
Despite its promise of progress, Blue Origin’s all-female spaceflight exposed the persistent double standards women face in STEM—where success is still too often judged by sparkle, not substance.
The legal battle between Blake Lively and Justin Baldoni has been messy. There are several players, including multi-billionaire Steve Sarowitz, who is furnishing near-unlimited resources for Baldoni’s legal and PR crusades, a variety of complaints in several courts, and misinformation spreaders all over social media. Coverage has been rife with misogynistic and confusing storytelling. Baldoni and Jamey Heath (the CEO of Baldoni’s studio) have made (profitable) careers out of being male feminists, and this battle endangers their carefully crafted public personas.
This piece aims to add context at a time when Baldoni continues to play his cases out in the press. It is for a court to decide whose claims are most legally compelling, but I am going to sketch out Baldoni’s feminism, the movie release and controversy, ongoing court cases, and Lively’s allegations and Baldoni’s meager responses—so that readers might find, as I do, that this battle actually looks quite similar to what happens any time a woman stands up for herself against a well-resourced man.
The day that a survivor of sexual abuse files a lawsuit is a difficult and painful day, but also one that starts a journey toward justice.
For many plaintiffs, stepping forward is not only the start of a legal proceeding but also an act of immense courage. It often involves sharing deeply personal and traumatic experiences with the court and, potentially, the public. This is why plaintiffs must have the option and privacy protection to have their cases filed under pseudonyms.
This issue is at the center of a recent high-profile case against Sean “Diddy” Combs, U.S. District Judge Mary Kay Vyskocil ruled that a woman suing under the pseudonym “Jane Doe” must reveal her real name or face dismissal of her lawsuit.
In her new documentary, Bread & Roses (available now on Apple+), filmmaker Sahra Mani reveals the fierce and courageous resistance of Afghan women defying the Taliban—who wish to make them disappear.
It’s a documentary about Afghan women, by Afghan women, at a time when the world had stopped seeing them.
Though her fame as a designer came through the success of her iconic wrap dress, Diane von Furstenberg has said, “I don’t think I had a vocation for fashion; I had a vocation to be a woman in charge.”
Towards the end of the exhibit—on display at the Skirball Cultural Center in Los Angeles until Aug. 31, 2025—a QR code directs visitors to sign up for her more recent innovation: the “InCharge platform,” which serves as “a place to rally, where we use our connections to help all women be the women they want to be.” Its aim urges women to make “first a commitment to ourselves” by “owning who we are” and then to use the platform to “connect, expand, inspire, and advocate.” It is her latest project in a lifetime of advocacy meant to strengthen women.
Since the Supreme Court overturned Roe, the battle to restore abortion rights has been front and center. Less visible are efforts to enshrine women’s equality into the Constitution—the continuation of a campaign that conservatives thought they killed more than 40 years ago. Not true.
Champions of the ERA have been working tirelessly to get Congress to publish the 101-year-old measure that would ban gender-based discrimination. Although women have made considerable strides over the last century, a constitutional right is the only guarantee they will make further gains and keep them in perpetuity.
An extraordinary grassroots activation took place this past Saturday at 8 a.m., when two buses full of organizers, activists, celebrities, politicians, doctors and influencers braved the Phoenix heat—which would top out at 107 degrees by the afternoon—to set out on the inaugural Vote for Abortion Bus Tour and Rally, a nationwide campaign to register voters and protect abortion access and reproductive healthcare during another contentious and precarious election season.
The ERA Coalition Forward awarded Lily Tomlin, Jane Fonda and Dolly Parton with the Women’s Equality Trailblazer Award for their fearless work to bring the film Still Working 9 to 5 to fruition, as well as Fonda and Tomlin’s steadfast commitment to getting the ERA enshrined in the Constitution.
As Tomlin told Ms., “The ERA is fundamental to the culture. We’re one of the few industrialized countries that does not have some kind of law… [for] equality between the sexes,” and Fonda leaned in with a message for Congress: “Come on! It’s time! It’s been 100 years!” Then added, “It’s been ratified, so get it published already!”
When Harvey Weinstein’s conviction was overturned by the New York Court of Appeals, the decision reverberated far and wide. For many survivors, the unraveling of the conviction proved, once again, the failed promise of criminal justice. This failure was felt most deeply by the more than 100 women who have accused Weinstein of assault and harassment. Among these women is Rowena Chiu, whose account helped expose Weinstein’s predations.
In this moment of setback, I wondered whether Chiu would feel—understandably—defeated. Just the opposite is true. As Chiu told me, beautifully and powerfully, “There’s work to be done and we roll up our sleeves and we do it.”