A roundup of the best feminist fiction on TV this year—including Girls5eva on Netflix, Quiz Lady on Hulu, and Americanish on Apple TV.
Television
Stories here about women navigating the television industry, representation on and off-screen and feminist TV show reviews.
New Ad Creates ‘Permission Structure’ for Men to Support Harris
Among the most memorable ads of the political season are a pair of 30-second spots with explicitly gendered themes featuring voiceovers from two of America’s most beloved movie stars. The ads each play on the idea of “permission structures,” the assumption that voters sometimes need to be given permission to vote for a candidate or party that is not popular with their social group.
During this election cycle, Democrats and Democratic-aligned groups seem finally to have figured out that they need to respond, in part by creating a special kind of permission structure for men to support them. Permission for men to vote for their values and conscience just might make a difference in what promises to be a very close election.
Hollywood’s Role in Perpetuating the ‘Angry Black Woman’ Trope
After Vice President Kamala Harris recently completed an interview with a combative Fox News host, pundits agreed she “gave a master class on what it means to be a Black woman in politics” by demonstrating cool, calm, effective leadership. The Grio’s Gerren Keith Gaynor noted she avoided the “angry Black woman” trope—a stereotype that not only permeates politics but has deep roots in the entertainment industry.
In recent years, a more diverse and empowering portrayal of Black women on the big screen has celebrated complexity and identity. For nearly all of its existence, though, Hollywood has been anything but inclusive, often illustrating one-dimensional perspectives of Black women. The history of inadequate representation—and certainly positive representation—helped form the “angry Black woman” stereotype, among other false narratives.
‘Rhoda’ Was on the Front Lines of Seismic Change for TV Women
Having TV’s most celebrated single hitched, on what was just the eighth episode of her new sitcom, ended up dooming Rhoda only as it had begun. But the wedding itself? The ceremony? That was a massive television success. Am era-defining cultural happening. The whole country attended.
Fifty years ago: Oct. 28, 1974.
While the show ended with a whimper in December 1978, it advanced a primetime movement in the 1970s—playing out within the greater movement—that led to increased representation of women and gender issues on screen.
Is ‘The Good Doctor’ the New ‘Rain Man’?
After seven long seasons, The Good Doctor aired its final episode this summer. For a series that has been a large point of contention among the Autistic community, for better or for worse, the show has cemented itself a seemingly permanent spot in the conversation about Autistic media representation and, more broadly, how Autism is seen by the general public.
I am Autistic, and I polled several fellow Autistic thought leaders and experts, and it’s official: The Autistic community mostly rejects the show, mainly for its oversimplified and flawed representation of Autism.
The Best Autistic and Autistic-Coded Characters in Animation
Three years ago, I wrote a piece for Ms. about Hollywood’s blatant and continued exclusion of Autistic people, as well as the ableist tropes film and TV have continued to push in its depiction of Autism. Since the article was published, I have seen more positive strides taken in terms of Autism representation in the media, with many of those strides coming from the world of animation.
As we wind down World Autism Month, here are some of my favorite Autistic and Autistic-coded characters in animation.
Watch and Weep: 10 Most Disappointing Series Cancellations of 2023
Shows centering on women, LGBTQ+ individuals and people of color are often the first to get the axe—undermining streaming platforms’ supposed commitment to diversity.
The disappointments of past cancellations and the victory of the writers’ strike offer two sides of the same story—illustrating the foibles of a top-down approach to television production that emphasizes revenue over meaningful content.
Here are our critic’s top picks for the most disappointing cancellations of 2023.
Did ‘Ted Lasso’ Change the Way We View Masculinity on TV?
Ted Lasso stayed true to its most salient value in our current media landscape by casually and comfortably addressing the possibility of healthier masculinity in heavily male-dominated spaces. This is particularly groundbreaking given the context of aggression in men’s sports, especially English football.
Gender, Corruption and Unbridled Power in Prime Series ‘The Power’: The Ms. Q&A With Naomi Alderman
Written by Naomi Alderman and adapted into a TV series for Prime Video, The Power asks a deceptively simple question: What would happen if, overnight, girls and some women worldwide gained the ability to administer electric shocks at will?
Ms. spoke with Naomi Alderman about her novel and how she sees its television adaptation resonating in the years since the book’s initial release.
‘The Owl House’ Versus ‘Harry Potter’: Magic School Shows, Queer Representation and Medical Autonomy
The series finale of The Owl House premiered last weekend on the Disney Channel—a story of a neurodivergent Latina girl named Luz Noceda, who stumbles into a realm inhabited by witches and demons.
Just this month, Warner Bros announced a new decade-long TV series adaptation of all seven Harry Potter books. But we don’t need another Harry Potter adaptation. We don’t need a rich, white, abled, cisgender, heterosexual woman with limited feminist views representing or speaking for us. What we need are new stories—better stories. Stories that better represent human diversity and actively seek to include as many different voices as possible. The Owl House was one of those stories, and while I’m heartbroken it ended sooner than it should have, I know there will be more.