More Than A Magazine, A Movement
The Vote for Abortion Rights billboard exhibition features 10 artists and 18 billboards, located in 12 states and 14 cities. Most of the billboards are located where abortion is now illegal or heavily restricted, including Wisconsin, Texas, Arizona, Georgia, Louisiana, Tennessee, North Carolina and Kentucky.
Dolls—from ancient representation of humans in art, to familiar children’s toys or use in religious rituals—have held meanings more than meets the eye. Now employing the lens of race and gender, the New-York Historical Society exhibition “Black Dolls” explores further the significant role of the Black doll in American history.
From the horrors of slavery through Reconstruction and Jim Crow, to the beginnings of the civil rights movement of the 1960s, this collection of 200 objects, textiles, sewing tools, photographs and ephemera represents a push back against negative racial stereotypes.
When Marvelous and the Black Hole premiered at the 2021 Sundance Film Festival, I was instantly charmed by its clever, unique story and excellent performances—from both relative newcomer Miya Cech and the always unforgettable Rhea Perlman. The film is coming to theaters on April 22—the perfect opportunity to revisit the film and speak with writer and director Kate Tsang about her powerful debut feature.
Unlike the limited lessons of women’s suffrage many learn—Seneca Falls and Susan B. Anthony—Suffs digs deep into the gamesmanship wielded by the movement’s early 20th century leaders. Suffs opens April 6 at the venerable Public Theater in New York City. Lin-Manuel Miranda himself tweeted this week that >Suffs is “gobsmackingly incredible” and its writer and star, Shaina Taub as Alice Paul, is “the FUTURE.” I couldn’t agree more.
On International Women’s Day, VoteEquality launched the Artists 4 ERA initiative. In partnership with 28 prominent artists, including Shepard Fairey, Artists 4 ERA will be releasing limited edition, signed prints to benefit non-partisan, grassroots efforts for the Equal Rights Amendment. The full collection of artwork will make its debut at the launch event March 19 in Oakland, Calif. From there, the collection will tour the country at events organized by VoteEquality, partner organizations and artists advocating for gender equality.
“As gender rights are rolled back across the country and as the Supreme Court signals its willingness to forgo precedent, a new generation of activists is stepping up to the fight,” said Kati Hornung, executive director of VoteEquality. “Art as a form of expression has a unique way of motivating people.”
Never before have Black girls been so visible—the thought kept occuring to me as I explored the wonder that is “Picturing Black Girlhood: Moments of Possibility,” to date the largest exhibition on Black girls in the world. The expansive showcase of emerging and established photographers and filmmakers takes us on a journey into Black girls’ interior lives that simultaneously imagines a more capacious worlds for them.
The exhibition curated by photographers Scheherazade Tillet and Zoraida Lopez-Diago highlights the history of Black women photographers while also re-imagining this world for Black girls.
“Notorious RBG: The Life and Times of Ruth Bader Ginsburg” is the memoir that Ginsburg never wrote. The exhibit now at The New York Historical Society traces her life through objects, audio recordings and photographs.
Award-winning collage artist and blogger Sally Edelstein calls herself a “visual anthropologist” and describes her intricate works as ”nostalgia-based.”
“Politics and art are one,” said Edelstein. “Nothing I do is without social content. That’s my interest.”
“Whatever we’re exposed to has an impact on us as we come of age. I want people to think about the messages they’re taking in.”
Actor Melissa Center wrote and stars in “Marrying Jake Gyllenhaal,” a one-woman show in which she sings, dances, embodies a complex constellation of characters, and reveals the extent to which girls and women are socialized and pressured into being in and maintaining relationships at all cost to themselves.
Released exactly a year ago on Saturday, ‘The Old Guard’ was overwhelmingly well-received by critics and was my favorite film of 2020, easily making it onto my end-of-year best feminist films list. And yet, the film is deserving of even more fanfare and continued accolades (especially with a sequel in the works). Consider this my ‘The Old Guard’ one-year anniversary present, masquerading as a review.