Join Ms. and PEN America for a special online conversation Monday, December 21 at 3 p.m. ET / 12 p.m. PT. with Margaret Atwood; Nicholas Kristof; Nasrin’s husband, Reza Khandan; PEN America’s Karin Deutsch Karlekar; human rights advocate Kerry Kennedy; Iranian artist and activist Parastou Forouhar; and Nasrin filmmakers Jeff Kaufman and Marcia Ross.
Not only are laws about migrant women’s bodies resulting in the mass incarceration of women in the Gulf, they are also producing a chain reaction in the form of a generation of children who are stateless.
As we celebrate the first woman of color vice president in America, let us also take that celebration transnationally to continue to build solidarity with feminist networks across oceans.
In a huge victory, Iranian women’s rights attorney Nasrin Sotoudeh—jailed two years ago on bogus spying and propaganda charges—has been temporarily released from Qarchak prison on medical leave.
Sotoudeh’s release is due in large part to international pressure from the tireless efforts of activists and human rights groups.
Nasrin Sotoudeh, a prominent human rights attorney in Iran, was arrested and sentenced to 38 years and 148 lashes. Her crime? Defending the rights of women.
Later this month, the documentary “Nasrin” will be released. Shot by filmmakers inside Iran who quite literally risked their lives to capture the footage, the film is a powerful homage to a woman who has suffered the most extreme consequences of laws that she has worked hard to change.
While the women’s wing of Evin prison continues to fill up with feminist activists such as Saba Kord Afshari, journalists like Nazanin Zaghari-Ratfliffe and lawyers like Sotoudeh, feminists refuse to back down. They fight overtly, refusing to be silenced. Many of the feminists in Iran talk about experiencing a “triple bind”: simultaneously fighting the state, their religions and themselves—all as informed by patriarchy.
Watch this short documentary about the women’s movement in Iran, directed by Jeff Kaufman.
The Trump administration’s approach to foreign relations with Iran has worsened existing humanitarian crises for women and created new ones. But women in Iran will continue to fight back.
The Museum of Modern Art in New York is currently exhibiting Yoko Ono’s “living art.” One of the works is an instruction piece called Voice Piece for Soprano, made in 1961. This participatory artwork encourages visitors, in a subtle but attractive manner, to “Scream. 1. against the wind; 2. Against the wall; 3. Against the […]