Dispatches From Daisy Chain: Olivia Rodrigo’s Feminist Festival Brought Together Music, Reproductive Freedom and the Power of Women

On Saturday, Aug. 29, more than 45,000 music fans traveled to Irvine, Calif., for the first-ever Daisy Chain Fields music festival, organized and headlined by Olivia Rodrigo, where 100 percent of the proceeds went to organizations supporting women and girls. Under the sweltering SoCal sun, an all-women lineup—including sets from Mitski, Doechii, Garbage, Chappell Roan and others—fundraised for 10 nonprofits: Baby2Baby, Black Mamas Matter Alliance, Center for Reproductive Rights, FreeFrom, Jhpiego, Johns Hopkins Center for Indigenous Health, National Domestic Workers Alliance, National Institute for Reproductive Health National Women’s Law Center and Planned Parenthood.

The all-day festival, inspired by Sarah McLachlan’s Lilith Fair of the 1990s, raised $10 million in ticket sales. Then, during her set at the end of the day, Rodrigo announced (to massive applause) that Melinda French Gates was matching every dollar raised—bringing the festival’s total donation to $20 million for diverse nonprofits supporting sexual and reproductive health, children in need, Black mothers, gender-based violence survivors, Indigenous communities and more.

I was lucky enough to go to Daisy Chain Fields and cover the festival for Ms. In the “Daisy Chain Reaction Village,” I spoke with several of the organizations that will receive Daisy Chain Fields funds.

“We wanted to come to the festival because we feel really passionately about connecting with new audiences on the issue of reproductive rights, particularly younger audiences who may not be as aware or knowledgeable about the national and international state of reproductive rights and bodily autonomy,” said Esme Lowe from the Center for Reproductive Rights. “It’s just super exciting because we’re engaging with people we might not [otherwise] even get to talk to.”

In line outside the Daisy Chain Reaction Village, sisters Madison and Mackenzie Wong said they were excited to attend the festival in their home city of Irvine, and happy to see a lot of younger fans of Olivia Rodrigo there to learn about the causes Daisy Chain Fields was supporting. 

“I think it’s important for big artists who have a platform to use their voice,” Mackenzie said. “They have so much influence anyway, so no matter what they say, it’s going to have a broader impact.”

Dolly Parton’s Unique Feminist Power, as Told by Gloria Steinem (January 1987)

(As the world mourns Dolly Parton, Ms. is revisiting Gloria Steinem’s tribute to the country music legend, originally published in the January 1987 issue, when Parton was named one of Ms. magazine’s Women of the Year. Steinem celebrated Parton not only as a gifted songwriter and magnetic performer, but as a shrewd businessperson who transformed femininity into a source of humor and power—and used her success to lift up working women, poor communities and the mountain people of her native Tennessee.)

If feminism means each of us finding our unique power, and helping other women do the same, Dolly Parton certainly has done both.

Her strength and capacity to dream seems to have been born into Dolly, as one of 12 children of a poor family in those mountains.

By the time she was 7, she was playing the guitar, reading books and dreaming of a world beyond the poverty and beauty of the Smoky Mountains.

By the time she was 10, she had coaxed support from her free-thinking mother, braved the opposition of her protective father, and earned her first public applause by singing before live audiences at a radio station in Knoxville. With that taste of success, she vowed to conquer the larger world beyond the mountains, but never to betray the country way of life that had nurtured her.

Madonna Is Still Rewriting the Rules For Women in Pop

Thousands of fans, writers, nightlife legends and artists walked between the legs of a towering inflatable Madonna last month—a fitting monument to four decades of Madonna’s subversive expression of female sexuality and autonomy. The giant inflatable served as the entrance to Club Confessions at the Knockdown Center, where she celebrated Confessions II, her 15th studio album and sequel to her landmark 2005 album Confessions on a Dance Floor.

The event followed a summer in which Madonna staged a surprise album launch performance in Times Square; joined Sabrina Carpenter onstage during Carpenter’s headlining Coachella set; and opened the first-ever FIFA World Cup Final halftime show.

Widely regarded as a pioneering voice of women’s sexuality, authorship and autonomy in entertainment, Madonna has paved the way for generations of artists since the 1980s. But the industry moves at a relentless pace, with artists becoming irrelevant after a single album cycle and women in particular expected to endlessly reinvent themselves to remain culturally valuable. Against that backdrop, her newest work radically celebrates her own legacy.

Forty-three years after releasing her debut single, Madonna has fundamentally expanded the possibilities of female autonomy.

The People’s Bill of Rights 250 Invites Americans to Reimagine the Constitution

A new online public platform—The People’s Bill of Rights 250—invites Americans to propose, discuss and vote on ideas they believe belong in the Constitution. As the U.S. marks 250 years, the bold, interactive project asks Americans not only to reflect on the nation’s founding, but to help shape its future.

The nonpartisan organization The People and executive director Katie Fahey, alongside a coalition of civic, advocacy and cultural leaders, spearheaded the People’s Bill of Rights 250. It invites Americans to answer a simple question: What freedoms, rights and protections should every person in the country be guaranteed over the next 250 years?  

From now until Friday, July 31, Americans are encouraged to vote and share their own ideas at the People’s Bill of Rights 250’s website.

Keeping Score: Feminists Denounce Supreme Court Anti-Trans Ruling; Trump Tries to Hijack America 250; Camp Mystic Will Not Reopen; Birthright Citizenship Safe for Now

In every issue of Ms., we track research on our progress in the fight for equality, catalogue can’t-miss quotes from feminist voices and keep tabs on the feminist movement’s many milestones. We’re Keeping Score online, too—in this biweekly roundup.

This week:
—The Supreme Court upheld birthright citizenship, but also allowed discrimination against trans student athletes. “When politicians convince the public that any girl could be ‘the wrong kind of girl,’ they invite harassment, intimidation, invasive questioning or even an inspection of their body by a total stranger,” warns Kelley Robinson, president of the Human Rights Campaign.
—Feminists mark four years without Roe.
—Trump continues to push voter suppression tactics through any means necessary.
—Young women who receive the HPV vaccine are at almost zero risk of dying from cervical cancer.
—A weekend of action on voting rights will take place from July 17-19.
—Olivia Rodrigo launches all-women music festival to raise money for organizations centered on women and girls.
Ninety-seven percent of single moms experienced housing hardships in the past year, and 85 percent reported food insecurity.
—Federal agents shot and killed Joan Sebastián Guerrero in Maine and Lorenzo Salgado Araujo in Texas, during traffic stops by ICE. Both men had been living in the U.S. for years with their partners and children.
—Feminist Majority Foundation president and publisher of Ms. Ellie Smeal won the National Organization for Women Lifetime Achievement Award, honoring her decades of feminist activism and organizing.
—The inhumane “Alligator Alcatraz” immigration detention center has closed.
Camp Mystic in central Texas won’t reopen this summer, a year after the tragic flood that killed 28 people, primarily young girls.
—Ahead of their wedding, Taylor Swift and Travis Kelce donated a total of $26 million to 20 charities, including food banks, children’s hospitals, Dolly Parton’s Imagination Library and other education nonprofits.
—Aviator Wally Funk died at age 87. She was the first female flight inspector for the Federal Aviation Administration and taught more than 3,000 people how to fly.

… and more.

Resisting in Plain Sight: Six Everyday Acts of Resistance in the Age of Trump

The Trump administration’s relentless assaults on anything that threatens its narrow vision of the status quo—one rooted firmly in patriarchy and racism—have made something unexpectedly clear: Authoritarians target culture because culture shapes how we understand ourselves.

Activities we once considered leisure, education or self-expression have become forms of resistance, simply because they affirm the people and communities this administration seeks to silence, exclude or erase.

Here are six examples.

Sinead O’Connor Was Right: It’s Time to Revisit Some of Pop Culture’s Most Maligned Women

An excerpt from Allison T. Butler’s The Judgment of Gender: How Women Are Centered and Silenced in Pop Culture, published March 8, 2026:

While Sinead O’Connor was roundly criticized for ripping up the picture of the pope, the passage of time has revealed: She was right.

O’Connor was labeled a pop star, but she never saw herself that way. From Rememberings: “Everyone wants a pop star, see? But I’m a protest singer. I just had stuff to get off my chest. I had no desire for fame.”

Resistance, From the Red Carpet to the Courts: Grammy Winners Denounce ICE, Immigrant Families Challenge Trump’s Visa Ban

In every issue of Ms., we track research on our progress in the fight for equality, catalogue can’t-miss quotes from feminist voices and keep tabs on the feminist movement’s many milestones. We’re Keeping Score online, too—in this biweekly roundup.

This week:
—For the first time, more Americans support than oppose abolishing ICE.
—Senate Democrats refused to pass a DHS bill that would fund ICE for this fiscal year. Instead they passed a two-week continuing resolution to give them time to negotiate reforms designed to prevent further brutality from ICE and CBP agents. 
—Artists use Grammy acceptance speeches to denounce Trump and ICE: “Our voices matter,” urged Billie Eilish. “We are humans and we are Americans,” said Bad Bunny.
—Organizations raise alarms about Grok AI spreading nonconsensual intimate images on Twitter.
—Virtual reality may be a tool to change opinions about catcalling.
—Access to IVF has led to more unmarried women in their 40s choosing to have babies.

… and more.