Black Women

Black women experience a unique intersection of patriarchal and white supremacist oppression, leading to statistics like disproportionate maternal mortality in the U.S. and foundational feminist theory like the writing of Audre Lorde. Black women are not a monolith, however, and include women from all around the world who are a part of the African diaspora. They have often led social movements for a wide variety of causes because of the intersectional oppressive structures on their lives.

Hope Ngumezi Took His Wife Porsha to a Texas Hospital for a Miscarriage. She Left in a Body Bag.

PUBLISHED 8/18/2026 by

When Hope Negumezi took his pregnant wife, Porsha, to a Texas hospital for a miscarriage, he expected routine emergency care. Ten hours later, she bled to death.

Hope Ngumezi shares with journalist Bonnie Fuller how his pregnant wife, Porsha, bled to death while waiting in agony for hours for medical care. In this harrowing personal account, Hope recounts Porsha’s final hours—and the dangerous legal “gray area” that kept doctors from saving her life.

“Why did this nightmare happen?

“Our first meeting was at my 21st birthday party. … As soon as I saw her, it was like in the movies, when everything stops. There seemed to be an aura around her. I went to the bathroom to splash water on my face to sober up and to figure out how I was going to talk to her.

“She was a great mother. She just loved her boys so much and they loved her, too. They were both mama’s boys and were always hanging around her, which I loved.”

On the Voting Rights Act’s Anniversary, Short Film ‘Selma Sisters March On’ Captures 1965’s Fight for the Right to Vote

PUBLISHED 8/6/2026 by

Aug. 6, 2026, marks the 61st anniversary of the Voting Rights Act. Signed into law by President Lyndon B. Johnson in 1965, the VRA sought to end Jim Crow-era voter disenfranchisement. Particularly in Southern states, voting officials routinely required Black voters to jump through hoops such as “literacy tests” or arbitrary rules such as having to name every county in the state before voting. Even if a Black voter managed to make it this far, election administrators sometimes intentionally sent them to the wrong location to vote, ensuring their vote never actually got counted.

The Voting Rights Act made it illegal for states to discriminate against voters by race, color or language-minority status, thereby reaffirming all U.S. citizens’ constitutional right to vote. The VRA also introduced additional changes to make voting more widely accessible, such as ballots in languages other than English and protections for blind, disabled and illiterate voters.

However, the VRA only became law after decades of struggle and widespread civil rights protests, including the famous marches from Selma to Montgomery, Ala., in March 1965. Protesters, many of whom were young students, faced violent attacks from law enforcement, from tear gas to imprisonment, as they fought for their right to vote.

Sisters Alice and Denise Thomas were only 16 and 14 when they joined the Selma to Montgomery marches and other protests in their home state of Alabama before the VRA became law. In the new short documentary Selma Sisters March On, the Thomas sisters describe in their own words the fateful events of 1965 as they experienced them as high school-aged civil-rights activists.

What a ‘Black Helen of Troy’ Reveals About Hollywood and Mythmaking

PUBLISHED 8/5/2026 by

The conversations over a Black actor like Lupita Nyong’o portraying the iconic Helen of Troy, “the most beautiful woman in the world”, reveal a broader discomfort with depictions of dark-skinned Black beauty in Hollywood.

Whether Nolan intended to or not, Nyong’o’s dual roles reinforced the white feminine ideal, since her Helen does not threaten whiteness as the beauty status quo, nor does her Clytemnestra establish her as sufficiently feminine. 

Writer Karen Attiah argues we don’t need a Black Helen so much as we need more “Black mythologies. … “We don’t need Black Helens of Troy. We need more Wakanda women. We need more Women Kings. We need more Queens of Katwe. It is precisely in this moment of historical erasure and rejection of even the most nominal forms of Black inclusion that Black writers and thinkers, and especially Black women, should be focusing on building out the civilizational myths, histories, and heroines we already have.”

Imagine an epic movie about Amanirenas, the Kandake queen who prevented the conquest of the ancient kingdom of Kush from the powerful Roman army circa 25 B.C.E.

Or Queen Nzinga, who fought against the Portuguese seeking to enslave her people during the transatlantic slave trade era circa 1600s.

We can hardly visualize the kingdom of Haiti in existence between 1811 and 1820 during the era of Bridgerton, as historian Marlene Daut argues, let alone tell the story of its king and queen (instead of reclaiming the British Queen Charlotte as a Black royal). 

Imagine Lupita Nyong’o cast in any of these majestic roles.

And these roles need not be historical. Imagine the same actor reprising her role as the spy “war dog” Nakia from the Black Panther franchise in her own movie spin-off, traipsing James-Bond style around the world without the need to replace James Bond himself. 

If we must wait until 2028 to witness Nyong’o on our big screens again (when the third Black Panther film is scheduled), then this moment in The Odyssey is a misuse of her talents.

Who’s Paying the Price for Trump’s Medicaid Cuts? Communities of Color and People Living With HIV.

PUBLISHED 7/29/2026 by

President Trump and his Republican backers have been determined to gut the Affordable Care Act (ACA) and expanded Medicaid coverage ever since his first term in office. This year he is finally getting his way, putting the health of tens of millions of Americans at risk.

It is racial minorities and the chronically ill who will be the most harmed.

A year ago, Congress passed the so-called One Big Beautiful Bill Act, putting in place onerous new eligibility requirements for Medicaid coverage, including work requirements. Medicaid enrollees ages 19 to 64 must complete at least 80 hours a month of work, community service, job training or education to maintain coverage, unless they qualify for an exemption. All states must comply with the new rule by Jan. 1, 2027.

The combination of ACA cuts and new barriers to Medicaid enrollment will likely cause historic coverage losses across the United States for years to come, according to new research: Nearly 16 million people stand to lose coverage by 2034.

The People’s Bill of Rights 250 Invites Americans to Reimagine the Constitution

PUBLISHED 7/29/2026 by , and

A new online public platform—The People’s Bill of Rights 250—invites Americans to propose, discuss and vote on ideas they believe belong in the Constitution. As the U.S. marks 250 years, the bold, interactive project asks Americans not only to reflect on the nation’s founding, but to help shape its future.

The nonpartisan organization The People and executive director Katie Fahey, alongside a coalition of civic, advocacy and cultural leaders, spearheaded the People’s Bill of Rights 250. It invites Americans to answer a simple question: What freedoms, rights and protections should every person in the country be guaranteed over the next 250 years?  

From now until Friday, July 31, Americans are encouraged to vote and share their own ideas at the People’s Bill of Rights 250’s website.

I Put My Career on Hold to Raise Five Children and Care for My Disabled Mother. America Depends on Women Like Me.

PUBLISHED 7/28/2026 by

Front & Center amplifies the voices of Black women navigating poverty—highlighting their struggles, resilience and dreams as they care for their families, build careers and challenge systems not built for their success. Now in its fourth year, Front & Center is a collaboration between Ms. and Springboard to Opportunities, a nonprofit based in Jackson, Miss., working alongside residents of federally subsidized housing as they pursue their goals.

Christy is a Jackson, Miss.-based mother of five, family caregiver and entrepreneur. She is caring for her disabled mother while pursuing her dream of one day growing her catering business into a food truck.

“Taking care of my children and my mom at the same time is rewarding, but it is also hard. I really don’t get much help with my kids from their dad, so most of the time I’m here with them.

“What would make caregiving for two generations of family easier, is a break. If my mom had places to go, or if somebody could take her every other weekend or even every weekend sometimes, that would give me time to myself to breathe and live a little bit. My siblings are far away, my car situation makes it hard to get around and I’m always here, so having a little peace would help me and my kids too.

“Childcare vouchers … helped a lot with after-school care and transportation, but when I recently had to recertify, I was cut off because I missed getting a copy of my ID in by the deadline and ended up on a waiting list.”

Inspired by the Greek Myth, Independent Film Series ‘The Cassandra Project’ Asks Viewers to Believe Women

PUBLISHED 7/26/2026 by

Even in the wake of the #MeToo movement and heighteend awareness around sexual vioelnce, sexual assault is still one of the most underreported crimes. Although one in four women will experience sexual violence in her lifetime, fewer than 5 percent of these cases ever get reported to the police. In many situations, women fear that the police won’t believe them.

Unfortunately, this fear is well founded. Even though so few reports of sexual assault make it to the police in the first place, data shows that law enforcement will determine that one in five reported cases is “unfounded” and dismiss it.

There are dire consequences to not believing women. The Cassandra Project, a new trilogy of independent short films spearheaded by filmmaker Barclay DeVeau, hopes to illustrate “the profound consequences that arise when women are not believed and their voices are disregarded and dismissed.”

What Happens When a Dancer Is Forced to Become a Refugee? ‘Born to Dance, Forced to Run’ Captures Life Under the Shadow of Deportation

PUBLISHED 7/22/2026 by

Born to Dance, Forced to Run is a powerful new documentary that follows Steeven Labady, a queer Haitian dancer whose relentless pursuit of his artistic dreams is continually upended by displacement, asylum battles and the constant threat of deportation. Through his extraordinary journey, filmmaker and Haitian feminist activist Pascale Solages reveals the human cost of migration policies, transforming an abstract political debate into an intimate story of resilience, survival and hope.

At a moment when the Trump administration is dismantling Temporary Protected Status for Haitians and escalating immigration enforcement, the film’s message could not be more urgent. It’s a deeply human portrait of what it means to live undocumented under the shadow of deportation.

Born to Dance, Forced to Run premieres in New York on Saturday, July 25, at 6 p.m. at the Brooklyn Children’s Museum, where audiences will have an opportunity to experience this moving documentary on the big screen, followed by a Q&A.

Christopher Nolan’s ‘The Odyssey’ Reclaims the Diversity of the Ancient World

PUBLISHED 7/21/2026 by

Christopher Nolan’s The Odyssey validates the culture through this quarter-billion-dollar Hollywood production—best seen and appreciated in movie theaters. So, why did some react to this latest retelling of The Odyssey as if the mere presence of a Black woman would delegitimize its place in history? And should we ignore them as out-of-touch fringe extremists? 

Before The Odyssey even reached theaters, Nyong’o’s casting as Helen of Troy ignited predictable outrage from white supremacists and anti-“woke” commentators who claimed a Black actor had no place in one of Western civilization’s foundational myths. But as scholars of antiquity make clear, that backlash says far more about modern racial politics than it does about the ancient world itself.

Nolan’s sweeping adaptation arrives at a moment when the fight over history is also a fight over power. By embracing a multiracial cast, The Odyssey challenges centuries of whitewashing and reminds us that the ancient Mediterranean was far more diverse than many have been taught to believe.

The diversity of the ancient world is our collective heritage—not the exclusive property of those seeking to rewrite the past.

Looking to Black and Indigenous Foremothers to Resist Erasure

PUBLISHED 7/2/2026 by

Free Black women and Indigenous women are the foremothers of generations of African Americans. Yet they remain largely absent from the official story of American freedom. Their lives, contributions and descendants have been systematically erased—from colonial records and legal classifications to public memory itself.

That erasure began in the earliest colonial records. The 1620 Virginia census recorded “four Indians in the service of several planters,” alongside 15 Negro men and 17 Negro women, reducing people to categories that obscured their identities, families and histories. Over the centuries, laws, court decisions and public institutions repeatedly reinforced that disappearance.

The best celebration of 250 years of American freedom—after the fireworks and celebrations by a newly blue-painted Lincoln Memorial Reflecting Pool are over—could be a visit to a cool, air-conditioned archive. In the quiet, anyone can search the records for the full story, of the enslaved and freeborn, Indian and African. Anyone can defy censorship and erasure with an open mind and a pencil, no fees required.