A few days before Christmas, the French satirical magazine Charlie Hebdo featured an abhorrent caricature of esteemed journalist, author, filmmaker, and activist Rokhaya Diallo. The grotesque image, which we will not reproduce here, shows a half-naked Diallo dancing on stage dressed in a banana skirt. Her features were exaggerated in the manner of time worn racist propaganda—contorting her nose, mouth, and eyes for a minstrel-like effect. Next to the image was an audience pointing and jeering underneath a sign that read “The Rokhaya Diallo Show: she ridicules the separation of church and state all over the world.” There is no question that Diallo was targeted for her widespread international success and renown as an antiracist activist, as well as her prominence as a Black feminist voice decrying racial injustice, sexism, and misogynoir in France and abroad. The timing felt insidiously intentional— the magazine chose to end the year with a decidedly harmful message to Black French women as a holiday send off.
Celebrity Feminism
What the ‘Wicked’ Weight-Loss Discourse Gets Wrong
We can’t afford to look away from changing beauty norms in our society, and how they are fueling eating disorders.
Jennifer Rollin, an eating disorder therapist based in Maryland, says, “What I hear from a lot of clients is that when they are trying to recover from their eating disorder in this society, it almost feels wrong, because ‘everyone around me is talking about Ozempic,’ and ‘all the celebrities are talking about their big amount of weight loss.’”
But while it can feel cathartic to criticize or distance ourselves from prominent women who seem to be conforming to dangerous beauty standards, that criticism is harmful and does not bring us any closer to addressing the problem.
Sex, Power and Impunity: Epstein’s Legacy in Historical Perspective
The scandal that has preoccupied much of mainstream U.S. politics has, been, at one level, delightful: We have seen extremist Republicans—Reps. Marjorie Taylor Greene, Lauren Boebert, Thomas Massie and Nancy Mace—break with their party and its president in an effort to force into light the U.S. Department of Justice files on convicted sex trafficker and pedophile Jeffrey Epstein.
The story is almost irresistible for critics of the current national administration, feminists among them: Will we finally get to items from Epstein like the CD labeled “girl pics nude book 4”? What might these materials reveal? And whose misbehavior might they reveal?
Fire the starting gun on analyses from every liberal, left, critical corner. Claims abound of shifting coalitions, changing tides, pages turned, a president’s authority shredded.
But there are still as many questions stirring in the Epstein pot as there are answers. Why did these particular Republicans break from the pack? Is this a contemporary Republican version of feminism?
And beneath them all: What good does it actually do us—or Epstein’s particular victims, or the scads of other victims of sexual coercion, trafficking and other mistreatment—to raise the heat so high on this particular scandal?
‘We Heard You’: Judge Addresses Victims After Handing Sean ‘Diddy’ Combs a Four-Year Sentence
A federal judge sentenced music mogul Sean “Diddy” Combs on Friday to 50 months in prison—just over four years—marking an end to a trial against one of the most influential names in entertainment. Combs must also pay a $500,000 fine.
“To Ms. Ventura and the other brave survivors that came forward, I want to say first: We heard you,” Judge Arun Subramanian said after he pronounced the sentence.
Rest in Power: Robert Redford, an Unlikely but Iconic Ally
Robert Redford, who died Sept. 16 at 89, was more than a Hollywood legend—he was also a man unafraid to stand with women.
In October 1975, Redford appeared—back turned, jeans and T-shirt on—with a rolled-up copy of Ms. tucked into his pocket for our “Special Issue on Men.” The image, art-directed by Bea Feitler, became one of the magazine’s most iconic covers, making a simple but bold statement: Women’s rights are a men’s issue too.
That appearance wasn’t a one-off. Redford consistently used his platform to support social justice, environmental causes, LGBTQ+ rights, and women’s voices in film—including through his Sundance Institute, which opened doors for countless underrepresented filmmakers. He welcomed the #MeToo and Time’s Up movements as a long-overdue tipping point, insisting that men’s role was to listen.
Thank You, Cassie Ventura. Your Voice Broke the Silence for Millions of Survivors.
Dear Cassie Ventura,
Millions who do not have the celebrity, resources or platform to speak out are exceptionally grateful for your voice, and the voice of all the courageous women who literally take the stand.
The millions of women who have experienced rape and sexual assault are grateful at a time when resources for them are in danger of elimination.
The Seven Warning Signs of Testosterone Poisoning (October 1975)
From the October 1975 issue of Ms.:
“Until now it has been thought that the level of testosterone in men is normal simply because they have it. But if you consider how abnormal their behavior is, then you are led to the hypothesis that almost all men are suffering from testosterone poisoning. …
“The pathological violence of most men hardly needs to be mentioned. They are responsible for more wars than any other leading sex.
“Testosterone poisoning is particularly cruel because its sufferers usually don’t know they have it. In fact, when they are most under its sway they believe that they are at their healthiest and most attractive. They even give each other medals for exhibiting the most advanced symptoms of the illness.
“But there is hope.”
(The Summer 2025 issue of Ms. is a modern reimagining of the October 1975 issue. Join the Ms. community today and you’ll get issues delivered straight to your mailbox.)
Entitlement, Harassment and Retaliation: The Justin Baldoni Story
The legal battle between Blake Lively and Justin Baldoni has been messy. There are several players, including multi-billionaire Steve Sarowitz, who is furnishing near-unlimited resources for Baldoni’s legal and PR crusades, a variety of complaints in several courts, and misinformation spreaders all over social media. Coverage has been rife with misogynistic and confusing storytelling. Baldoni and Jamey Heath (the CEO of Baldoni’s studio) have made (profitable) careers out of being male feminists, and this battle endangers their carefully crafted public personas.
This piece aims to add context at a time when Baldoni continues to play his cases out in the press. It is for a court to decide whose claims are most legally compelling, but I am going to sketch out Baldoni’s feminism, the movie release and controversy, ongoing court cases, and Lively’s allegations and Baldoni’s meager responses—so that readers might find, as I do, that this battle actually looks quite similar to what happens any time a woman stands up for herself against a well-resourced man.