More Than A Magazine, A Movement
In her new documentary, Bread & Roses (available now on Apple+), filmmaker Sahra Mani reveals the fierce and courageous resistance of Afghan women defying the Taliban—who wish to make them disappear.
It’s a documentary about Afghan women, by Afghan women, at a time when the world had stopped seeing them.
In Wicked, there are many parallels to our own universe: the rise of fascism in Oz; the vilification of a powerful woman (whose laugh some incidentally described as a “cackle”) concerned about the well-being of the most marginalized among us; a media enabling propaganda to villainize said powerful woman and prop up an empty shell of a man specializing in elaborate cons; and the failure of solidarity between women.
Part 1 ends with Elphaba’s ostracism from Oz, but the cinematic pan of her ascension in the sky looks less like tragedy and more like triumph. In times that require moral clarity, a perpetual outsider coming to self-actualization, freed from systems of power because she’s found her own, highlights that we have to look to different skies and different lenses to find a new kind of heroism.
In honor of Veterans Day (celebrated each year on Nov. 11), the nonprofit organization Foundation for Women Warriors is set to host a screening of the powerful documentary The Hello Girls on Nov. 6, 2024. This screening aims to shed light on the extraordinary stories of women who broke barriers and paved the way for women’s role in the military.
The documentary tells the inspiring tale of 223 women who answered President Woodrow Wilson’s call to serve their country during World War I. The Nov. 6 event will feature a screening of the documentary, followed by a panel discussion with experts on women’s history and feminism. Attendees will gain insights on the Hello Girls’ experiences and their enduring impact on society.
While Trump fans align him with The Godfather, Kamala Harris supporters idealize her as Wonder Woman.
If “The Donfather” wins, the nation becomes his personal compound—and woe to those who are not under his “protection,” along with “bad girls” everywhere.
The Young Vote is a powerful documentary by Diane Robinson, now streaming on PBS. The film highlights the stories of young changemakers.
One of the opportunities young people have to shape their future in the U.S. is the chance to participate in the democratic process and vote. Even where there are free and fair elections, voters need to increasingly navigate their way through fake news, AI-generated deep fakes, and a splintered and polarized media landscape where it’s more difficult than ever to know what to believe and who to trust.
As voters head to the ballot box to vote for the very leaders who will directly decide their reproductive healthcare access, the documentary Zurawski v. Texas is on national tour, screening in movie theaters across the country.
Executive produced by Hillary and Chelsea Clinton and directed by Maisie Crow and Abbie Perrault, the film achieves the remarkable, bringing audiences directly into the lives of three plaintiffs and their lawyer in the groundbreaking lawsuit from the Center for Reproductive Rights challenging Texas’ abject failure to honor medical exceptions under its abortion ban. The documentary gets up close and personal, shedding light on the devastating consequences experienced by each of the women—their doctor’s appointments, family interactions, surrogacy attempts, courtroom testimonies and a heart-wrenching funeral—at the hands of the state.
Having TV’s most celebrated single hitched, on what was just the eighth episode of her new sitcom, ended up dooming Rhoda only as it had begun. But the wedding itself? The ceremony? That was a massive television success. Am era-defining cultural happening. The whole country attended.
Fifty years ago: Oct. 28, 1974.
While the show ended with a whimper in December 1978, it advanced a primetime movement in the 1970s—playing out within the greater movement—that led to increased representation of women and gender issues on screen.
Since the fall of Roe, anti-choice politicians have rushed to champion “crisis pregnancy centers” (CPCs) as a legitimate alternative to qualified reproductive healthcare. As they funnel millions of taxpayer dollars into these unregulated clinics, abortion ban states suffer high rates of maternal and infant mortality and widespread maternal care deserts.
A new documentary, Preconceived (now available to stream), shines a clear light on this evasive industry, deftly navigating a complex landscape of deception, privacy, finances and faith.
My Old Ass starts like a classic teen comedy but resolves with a more poignant message about growing up—no matter what age you are.
In many ways, this story seems a familiar one about discovering oneself and falling in love. Yet the film resists a traditionally simplistic message about sexuality, gender and love—and in doing so, My Old Ass is a refreshing new take on the genre.
During its opening weekend in early August, It Ends With Us surpassed $80 million globally. Based on the book by Colleen Hoover, the film stars Blake Lively as flower shop owner Lily Bloom. Lily meets and marries charming neurosurgeon Dr. Ryle Kincaid played by director Justin Baldoni. The film follows their relationship from its passionate beginning to Ryle’s devastating physical abuse of Lily.
It’s natural to hate Ryle for the monster he unleashes on Lily, but it’s also important to remember that the 6-year-old boy who had to cope with killing his brother and best friend is also a victim. Unintentional shooting incidents—like the one that changed the trajectory of Ryle’s and Lily’s lives—are preventable if gun owners practice safe firearm storage.