The sonic power of Beyoncé’s “Freedom” has done the work in freeing our minds to imagine women’s leadership on the world stage. It has found new life articulating a “Freedom” agenda for presidential nominee Harris. Harris’ campaign insists on forward movement. This freedom story of the nation and the world is far from over. It’s this possibility of leadership that is quite on brand with Beyoncé’s “Freedom.”
Tag: Beyoncé
‘The Future Is Here!’: America Is Finally Ready for a Woman President
Eight years ago, Hillary Clinton made history as the first woman to be nominated for president by a major party. A proud feminist, she embraced the trailblazing nature of her campaign, portraying it as a quest to break the “highest, hardest glass ceiling.” But winning the popular vote still didn’t enable her to shatter the glass. A greater equality, the dream of generations of women, remained just that—a dream. Another woman would have to make it come true.
This week, in what might have been the waning days of her second term, Clinton declared in a full-throated speech at the Democratic National Convention, that “the future is here.” It is Kamala Harris, she said, who can smash that centuries-old ceiling once and for all.
Kamala Harris Is Older, Wiser … and Cooler
Kamala Harris has rapidly assumed the mantel of cool, youthful candidate. Among Gen Z, she is “brat,” with Charli XCX, Olivia Rodrigo and Beyoncé lining up fast for the cause. Among the older crowd, longstanding debate over whether the vice president qualifies as a Baby Boomer—born in 1964, she is just on the cusp—rages on. It is apparently a hill Gen X is prepared to die on, citing her penchant for Chuck Taylors as proof.
Either way, at nearly 60 years old, Harris has achieved what might have seemed impossible before this moment: She has changed the perception of what it looks and sounds like to be a vibrant and capable “older” woman. We see a woman who radiates from the certainty of age and of knowing herself. Quite frankly, it is a gorgeous sight.
Ain’t I a Princess? Including Black Women and Girls in Fantasy and Play
It is only fitting that Netflix chose Juneteenth to debut the Shondaland-produced documentary film, Black Barbie. The film tells the story of Black women who worked at Mattel and gave us the titular doll, showcasing the joy of freedom through play. And yet, while the film shows that today’s Black children may no longer have feelings of being “ugly” or “bad,” as demonstrated during Clark’s doll experiment, they clearly understood Black Barbie wasn’t the “real Barbie,” wasn’t the “hero” of her own story.
To that end, are we needing to ask a similar question about other fantasies: “Ain’t I a princess?”
It is not enough for Black women and girls to enter fantasy and play as “corrective” heroes. While we are as indebted to the Black women imagineers who worked on the new Disney ride, Tiana’s Bayou Adventure, as we are to the Black women at Mattel for giving us Black Barbie, we are equally in need of imaginations that transcend our limited realities and revel in our most whimsical dreams.
Beyoncé Banned From the Classroom? The Race and Gender Debates Continue
Pop star Beyoncé Knowles-Carter continues to be a catalyst for cultural provocation. She dares to suggest that African Americans are vital to U.S. culture and are equally worthy subjects that require our attention and recognition of their value through their inclusion in our cultural heritage. if Kimberlè Crenshaw is the theory, Beyoncé is the practice. Our laws emerge from our culture, and those we hold up as culture bearers – including our pop stars – have the power to elevate the status of those most marginalized and to make visible our different political struggles.
Black Women Caught in the Digital Crosshairs
Black women are often in the crosshairs of abusive discourse driven by social media. That recent targets are often public figures suggests that social media abusers find it profitable to attack high-profile Black women who have become symbolic avatars for the group as a whole.
(This article originally appears in the Spring 2024 issue of Ms. Join the Ms. community today and you’ll get issues delivered straight to your mailbox!)
Keeping Score: Women’s Basketball Reaches New Heights; France Protects Abortion, While Florida Tightens Its Ban
In every issue of Ms., we track research on our progress in the fight for equality, catalogue can’t-miss quotes from feminist voices and keep tabs on the feminist movement’s many milestones. We’re Keeping Score online, too—in this biweekly roundup.
This week: Women’s college basketball smashed viewership records; France passed a constitutional amendment protecting abortion; Florida will soon have a six-week abortion ban; Beyoncé makes history on the country album charts; IWMF honors Palestinian journalist Samar Abu Elouf; Sen. Patty Murray (D-Wash.) managed to include $1 billion for childcare in the fiscal year 2024 appropriations bills; federal employees will soon have access to insurance plans that cover fertility services; President Biden announced a new plan to cancel student debt; the Supreme Court allowed Idaho to maintain its ban on gender-affirming care for minors; and more.
Beyoncé’s Country Accent in ‘Cowboy Carter’
Beyoncé’s voice of discontent resonates strongly, as does her once-considered “too country” accent, on Cowboy Carter. This, her eighth studio solo album, is a brilliant and genre-bending album rooted in country music that transcends the genre through its audacious, boundary-pushing and aggressive remixes and interpolations that have honored the hybrid space that is Southern culture.
The Legacy of Black Cowgirls
Ahead of Beyoncé’s release of Cowboy Carter, we spoke to Black women and girls making waves in rodeo.
When Beyoncé announced the ode to her country and Southern roots, it sent some fans and naysayers into a social media frenzy. But for real-life cowgirls and rodeo veterans, it was a time to feel nothing but pride. Their wish for all the Beyoncé uproar? Those folks will finally recognize that Black women and girls reign supreme at the rodeo.
Can Beyoncé’s Foray into Country Music Change the Genre’s Conservative Views?
Beyoncé’s much-anticipated country album, Cowboy Carter, drops on Friday, March 29. Beyoncé’s immense success in country music is a clear signal that there is a huge audience for country music around the world, but that audience won’t settle for the music’s often conservative conventions. Black music and musicians are at the heart of country music, and recognition of Black women’s music on this scale is long overdue.
Beyoncé doesn’t need country music. But, if it’s going get the global traction the CMA and other parts of the industry desire, country music needs artists like Beyoncé.