Television

Stories here about women navigating the television industry, representation on and off-screen and feminist TV show reviews.

TV Still Has a Lot to Learn About Abortion

PUBLISHED 6/25/2026 by

Four years after Dobbs, television has become more willing to acknowledge the legal and political barriers to abortion care—but too often, it still reinforces harmful myths.

While shows like Grey’s Anatomy have depicted the devastating consequences of abortion bans, others continue to fall back on familiar tropes. In And Just Like That, the show largely sidesteps abortion as a normal, legitimate choice—especially for an affluent married mother in New York. And recently, the critically acclaimed Margo’s Got Money Troubles builds its entire premise around a young woman rejecting abortion despite pressure from those around her.

Those storytelling choices matter. Research shows that accurate abortion storylines can increase public understanding, reduce stigma and even help people feel more confident in their own reproductive healthcare decisions.

Yet television still rarely reflects the reality of abortion today—from the fact that most abortion patients are already parents, to the widespread use of medication abortion.

In an era of widespread confusion and misinformation, TV has the power to inform millions of viewers, but only if it moves beyond outdated narratives and portrays abortion as the ordinary healthcare decision it is for so many people.

Fewer Teen Births Is Good, Unless You’re the Patriarchy

PUBLISHED 4/17/2026 by

How on-brand for the federal government to announce that U.S. birth rates are falling—just as The Testaments, the long-awaited sequel to The Handmaid’s Tale, dropped on Hulu.

In the fictional nation of Gilead, first envisioned by Margaret Atwood in her 1985 dystopian novel and expanded on screen for nearly a decade now, declining fertility catalyzed a Christian nationalist revolution in modern-day America, spawning a society rooted in patriarchal dominance and state-sanctioned violence. The Testaments, now three episodes in, is making a deliberate appeal to Gen Z and young viewers, featuring the spectacularly savvy Chase Infiniti and Lucy Halliday among Gilead’s tradwife-in-training rebels.

Doubly fascinating then, that it is the real-life status of teen birth rates in particular now driving the news. In a drop considered “extraordinary” by statisticians, the number of babies born to mothers between the ages of 15 and 19 fell by 7 percent in 2025.

Nevertheless, many on the right jumped directly into the fray to publicly lament that teens are having fewer babies.

Sinead O’Connor Was Right: It’s Time to Revisit Some of Pop Culture’s Most Maligned Women

PUBLISHED 3/24/2026 by

An excerpt from Allison T. Butler’s The Judgment of Gender: How Women Are Centered and Silenced in Pop Culture, published March 8, 2026:

While Sinead O’Connor was roundly criticized for ripping up the picture of the pope, the passage of time has revealed: She was right.

O’Connor was labeled a pop star, but she never saw herself that way. From Rememberings: “Everyone wants a pop star, see? But I’m a protest singer. I just had stuff to get off my chest. I had no desire for fame.”

Kathy Spillar on ‘Velshi’: A Warning About the Right’s Agenda for Women

PUBLISHED 3/16/2026 by

This weekend on Velshi with MS NOW (formerly MSNBC) anchor Ali Velshi, Kathy Spillar—executive editor of Ms. and executive director of the Feminist Majority Foundation (publisher of Ms.)—joined to discuss a sweeping new policy blueprint from the Heritage Foundation that lays out a vision for reshaping American family life and rolling back women’s independence.’

Velshi summarized the underlying logic of the proposal starkly: “You cut off opportunities outside the home. You make the public sphere hostile to women’s independence. You create a system where the only viable path left for women is dependence on a man for survival. In other words, you drag the country back to a time when women had fewer choices.

“Women today have opportunities their grandmothers could only dream of. From the perspective of the new right, that’s the crisis.”

Spillar said the report spells out a broader political strategy. “They are determined to use whatever levers of power they have under the Trump administration—to change tax laws, to provide incentives for women to have more children, to get married younger and to stay married, even in bad relationships,” and added the proposed policies primarily target heterosexual, middle- and upper-income families.

“This is the game plan of an authoritarian regime,” she said. “It’s designed to support an authoritarian government that has control over its women—and therefore over its men as well, making men more compliant because they now have larger families who depend on them economically.”

‘America’s Next Top Model’ Was a Microcosm of the Modeling Industry’s Power Problem

PUBLISHED 3/10/2026 by

Modeling appears glamorous. Beautiful people, high end clothing and photo shoots in exotic locations. But the reality is far more bleak. 

I was ecstatic when I was selected to be on America’s Next Top Model. By the time I understood how little control I had, it felt too late to ask questions. Personal phones were gone. Contact with the outside world was restricted.

When Netflix released Reality Check: Inside America’s Next Top Model, my reaction was not shock. It was recognition.

The Best Feminist Fiction Films and TV Shows of 2025

PUBLISHED 12/22/2025 by

From devastating dramas to sharp satires and genre-bending thrillers, this year’s feminist fiction on screen refused easy answers—and demanded our attention. These films and series center women’s agency, ambition and survival, offering stories that linger long after the credits roll. Here are some of the standout feminist fiction watches of the year.

Aviva Dove-Viebahn reviews the top fiction feminist watches from the past year including The Substance, Ironheart and The Better Sister.

Women, Christianity and the Politics of Submission in ‘The Handmaid’s Tale’ and ‘The Righteous Gemstones’

PUBLISHED 6/14/2025 by | UPDATED 6/20/2025 at 8:08 A.M. PT

The popular and critically acclaimed series The Handmaid’s Tale and The Righteous Gemstones each recently wrapped a successful series run.

When placed in conversation, The Righteous Gemstones and The Handmaid’s Tale expose the dangerous consequences of women participating in the cultural backlash against feminism. The tradwife ideologies that Amber and Judy negotiate, and that Serena Joy embraces in theory, become a totalitarian nightmare for women in The Handmaid’s Tale.

How Violent Porn Initiates Young Boys in Violence Against Women

PUBLISHED 5/6/2025 by and

“Your body, my choice.” That misogynist credo is the crux of the blockbuster Netflix mini-series, Adolescence, the third most-watched English language show of all time on Netflix. The show continues to provoke debate about the impact of social media on the mental health of boys, in a world dominated by the manosphere, and its power to transform boys’ into violent misogynists. 

Surprisingly, porn was the one missing element in the otherwise brilliant four-part Netflix drama.

The show centers on a 13-year-old boy, Jamie—a typical lad, vulnerable, like so many other young men, to the venom of online misogyny spewed through unbridled social media, chatrooms, blogs and podcasts. This angry ideology, masquerading as manly virtue, blames women for male alienation and promotes violent sexuality and the dehumanization of women—the very narratives of porn.

‘Adolescence’ Is a Cautionary Tale of the Male Rage and Isolation Fueled by the Manosphere

PUBLISHED 3/24/2025 by | UPDATED 9/15/2025 at 11:12 A.M. PT

Adolescence is a powerful cautionary tale about the destructive forces of the manosphere and the isolation many young boys face today. Through the lens of Jamie’s tragic journey, the show illuminates the profound impact of online misogyny, social media and a culture that discourages vulnerability in young men. As both a fictional story and a reflection of the real lives I’ve encountered, it serves as a stark reminder of the urgent need for adults—teachers, parents and communities—to guide boys through the confusion of adolescence and protect them from harmful online influences.

If we fail to act, the tragedy we see in Adolescence may become a reality for more young men.