Women Artists

Fast Facts About Bea Feitler, the Pioneering Graphic Designer You’ve Never Heard Of

For our Summer 2025 issue, Ms. is going retro. The cover for the latest print issue is an homage to the October 1975 issue, which offered a “Special Issue on Men.” Both covers, 50 years apart, show a man in jeans and a T-shirt (the 1975 model was, no joke, Robert Redford) with a rolled-up issue of Ms. in his back pocket, honing in on the idea that women’s rights is a men’s issue too.

It’s the perfect time to remember Bea Feitler, the early Ms. art director who designed the 1975 men’s issue cover. Despite being a prominent designer (she art-directed Harper’s Bazaar and other magazines throughout the 1960s and ’70s), Feitler is largely unknown today.

In honor of her incredible legacy, which inspires Ms. staffers to this day, here are some of our favorite facts about Feitler and her remarkable life and work.

The Problem With Sabrina Carpenter’s Album Cover Is Not Sex—It’s Violence 

The real discomfort with Carpenter’s controversial cover isn’t about sexual provocation. It’s about normalizing images of violence against women.

Policing women’s sexual choices should never be the goal of this discourse. Our personal sex lives are rich with context, and I hope that most people who enthusiastically interact with violent sexual acts, such as choking or hair-pulling, have felt comfortable enough with their partner to talk them through and have a truly consensual experience.

But we can monitor the way we speak about sex—especially expressions that lack that personal context, like album covers—and our tendencies as feminists to defend them in any light, no matter how troubling, for fear of restricting women as opposed to liberating them. 

We do not need to be OK with violence. Each of us has the personal autonomy to consider it, be conscious of it, oppose it, or even play with it. But when we look at an image of a woman having her hair pulled like the leash of a dog, it is only human—and important—that we feel uncomfortable.

Weekend Reading on Women’s Representation: Honoring Stonewall’s Legacy; NYC Mayor Race Shows Benefits of Ranked-Choice Voting for Women

A compilation about women’s representation in politics, sports and entertainment, judicial offices and the private sector—with a little gardening mixed in!

This week:
— New York City Council Speaker Adrienne Adams is expected to qualify for public matching funds this week after a late surge in campaign donations, thanks to a surprising boost from a rival.
—progress made towards gender parity in international elections
—In South Korea’s June presidential election, young women played a pivotal role in electing Lee Jae-myung, leading one reporter to call it “the anti-anti-feminist election.”
—June is Pride Month, marking the anniversary of the 1969 Stonewall Uprising in New York City, a turning point in queer activism in the United States.

… and more.

This Feminist T-Shirt Initiative Is Blending Graphic Design with Abortion Justice

In the midst of Title X funding cuts to reproductive healthcare and antiabortion extremist attacks on clinics, the abortion rights movement needs as much visibility as it can get.

The United States for Abortion, a reproductive justice design initiative, lets supporters literally wear their support on their sleeve with pro-choice T-shirt designs sourced from independent designers across the country. The ongoing project—which just announced 10 new designs—is planning to incorporate designs from all 50 states, Puerto Rico and Indigenous Native nations, working at the intersection of graphic design and social justice.

One hundred percent of all proceeds from the T-shirts go to the National Network of Abortion Funds.

Screaming for Change: Documentary Turning Women’s Fury Into Power Hits AMC+

In OUTCRY: Alchemists of Rage, Clare Major’s powerful direction and classical-violinist-turned-punk-singer Paris Hurley’s (of Object as Subject, an LA-based art punk band) high-octane music frame this riveting 30-minute documentary on Whitney Bradshaw’s ongoing social practice project, OUTCRY.

The short film follows the photographer from her home in Chicago to D.C. for a reproductive freedom march, then to Denver for an OUTCRY exhibition, and on to Dayton, Ohio, for a scream session just prior to voting on Issue 1, which enshrined abortion rights into the Ohio Constitution.

This film is available to stream from March 14 to April 12 in the AMC + “Future of Film: Athena Rising Stars” collection. 

An American Requiem: Beyoncé’s Country Statement at the Grammys

With all the upheaval, just two weeks in, that has accompanied the second term of the current presidential administration, the 67th annual Grammy Awards show came and went Sunday night like a welcome distraction. Even calling the event a “distraction” misses the serious work of art and its purpose in troubled times: to mobilize the masses, reaffirm our values and spread joy and light amid the darkness.

The big night, however, went to pop star Beyoncé, who not only made history as the first Black woman to win Best Country Album, but finally earned Album of the Year for her politically salient album Cowboy Carter, after previously losing in the category. The album, which opened with a “requiem” for America and closed on a prayer that “we’ll be the ones to purify our fathers’ sins,” calls on all of us to witness this nation’s history and its present, to reckon with its “sins” of exclusion and discrimination and demand that we purify it toward the democratic promise it has always held out for all of us and not just a select few determined to set us back on a backward course.

Feminist Wins and Firsts at the 2025 Golden Globes

This special edition of Ms.‘ “Keeping Score” highlights the feminist wins and milestones at the 2025 Golden Globes. From Nikki Glaser’s sharp, solo-hosted monologue that tackled sexism in Hollywood, to historic wins by women like Demi Moore, Karla Sofía Gascón and Fernanda Torres, the event marked a notable shift in celebrating diverse and older female talent. With awards for films like Emilia Pérez and Wicked, the night underscored progress in recognizing women’s contributions across genres.