Women Artists

Dispatches From Daisy Chain: Olivia Rodrigo’s Feminist Festival Brought Together Music, Reproductive Freedom and the Power of Women

PUBLISHED 9/1/2026 by

On Saturday, Aug. 29, more than 45,000 music fans traveled to Irvine, Calif., for the first-ever Daisy Chain Fields music festival, organized and headlined by Olivia Rodrigo, where 100 percent of the proceeds went to organizations supporting women and girls. Under the sweltering SoCal sun, an all-women lineup—including sets from Mitski, Doechii, Garbage, Chappell Roan and others—fundraised for 10 nonprofits: Baby2Baby, Black Mamas Matter Alliance, Center for Reproductive Rights, FreeFrom, Jhpiego, Johns Hopkins Center for Indigenous Health, National Domestic Workers Alliance, National Institute for Reproductive Health National Women’s Law Center and Planned Parenthood.

The all-day festival, inspired by Sarah McLachlan’s Lilith Fair of the 1990s, raised $10 million in ticket sales. Then, during her set at the end of the day, Rodrigo announced (to massive applause) that Melinda French Gates was matching every dollar raised—bringing the festival’s total donation to $20 million for diverse nonprofits supporting sexual and reproductive health, children in need, Black mothers, gender-based violence survivors, Indigenous communities and more.

I was lucky enough to go to Daisy Chain Fields and cover the festival for Ms. In the “Daisy Chain Reaction Village,” I spoke with several of the organizations that will receive Daisy Chain Fields funds.

“We wanted to come to the festival because we feel really passionately about connecting with new audiences on the issue of reproductive rights, particularly younger audiences who may not be as aware or knowledgeable about the national and international state of reproductive rights and bodily autonomy,” said Esme Lowe from the Center for Reproductive Rights. “It’s just super exciting because we’re engaging with people we might not [otherwise] even get to talk to.”

In line outside the Daisy Chain Reaction Village, sisters Madison and Mackenzie Wong said they were excited to attend the festival in their home city of Irvine, and happy to see a lot of younger fans of Olivia Rodrigo there to learn about the causes Daisy Chain Fields was supporting. 

“I think it’s important for big artists who have a platform to use their voice,” Mackenzie said. “They have so much influence anyway, so no matter what they say, it’s going to have a broader impact.”

Dolly Parton’s Unique Feminist Power, as Told by Gloria Steinem (January 1987)

PUBLISHED 8/27/2026 by

(As the world mourns Dolly Parton, Ms. is revisiting Gloria Steinem’s tribute to the country music legend, originally published in the January 1987 issue, when Parton was named one of Ms. magazine’s Women of the Year. Steinem celebrated Parton not only as a gifted songwriter and magnetic performer, but as a shrewd businessperson who transformed femininity into a source of humor and power—and used her success to lift up working women, poor communities and the mountain people of her native Tennessee.)

If feminism means each of us finding our unique power, and helping other women do the same, Dolly Parton certainly has done both.

Her strength and capacity to dream seems to have been born into Dolly, as one of 12 children of a poor family in those mountains.

By the time she was 7, she was playing the guitar, reading books and dreaming of a world beyond the poverty and beauty of the Smoky Mountains.

By the time she was 10, she had coaxed support from her free-thinking mother, braved the opposition of her protective father, and earned her first public applause by singing before live audiences at a radio station in Knoxville. With that taste of success, she vowed to conquer the larger world beyond the mountains, but never to betray the country way of life that had nurtured her.

Rest in Power, Dolly Parton: Feminist Country Icon, Advocate for Women and Children, Philanthropist and Gifted Songwriter

PUBLISHED 8/27/2026 by

Dolly Parton understood the power of being underestimated. Beneath the rhinestones, towering blond hair and self-deprecating jokes was a gifted songwriter, a shrewd businesswoman and a philanthropist whose work transformed the lives of millions of children and families.

Parton left behind a body of work that stretches far beyond the songs and films that made her one of the most beloved performers in American life. She sang about the dignity of working women. She placed hundreds of millions of books in the hands of children. She supported healthcare, disaster relief and lifesaving medical research. And she repeatedly used her enormous cultural influence to affirm the humanity of people who were too often marginalized, including Black and LGBTQ+ Americans.

Parton’s concern for women and children was expressed not only through her art, but in what she did with the wealth and influence her art created. We heard her legacy in the songs that made working women feel seen. We saw it in the books delivered to children, the families supported after disaster and the medical research that saved lives.

May Dolly Parton rest in power. May her legacy live on in every child who discovers a new world inside a book, every woman who demands dignity in the workplace and every person who chooses compassion when indifference would be easier.

Beyond André Breton: The Life and Art of Jacqueline Lamba, the Surrealist Woman That Art History Forgot

PUBLISHED 8/21/2026 by

Jacqueline Lamba lived in the shadow of her French poet husband and was essentially erased from modern art history. A groundbreaking biography Jacqueline Lamba: The Forgotten Surrealist (published April 7, 2026, by Merrell Publishers) from art historian and author Salomon Grimberg, repositions Lamba as a major creative force in her own right, while uncovering a previously unknown love affair between Lamba and Frida Kahlo.

Madonna Is Still Rewriting the Rules For Women in Pop

PUBLISHED 8/18/2026 by

Thousands of fans, writers, nightlife legends and artists walked between the legs of a towering inflatable Madonna last month—a fitting monument to four decades of Madonna’s subversive expression of female sexuality and autonomy. The giant inflatable served as the entrance to Club Confessions at the Knockdown Center, where she celebrated Confessions II, her 15th studio album and sequel to her landmark 2005 album Confessions on a Dance Floor.

The event followed a summer in which Madonna staged a surprise album launch performance in Times Square; joined Sabrina Carpenter onstage during Carpenter’s headlining Coachella set; and opened the first-ever FIFA World Cup Final halftime show.

Widely regarded as a pioneering voice of women’s sexuality, authorship and autonomy in entertainment, Madonna has paved the way for generations of artists since the 1980s. But the industry moves at a relentless pace, with artists becoming irrelevant after a single album cycle and women in particular expected to endlessly reinvent themselves to remain culturally valuable. Against that backdrop, her newest work radically celebrates her own legacy.

Forty-three years after releasing her debut single, Madonna has fundamentally expanded the possibilities of female autonomy.

A Visual Depiction of Lactation Rooms in the U.S.: Inside the Spaces Where Mothers Pump

PUBLISHED 6/6/2026 by

My latest book Milk Factory is the first visual study of America’s lactation rooms. Photographing spaces where mothers pump—disparate sites such as a prison, corporate offices, a farm laborer’s tent, schools, an airport and the U.S. Capitol—I reveal the hidden architecture of care. I wanted to give participants a record of their labor and make that labor visible to others.

Born out of my own experience, Milk Factory is personal and political. It challenges romanticized portrayals of motherhood and breastfeeding, underscoring the complexity and labor behind an act that is widely expected but rarely supported.

Dispatches From Ukraine’s Frontlines, Where Feminist Organizing Has Become an Act of Survival

PUBLISHED 5/28/2026 by

A lecture and discussion were about to begin in a local public library. It could have been a scene in New York, London or Melbourne. Yet this event was in Zaporizhzhia, Ukraine, just 25 kilometers from invading Russian forces, where most of the attendees had fled from Russian occupied cities and villages.

The meeting was one of many organized by Natalia Lobach and the Ukrainian LGBTQ+ human rights group, Insight. Lobach said these events aim to create “safe community spaces for people from different age and social groups,” but they are especially “a good way for vulnerable groups to socialize.”

“Putin’s military is trying to destroy us not only physically, but psychologically as well—to take away our identities,” she said. “We are surviving physically, but we are also preserving our identities and our pride. … Isn’t that a kind of miracle, what we continue to do despite the pressure of such a brutal enemy?”

Keeping Score: 137 Women Are Killed by Partners or Family Per Day; Bipartisan Push for Epstein Files; Trans Day of Remembrance and Native Women’s Equal Pay Day

PUBLISHED 12/9/2025 by

In every issue of Ms., we track research on our progress in the fight for equality, catalogue can’t-miss quotes from feminist voices and keep tabs on the feminist movement’s many milestones. We’re Keeping Score online, too—in this biweekly roundup.

This week:
—137 women and girls are killed by intimate partners or family members every day.
—Congress votes overhwlemingly to force the Justice Department to release their Epstein files.
—Donald Trump snaps at women journalists: “Quiet, piggy” and “you are an obnoxious—a terrible, actually a terrible reporter.”
—Violence against trans women remains high.
—DACA recipients are being targeted and detained under the Trump administration.
—Higher-income college students often receive more financial support than they need, while low-income students struggle.
—Tierra Walker died from preeclampsia in Texas after being repeatedly denied an abortion.
—Viola Ford Fletcher died at age 111. She was the oldest living survivor of the 1921 Tulsa Race Massacre. 
—North Dakota’s total abortion ban was reinstated after the state’s Supreme Court reversed a temporary injunction from a lower court. There are now 13 states with total bans.

… and more.

‘Liberation’ Playwright Bess Wohl on Theater as Resistance: ‘Theater Is Dialogue. Autocracy Is a Monologue.’

PUBLISHED 11/25/2025 by

At the Feminist Majority Foundation (publisher of Ms.) Global Women’s Rights Awards on Nov. 18 in Los Angeles, FMF honored the team behind the Broadway smash hit Liberation: playwright Bess Wohl, director Whitney White and Lisa Cronin Wohl, an OG Ms. writer from the 1970s.

“Theater is made up of dialogue. Autocracy is a monologue. Theater is about community: We watch a play together. Autocracy seeks to isolate us. Theater is about curiosity: A good play asks a question. Autocracy is not interested in questions, only in control.

“So, thank you, because in honoring this play, you honor the role of dialogue, community and questions in creating social change.”