Beyoncé

Keeping Score: Devastating Attacks on USAID; Louisiana Indicts N.Y. Doctor; Autumn Lockwood Is First Black Woman Coach to Win Super Bowl

In every issue of Ms., we track research on our progress in the fight for equality, catalogue can’t-miss quotes from feminist voices and keep tabs on the feminist movement’s many milestones. We’re Keeping Score online, too—in this biweekly roundup.

This week: Musk and Trump’s USAID attacks have devastating impacts; 80% of the clean energy investments from the 2022 Inflation Reduction Act—which Trump wants to roll back—are in Republican congressional districts; Louisiana indicts a New York doctor for prescribing abortion pills; new executive orders go after workers and LGBTQ people; the Laken Riley Act was signed into law; childcare costs affect the health of parents; and more.

An American Requiem: Beyoncé’s Country Statement at the Grammys

With all the upheaval, just two weeks in, that has accompanied the second term of the current presidential administration, the 67th annual Grammy Awards show came and went Sunday night like a welcome distraction. Even calling the event a “distraction” misses the serious work of art and its purpose in troubled times: to mobilize the masses, reaffirm our values and spread joy and light amid the darkness.

The big night, however, went to pop star Beyoncé, who not only made history as the first Black woman to win Best Country Album, but finally earned Album of the Year for her politically salient album Cowboy Carter, after previously losing in the category. The album, which opened with a “requiem” for America and closed on a prayer that “we’ll be the ones to purify our fathers’ sins,” calls on all of us to witness this nation’s history and its present, to reckon with its “sins” of exclusion and discrimination and demand that we purify it toward the democratic promise it has always held out for all of us and not just a select few determined to set us back on a backward course.

Ms. Magazine’s Top Feminists of 2024

From top athletes, to community activists, to badass lawmakers, here are our 25 picks for the top U.S. feminists of 2024, and two of the best things they did or said.

Featuring: Kamala Harris, the 27 women who sued the state of Texas for its abortion ban in Zurawski v. Texas, Sarah McBride, abortion providers and funders, Black women voters, Jasmine Crockett, South Carolina’s “Sister Senators” and more.

2024’s Top Feminist Moments in Pop Culture

The year 2024 had promised an era of women rising to the top. This was spectacularly highlighted by the historic presidential run of Vice President Kamala Harris, who had mounted an unprecedented campaign in just over 100 days. Sadly, Harris fell short of the necessary votes.

2024 nonetheless demonstrated that women still hold powerful sway across our popular culture, even as they struggle for the highest political position. We continue to hold onto hope for a feminist future with more opportunities for gender and racial breakthroughs, which are still possible because they have been imagined and envisioned in our pop culture. Here are our picks for the year’s top 10 feminist moments.

After Losing a Constitutional Right, America Picks a President

Americans are picking their first president after the Supreme Court overturned their constitutional right to an abortion.

Now, two-and-a-half years later, with near-full abortion bans in 13 states, deaths confirmed because of them, and a smattering of states that have enacted protections via the direct democracy of ballot initiatives, the country has a choice: to reelect Republican Donald Trump, whose pledge to undo Roe helped fuel his first ascent to the White House; or to elect Democrat Kamala Harris, who is running on resurrecting abortion rights as she aims to be the first woman to win the presidency. 

Will Taylor Swift’s Endorsement Swing the Election?: The Ms. Q&A With Scholar Janell Hobson

Since Taylor Swift announced her endorsement of Vice President Kamala Harris on the night of the debate with former President Donald Trump, publications from NBC to Fox have been debating what it might mean for Harris’ campaign and the outcome of November’s election.

An Instagram post from Sept. 10 shows the pop star posing with a fluffy cat in her arms—a direct reference to JD Vance’s quip deriding single and childless women. Before signing the post, “With love and hope, Taylor Swift, Childless Cat Lady,” Swift told followers that she plans to vote for Harris “because she fights for the rights and causes I believe need a warrior to champion them. I think she is a steady-handed, gifted leader and I believe we can accomplish so much more in this country if we are led by calm and not chaos.”

Ms. spoke with contributing editor and scholar Dr. Janell Hobson about about what the endorsement might mean.

The Political Life of Beyoncé’s ‘Freedom’

The sonic power of Beyoncé’s “Freedom” has done the work in freeing our minds to imagine women’s leadership on the world stage. It has found new life articulating a “Freedom” agenda for presidential nominee Harris. Harris’ campaign insists on forward movement. This freedom story of the nation and the world is far from over. It’s this possibility of leadership that is quite on brand with Beyoncé’s “Freedom.”

‘The Future Is Here!’: America Is Finally Ready for a Woman President

Eight years ago, Hillary Clinton made history as the first woman to be nominated for president by a major party. A proud feminist, she embraced the trailblazing nature of her campaign, portraying it as a quest to break the “highest, hardest glass ceiling.” But winning the popular vote still didn’t enable her to shatter the glass. A greater equality, the dream of generations of women, remained just that—a dream. Another woman would have to make it come true.

This week, in what might have been the waning days of her second term, Clinton declared in a full-throated speech at the Democratic National Convention, that “the future is here.” It is Kamala Harris, she said, who can smash that centuries-old ceiling once and for all.

Kamala Harris Is Older, Wiser … and Cooler

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Kamala Harris has rapidly assumed the mantel of cool, youthful candidate. Among Gen Z, she is “brat,” with Charli XCX, Olivia Rodrigo and Beyoncé lining up fast for the cause. Among the older crowd, longstanding debate over whether the vice president qualifies as a Baby Boomer—born in 1964, she is just on the cusp—rages on. It is apparently a hill Gen X is prepared to die on, citing her penchant for Chuck Taylors as proof.

Either way, at nearly 60 years old, Harris has achieved what might have seemed impossible before this moment: She has changed the perception of what it looks and sounds like to be a vibrant and capable “older” woman. We see a woman who radiates from the certainty of age and of knowing herself. Quite frankly, it is a gorgeous sight.

Ain’t I a Princess? Including Black Women and Girls in Fantasy and Play

It is only fitting that Netflix chose Juneteenth to debut the Shondaland-produced documentary film, Black Barbie. The film tells the story of Black women who worked at Mattel and gave us the titular doll, showcasing the joy of freedom through play. And yet, while the film shows that today’s Black children may no longer have feelings of being “ugly” or “bad,” as demonstrated during Clark’s doll experiment, they clearly understood Black Barbie wasn’t the “real Barbie,” wasn’t the “hero” of her own story. 

To that end, are we needing to ask a similar question about other fantasies: “Ain’t I a princess?”

It is not enough for Black women and girls to enter fantasy and play as “corrective” heroes. While we are as indebted to the Black women imagineers who worked on the new Disney ride, Tiana’s Bayou Adventure, as we are to the Black women at Mattel for giving us Black Barbie, we are equally in need of imaginations that transcend our limited realities and revel in our most whimsical dreams.