Feminist Art

Through Art and Storytelling, Artist Harmonia Rosales’ First Book Brings African-Centered Myths to Life

PUBLISHED 11/3/2025 by

When Harmonia Rosales first unveiled The Creation of God in 2017—a reimagining of Michelangelo’s The Creation of Adam with a Black woman as the divine—she didn’t just challenge art history; she remade it in her image. With her brush, Rosales flipped the script on Western depictions of power, beauty and divinity, centering Black womanhood and African spiritual traditions long erased from the canon.

Her new book, Chronicles of Ori, continues that reclamation through story. A lushly illustrated volume rooted in Yoruba mythology, the work brings to life the Orishas, divine figures of West African cosmology, and weaves them together with familiar names like Eve—both biblical and mitochondrial—into a mythology that claims space for the African diaspora beyond enslavement.

“I felt that we needed a mythology,” Rosales told Ms. “We needed something to connect to besides enslavement, because that’s what seems to be in the Western canon.”

With Chronicles of Ori, she offers that connection: a world where African gods are unmasked, women embody creation itself, and the sacred is painted in brown skin. Through her art and her words, Rosales restores what history fragmented—melding spirituality, storytelling and imagination into what she calls a new kind of mythology, one that reclaims both memory and power.

‘Liberation’ Opens on Broadway—And Ms. Magazine Is at Its Heart

PUBLISHED 10/30/2025 by

The feminist revolution has taken center stage. Liberation, written by Bess Wohl and directed by Whitney White, officially opened on Broadway on Oct. 28, 2025, at the James Earl Jones Theatre, following a critically acclaimed Off-Broadway run earlier this year.

In an interview with Vogue, Wohl said she was inspired by her mother’s work as an editor at Ms.: “The arc of history is so much longer than we realize. Already in 1970 women were feeling frustrated, like, ‘When is this gonna happen?’ … And I think that that urgency really powers so much of the story of the play.”

Activating Art for Women’s Rights and Democracy: Tiffany Shlain’s Feminist Monument Makes it to the Midwest in Advance of Pivotal Elections

PUBLISHED 10/29/2025 by

For three years running, artist and activist Tiffany Shlain has created calls to action around her feminist history tree ring sculpture in advance of U.S. elections where women’s voting rights, reproductive rights and long held democratic principles face historic setbacks. The milestones and tribulations of women’s history seared onto its surface are particularly resonant now, as many records of women’s presence and accomplishments are disappearing from public view.  

Finding My Fight Again: How Billie Jean King Lit My Fire—Twice

PUBLISHED 7/28/2025 by

I’m tired. Maybe you are too.

I’ve been fighting for gender equality for over two decades—pushing against outdated norms, challenging industries that resist change and speaking up in rooms where I wasn’t always welcome. And while I’ve seen progress, the setbacks have a way of draining your spirit.

But last week, I felt a shift in my energy.

I saw Billie Jean, the new play about Billie Jean King, at the Chicago Shakespeare Theater. And just like that, something inside me reignited.

I’m writing thisn ot to share a story about a play, but to share a truth about persistence. The path to equality is long, winding and punishing. But it is also worth every step.

Now Streaming: New Film ‘Lilly’ Tells Transformative Story of Equal-Pay Hero Lilly Ledbetter

PUBLISHED 7/18/2025 by

It’s tempting these dark days to dismiss the idea that any one person can make a difference. And yet, every day ordinary people fight injustice. And some days, those people persist long enough, resist long enough, that their fights rise to national prominence.

One such fight is chronicled in the new film Lilly, released in theaters this May and now available for rent. The brainchild of director Rachel Feldman, Lilly tells the story of Lilly Ledbetter, “an ordinary woman who became extraordinary,” in the words of Patricia Clarkson, who portrays her in the film.

Fast Facts About Bea Feitler, the Pioneering Graphic Designer You’ve Never Heard Of

PUBLISHED 7/14/2025 by

For our Summer 2025 issue, Ms. is going retro. The cover for the latest print issue is an homage to the October 1975 issue, which offered a “Special Issue on Men.” Both covers, 50 years apart, show a man in jeans and a T-shirt (the 1975 model was, no joke, Robert Redford) with a rolled-up issue of Ms. in his back pocket, honing in on the idea that women’s rights is a men’s issue too.

It’s the perfect time to remember Bea Feitler, the early Ms. art director who designed the 1975 men’s issue cover. Despite being a prominent designer (she art-directed Harper’s Bazaar and other magazines throughout the 1960s and ’70s), Feitler is largely unknown today.

In honor of her incredible legacy, which inspires Ms. staffers to this day, here are some of our favorite facts about Feitler and her remarkable life and work.

From Private Island to Personal Hell: ‘Blink Twice’ Shows the Power of Survivors Working Together

PUBLISHED 6/27/2025 by

Blink Twice, now streaming, reminds it audience that not all women are allies and not all men are predators. But some get away with acts of sexual violence akin to murder.

And when survivors band together, we’re going to do more than just dance on your table. In the blink of an eye—we’ll turn your private island into your personal hell.

Artist Autumn Breon’s Requiem for Reproductive Freedom: Honoring Adriana Smith Through Performance

PUBLISHED 6/18/2025 by

Autumn Breon is using performance and mixed media art to both celebrate Black women’s achievements and honor their struggles. Her latest performance, Dignity Denied, shines a light on the case of Adriana Smith.

“I wanted to show what lack of autonomy, what surveillance looks like, and durational performance felt like the best way to highlight her situation.”

“You might have a six-week abortion ban. You might have whatever other oppressive policies in place. We have always found ways to aid and abet each other, and we always will.”