Women in Film and TV

Documentary ‘Zurawski v. Texas’ Shows the Horror of Abortion Bans—and the Bravery of Those Who Fight Them

As voters head to the ballot box to vote for the very leaders who will directly decide their reproductive healthcare access, the documentary Zurawski v. Texas is on national tour, screening in movie theaters across the country.

Executive produced by Hillary and Chelsea Clinton and directed by Maisie Crow and Abbie Perrault, the film achieves the remarkable, bringing audiences directly into the lives of three plaintiffs and their lawyer in the groundbreaking lawsuit from the Center for Reproductive Rights challenging Texas’ abject failure to honor medical exceptions under its abortion ban. The documentary gets up close and personal, shedding light on the devastating consequences experienced by each of the women—their doctor’s appointments, family interactions, surrogacy attempts, courtroom testimonies and a heart-wrenching funeral—at the hands of the state.

‘Rhoda’ Was on the Front Lines of Seismic Change for TV Women

Having TV’s most celebrated single hitched, on what was just the eighth episode of her new sitcom, ended up dooming Rhoda only as it had begun. But the wedding itself? The ceremony? That was a massive television success. Am era-defining cultural happening. The whole country attended.

Fifty years ago: Oct. 28, 1974.

While the show ended with a whimper in December 1978, it advanced a primetime movement in the 1970s—playing out within the greater movement—that led to increased representation of women and gender issues on screen.

Documentary ‘Preconceived’ Exposes Horrors of Crisis Pregnancy Center Industry: ‘I Came to You for Help. Why Did You Lie?’

Since the fall of Roe, anti-choice politicians have rushed to champion “crisis pregnancy centers” (CPCs) as a legitimate alternative to qualified reproductive healthcare. As they funnel millions of taxpayer dollars into these unregulated clinics, abortion ban states suffer high rates of maternal and infant mortality and widespread maternal care deserts.

A new documentary, Preconceived (now available to stream), shines a clear light on this evasive industry, deftly navigating a complex landscape of deception, privacy, finances and faith.

The Beauty of Being ‘Young and Dumb’: A Review of ‘My Old Ass’

My Old Ass
starts like a classic teen comedy but resolves with a more poignant message about growing up—no matter what age you are.

In many ways, this story seems a familiar one about discovering oneself and falling in love. Yet the film resists a traditionally simplistic message about sexuality, gender and love—and in doing so, My Old Ass is a refreshing new take on the genre.

The Number One Movie in America Is a Safe Firearm Storage PSA

During its opening weekend in early August, It Ends With Us surpassed $80 million globally. Based on the book by Colleen Hoover, the film stars Blake Lively as flower shop owner Lily Bloom. Lily meets and marries charming neurosurgeon Dr. Ryle Kincaid played by director Justin Baldoni. The film follows their relationship from its passionate beginning to Ryle’s devastating physical abuse of Lily.

It’s natural to hate Ryle for the monster he unleashes on Lily, but it’s also important to remember that the 6-year-old boy who had to cope with killing his brother and best friend is also a victim. Unintentional shooting incidents—like the one that changed the trajectory of Ryle’s and Lily’s lives—are preventable if gun owners practice safe firearm storage.

She Surfed the Biggest Wave in the World. ‘Maya and the Wave’ Captured It.

In February 2020, Brazilian surfer Maya Reis Gabeira surfed a 73-foot wave (the height of a seven-story building) in Nazaré, Portugal.

With her documentary Maya and the Wave, filmmaker Stephanie Johnes tells a story of working with, not against, the ocean, and doesn’t shy away from the intensity of the sport. In an interview with Ms., Stephanie Johnes details what it is like to be an elite female athlete in a male-dominated sport.

“What I hope that the film accomplishes is to connect with people who are not necessarily surfers or even athletes, but who have felt that feeling of isolation when they’re trying to do something extraordinary or trying to do something in a male-dominated environment.”

Feminist Film History Is Alive in Bologna

Last month, 3,000 cinephiles congregated at dusk in the Piazza Maggiore in Bologna, Italy for an outdoor cine-concert of The Wind (1928)—a silent film about desperate love in bad weather—with the message “FREE ABORTION” projected on a church at the side of the square.

It’s all part of the the feminist programming at Il Cinema Ritrovato. The annual archival film festival spotlights long unseen, unjustly forgotten but urgently timely works from the celluloid archive and unleashed them onto the volatile, open-ended present. The Ritrovato is nothing less than a celebration of the capacity to create community around films that you quite literally could not see anywhere else—long obliterated from the archive due to a combination of material decay, political censorship and ideological incomprehension. I was especially struck this year by the feminist themes that emerged.

Ain’t I a Princess? Including Black Women and Girls in Fantasy and Play

It is only fitting that Netflix chose Juneteenth to debut the Shondaland-produced documentary film, Black Barbie. The film tells the story of Black women who worked at Mattel and gave us the titular doll, showcasing the joy of freedom through play. And yet, while the film shows that today’s Black children may no longer have feelings of being “ugly” or “bad,” as demonstrated during Clark’s doll experiment, they clearly understood Black Barbie wasn’t the “real Barbie,” wasn’t the “hero” of her own story. 

To that end, are we needing to ask a similar question about other fantasies: “Ain’t I a princess?”

It is not enough for Black women and girls to enter fantasy and play as “corrective” heroes. While we are as indebted to the Black women imagineers who worked on the new Disney ride, Tiana’s Bayou Adventure, as we are to the Black women at Mattel for giving us Black Barbie, we are equally in need of imaginations that transcend our limited realities and revel in our most whimsical dreams.

‘The Other Roe’: Abortion Documentary Spotlights Atlanta Attorney Margie Pitts Hames

Most people are unaware that Roe v. Wade and Doe v. Bolton were both argued on the same day before the Supreme Court and upheld in the 1973 decision that legalized abortion. Roe legalized the right to abortion, while Doe ensured its availability and accessibility.

After nearly 50 years, both decisions were overturned in the Dobbs v. Jackson Women’s Health case in June 2022, leading to a fragmented legalization of abortion across the country. Ironically, the Jackson clinic that brought the suit was started by Susan Hill and me in 1995.

I was puzzled that the Doe decision and the lawyer who argued it, Margie Pitts Hames, did not have a more prominent place in the history of abortion rights. So I’m making a documentary about her and the case, called The Other Roe.

Because We’re ‘Still Working 9 to 5’: Jane Fonda, Lily Tomlin and Dolly Parton Win ERA Coalition’s Trailblazer Award at Hollywood Premiere

The ERA Coalition Forward awarded Lily Tomlin, Jane Fonda and Dolly Parton with the Women’s Equality Trailblazer Award for their fearless work to bring the film Still Working 9 to 5 to fruition, as well as Fonda and Tomlin’s steadfast commitment to getting the ERA enshrined in the Constitution. 

As Tomlin told Ms., “The ERA is fundamental to the culture. We’re one of the few industrialized countries that does not have some kind of law… [for] equality between the sexes,” and Fonda leaned in with a message for Congress: “Come on! It’s time! It’s been 100 years!” Then added, “It’s been ratified, so get it published already!”