson, who starred in big-screen “Blaxploitation” action films.
The cultural nostalgia for Blaxploitation has never really died. And at the movies in recent years, Black women continue to be underrepresented among the latest kick-butt heroes. Yet my hope for new supermamas survives. The screen and action cinema not only have room for Black women—but need them.
(For more iconic, ground-breaking stories like this, pre-order
50 YEARS OF Ms.: THE BEST OF THE PATHFINDING MAGAZINE THAT IGNITED A REVOLUTION (Alfred A. Knopf)—a collection of the most audacious, norm-breaking coverage Ms. has published.)
The series finale of The Owl House premiered last weekend on the Disney Channel—a story of a neurodivergent Latina girl named Luz Noceda, who stumbles into a realm inhabited by witches and demons.
Just this month, Warner Bros announced a new decade-long TV series adaptation of all seven Harry Potter books. But we don’t need another Harry Potter adaptation. We don’t need a rich, white, abled, cisgender, heterosexual woman with limited feminist views representing or speaking for us. What we need are new stories—better stories. Stories that better represent human diversity and actively seek to include as many different voices as possible. The Owl House was one of those stories, and while I’m heartbroken it ended sooner than it should have, I know there will be more.