Faith Ringgold. Ruth Westheimer. Rep. Sheila Jackson Lee. Lilly Ledbetter.
As 2024 comes to a close, we look back on the feminists we lost this year.
Feminist Art
The Most-Read Stories of 2024
Every day of 2024, Ms. writers and editors set out to create content that empowered, informed and infuriated readers. We sought out the truth, sounded alarms, asked tough questions, mourned feminist losses (and feminists we lost), looked to gender justice advocates abroad, and handed the microphone over to experts. Dear reader: As we enter a new year and a new era of the movement, we promise you more of this.
Explore the 30 most popular articles published this year on MsMagazine.com—the articles feminists most clicked, shared, studied, bookmarked and passed out at marches.
‘Mercutio Loves Romeo Loves Juliet Loves’ Brings Joy Into Its ‘Queer Kinda’ Adaptation at NYC Theater
Boomerang Theatre Company’s premiere production of Mercutio Loves Romeo Loves Juliet Loves by Gina Femia is keenly, tenderly aware of the pain of high school theater and being a teenage girl.
Directed by Scott Ebersold, the play is “a new queer kinda adaptation of Romeo and Juliet,” according to Boomerang’s online program, marking the first-ever production of Femia’s new play.
Mercutio Loves Romeo Loves Juliet Loves is running at The Jeffrey and Paula Gural Theatre at ART/New York until Nov. 24, 2024.
The ‘Woman in Charge’: Diane von Furstenberg’s Lifelong Commitment to Empowering Women, Fashion and Philanthropy
Though her fame as a designer came through the success of her iconic wrap dress, Diane von Furstenberg has said, “I don’t think I had a vocation for fashion; I had a vocation to be a woman in charge.”
Towards the end of the exhibit—on display at the Skirball Cultural Center in Los Angeles until Aug. 31, 2025—a QR code directs visitors to sign up for her more recent innovation: the “InCharge platform,” which serves as “a place to rally, where we use our connections to help all women be the women they want to be.” Its aim urges women to make “first a commitment to ourselves” by “owning who we are” and then to use the platform to “connect, expand, inspire, and advocate.” It is her latest project in a lifetime of advocacy meant to strengthen women.
We Heart: Feminist Art on Display in Texas Declares, ‘Be Afraid. We Are Coming for You.’
With just days before polls close in the 2024 elections, art on display in east Austin, Texas, declares, “You can’t control us. You can’t stop us.”
How an Innovative Cash Program Supported New York Artists, Particularly Caregivers
Four guaranteed income recipients share how consistent economic stability fueled their creativity and helped them thrive.
Tiffany Shlain’s Feminist Art Answers the ‘Urgent’ Call to Fight for Democracy and Women’s Place in History
Artist Tiffany Shlain’s Dendrofemonology: Feminist History Tree Ring is on the move, soon to take up temporary residence in New York City’s Madison Square Park as a focal point for her “Mobilization for Women’s Rights and the Planet” on Sept. 21. Coinciding with the start of climate week and anticipating a historic election, Shlain’s daylong, public activation and rally address a convergence of critical concerns in this “age of urgency.”
“I’m hoping that the next tree ring moment will be having the Equal Rights Amendment added into our Constitution and sex equality guaranteed across this country,” said Shlain. “And who knows? Maybe there’ll be something else new to burn” into the timeline “in January.”
‘Suffs’ Celebrates 51 Years of Women’s Equality Day
This year we commemorate the 51st anniversary of Women’s Equality Day with perhaps more optimistic urgency than ever before.
Amid the buzz, there has been an overt, palpable melding of pop culture and politics. That includes on Broadway, where the two-time Tony Award winning show, Suffs, tells the story of the fight for women’s suffrage—and all the humanity and perfectly imperfect organizing strategies of the cadre of activists who won the right to vote for women—in song.
Feminist Film History Is Alive in Bologna
Last month, 3,000 cinephiles congregated at dusk in the Piazza Maggiore in Bologna, Italy for an outdoor cine-concert of The Wind (1928)—a silent film about desperate love in bad weather—with the message “FREE ABORTION” projected on a church at the side of the square.
It’s all part of the the feminist programming at Il Cinema Ritrovato. The annual archival film festival spotlights long unseen, unjustly forgotten but urgently timely works from the celluloid archive and unleashed them onto the volatile, open-ended present. The Ritrovato is nothing less than a celebration of the capacity to create community around films that you quite literally could not see anywhere else—long obliterated from the archive due to a combination of material decay, political censorship and ideological incomprehension. I was especially struck this year by the feminist themes that emerged.
Remembering the Late Faith Ringgold—the Black Feminist Artist Who Knew Who She Was
The late Faith Ringgold was a feminist, an activist, a teacher, a mother and an artist known for her innovative use of mediums, ranging from the more traditional oil on canvas, murals and mosaics, to story quilts, protest posters and soft sculptures.
(This article originally appears in the Summer 2024 issue of Ms. Join the Ms. community today and you’ll get issues delivered straight to your mailbox!)