More Than A Magazine, A Movement
Sabrina Carpenter’s “sexual revolution” is not unprecedented; in fact, it has been paved for her. Yet, there is still something refreshing—and controversial—about her sexual expression that uniquely contributes to the constant effort of normalizing and embracing female sexuality through art. And perhaps it boils down to a simple truth: Carpenter is making it explicitly clear she enjoys sex, and she’s having fun with it.
In 1618, in the German town of Eichstätt, Anna Harding was interrogated repeatedly about her life and abortion practice, sometimes under torture.
Harding worked as a healer for decades. She and other women like her had their ordinary medical practices transformed into evidence of magic by misogynist fantasies of male interrogators and a larger cultural shift that sought to control female sexuality in the interests of Church and state. Abortion became associated with witchcraft because it was a routine part of women’s lives and healing practices.
As the GOP ramps up its culture war, no-fault divorce is emerging as its latest target, with conservative politicians and activists calling for its restriction or elimination. While no-fault divorce has been law in all 50 states since 2010, its repeal would disproportionately harm women—especially survivors of domestic violence—by making it harder to leave unsafe or unhappy marriages. Framing divorce as “too easy,” right-wing leaders are pushing a regressive agenda that prioritizes traditional family structures over women’s autonomy and safety.
Sean Baker’s Anora invites our capacities for feelings, not judgment, to accompany one young, female sex worker through a few roller-coaster, genre-defying weeks in her life. Like all of Sean Baker’s films, it refuses an ending that tells us what to think. It doesn’t tie things up and lead us to a morally unambiguous conclusion but to the perfect, emotionally right one. And the magic of it is that it does it without much being said.
While the comic parts of the movie, like classic screwball comedies, are full of characters whose talk bumps into each other, jostling for our attention and laughter, the last movement has hardly any dialogue at all. And it will stay with you for a long time.
I teach gender studies at Wabash, an all-male college. Our elective introductory course is always waitlisted. The students, mostly from the Midwest where sex ed is virtually nonexistent in public schools, are eager to study the biology and sociology of sex.
Most of my students know nothing about sex ed when they enter my class. But too many men like them—without knowledge about chromosomal sex, hormonal sex, gonadal sex, or intersex conditions—go on to legislate human bodies, define what is “natural,” and punish doctors who professionally advise patients on the best healthcare options for their well-being.
They were the “Insta-perfect” couple that captivated a nation.
But a new Netflix documentary American Murder: Gabby Petito includes text messages never seen before, journal entries, social media footage, family interviews and body cam video that give a foreboding picture of exactly what led to the 22-year-old’s death at the hands of Brian Laundrie.
It’s called coercive control—and this deeper dive into Gabby’s story serves as a five-alarm warning to everyone, and their loved ones, about red flags to look for in relationships.
Katherine Stewart’s Money, Lies, and God exposes the alarming rise of Christian nationalism as a well-coordinated, anti-democratic movement seeking not just power, but the destruction of democracy itself. She describes this movement as “more political pathology than political program,” with its leaders intent on “burning down the house.” Stewart reveals how right-wing religious and political forces use disinformation, authoritarian alliances and targeted outreach—particularly through churches and media—to gain influence.
Despite internal contradictions, she warns that their strategy is effective: “A fractured and ill-informed public is easier to control than a well-informed one.”
However, she argues that a broad, pro-democracy coalition can push back, emphasizing the need to expose dark money, defend public education and strengthen the separation of church and state.
Galentine’s Day, first introduced in Parks and Recreation 15 years ago, has become a powerful celebration of female friendships, mentorship, and support. More than just a fun tradition, it highlights the importance of women uplifting each other in a world that often overlooks these bonds. This day reminds us that when women come together—whether in friendship or leadership—they create meaningful change. As we celebrate, we reaffirm our commitment to empowering women and fostering a more representative democracy.
Assisted reproductive technology is more an art than a science—and until the success rates for certain groups drastically improve, doctors are foisting fairy tales onto vulnerable women.
IVF was a hot button issue in this year’s election. But today’s discussion about whether IVF should remain legal leaves out a fundamental point: It assumes that IVF works. This is, however, far from the truth for many—especially Black and Brown women and older women—for whom assisted reproductive technology is far from a miracle cure.
Why are we selling women on the idea that they can easily get pregnant after 40 when we know that’s exceedingly rare? The answer is money.
For years, many have nicknamed January “Divorce Month” and the first working Monday as “Divorce Day,” as if floods of filings hit courthouses across the country right after the ball drops. But that’s not the case.
March is a bigger month for the D-word. August is nothing to sneeze at either, according to a study by the University of Washington. So what’s the big deal with January? You could say the first of the year pushes sideline spectators, who’ve watched others split, to start dipping their toes in the divorce waters. In the end, nearly 70 percent of divorces are initiated by women.