More Than A Magazine, A Movement
In a year when women seemed to dominate both culturally and economically, it was not hard to find many feminist moments in pop culture that defined 2023.
Here are our top 10 favorites—including Rihanna’s historic Super Bowl performance; breakthroughs for women in TV, film and music; iconic moments in women’s leadership, and more.
Renaissance—Beyoncé Knowles-Carter’s fifth self-directed film—is about how to shine your light, how to give others shine, and how to sit in darkness until the light comes again.
In this season of light, we have a tremendous opportunity to observe a Black woman in her prime at 42 years old making art, working at her craft, raising her children, and surrounded by a strong network.
Both a product (albums! cassettes! posters!) and a destination (rallies! concerts! festivals!), women’s music fused feminist politics, woman-staffed sound production and grassroots folk traditions to create a bold new recording and performance network. When we had no rights at all, women’s music was also the sound and site of the lesbian revolution. This year we celebrate the musicians and producers who, across five decades, gave us the soundtracks and spaces affirming our lives.
In Cardi B and Meg Thee Stallion’s “Bongos” and Flyana Boss’ “You Wish,” Black women hip-hop artists create spaces for pleasure, joy and sisterhood. If this is what hip-hop’s feminist future looks like, we’re here for it.
Currently, three women—Barbie, Beyoncé, and Taylor Swift—seem to be running the world, or at least the economy judging by record-shattering tour and box office revenues. But, as in the case of Beyoncé and other female artists of color, this success does not translate to deserved recognition from prestigious institutions.
“The message young women absorb is that unless you are a one-in-a-generation talent like Lauryn Hill or Whitney Houston, female artists of color can kiss goodbye any hope of wide-scale recognition by the Recording Academy.”
Our hip-hop series “Turning 50” concludes this week just as the official anniversary of hip-hop’s 50th birthday kicks off the weekend.
Ms.’ final conversation is with Drew Dixon—a producer, writer, activist, entrepreneur and former A&R executive. She’s been featured in multiple documentaries, including Max’s On the Record in 2020 and Ladies First this year on Netflix. The conversation featured here honors her role in U.S. culture: as a survivor of sexual harassment and assault, an activist, a truth-teller and a musical pioneer.
Aisha Durham and Regina Bradley are both hip-hop feminist scholars who focus on the South. Both spoke with Ms. contributing editor Janell Hobson to discuss the upcoming 50th anniversary of hip-hop, the origins of Southern hip-hop, how women continue to shape the genre—and, of course, their favorite feminist hip-hop anthems. (This article is part of “Turning 50,” which recognizes the women who shaped hip-hop.)
“Hip-hop started in New York but it didn’t end there,” said Bradley. “You probably wouldn’t have a robust hip-hop scene today without the Southern sound.”
Girls are showing up, shaping popular culture for the better. Their choices tell us about friendship, connection, and how to forge joy in this world.
Of course, the power of girls as consumers and taste-makers isn’t new. And life remains pretty damn hard for young people. But when I see the Swifties in their ecstatic thrall, or the pink-clad Barbie hordes stampeding toward the theater, I think: We could all use a little more of that sincerity and exuberance in our lives.
Elaine Richardson—or Dr. E—a professor of literacy studies at the Ohio State University, founded the Hip-Hop Literacies Conference. Kyra Gaunt, an assistant professor of music and women’s, gender and sexuality Studies at the University at Albany, State University of New York, is the author of the groundbreaking The Games Black Girls Play: Learning the Ropes from Double-Dutch to Hip-Hop (2006). She is currently writing a book on the impact of YouTube and music technologies on the sexualization of young Black girls. Richardson and Gaunt spoke with Ms. contributing editor Janell Hobson to discuss the upcoming 50th anniversary of hip-hop.
(This series is part of “Turning 50,” which recognizes the women who shaped hip-hop.)
“No one’s going to protect or lift up our legacy,” said Dee Barnes, the first Black woman hip-hop journalist and a member of the duo Body and Soul. “We can’t wait on the men.”
(This series is part of “Turning 50,” which recognizes the women who shaped hip-hop.)
