Feminist Art

Dispatches From Daisy Chain: Olivia Rodrigo’s Feminist Festival Brought Together Music, Reproductive Freedom and the Power of Women

PUBLISHED 9/1/2026 by

On Saturday, Aug. 29, more than 45,000 music fans traveled to Irvine, Calif., for the first-ever Daisy Chain Fields music festival, organized and headlined by Olivia Rodrigo, where 100 percent of the proceeds went to organizations supporting women and girls. Under the sweltering SoCal sun, an all-women lineup—including sets from Mitski, Doechii, Garbage, Chappell Roan and others—fundraised for 10 nonprofits: Baby2Baby, Black Mamas Matter Alliance, Center for Reproductive Rights, FreeFrom, Jhpiego, Johns Hopkins Center for Indigenous Health, National Domestic Workers Alliance, National Institute for Reproductive Health National Women’s Law Center and Planned Parenthood.

The all-day festival, inspired by Sarah McLachlan’s Lilith Fair of the 1990s, raised $10 million in ticket sales. Then, during her set at the end of the day, Rodrigo announced (to massive applause) that Melinda French Gates was matching every dollar raised—bringing the festival’s total donation to $20 million for diverse nonprofits supporting sexual and reproductive health, children in need, Black mothers, gender-based violence survivors, Indigenous communities and more.

I was lucky enough to go to Daisy Chain Fields and cover the festival for Ms. In the “Daisy Chain Reaction Village,” I spoke with several of the organizations that will receive Daisy Chain Fields funds.

“We wanted to come to the festival because we feel really passionately about connecting with new audiences on the issue of reproductive rights, particularly younger audiences who may not be as aware or knowledgeable about the national and international state of reproductive rights and bodily autonomy,” said Esme Lowe from the Center for Reproductive Rights. “It’s just super exciting because we’re engaging with people we might not [otherwise] even get to talk to.”

In line outside the Daisy Chain Reaction Village, sisters Madison and Mackenzie Wong said they were excited to attend the festival in their home city of Irvine, and happy to see a lot of younger fans of Olivia Rodrigo there to learn about the causes Daisy Chain Fields was supporting. 

“I think it’s important for big artists who have a platform to use their voice,” Mackenzie said. “They have so much influence anyway, so no matter what they say, it’s going to have a broader impact.”

Dolly Parton’s Unique Feminist Power, as Told by Gloria Steinem (January 1987)

PUBLISHED 8/27/2026 by

(As the world mourns Dolly Parton, Ms. is revisiting Gloria Steinem’s tribute to the country music legend, originally published in the January 1987 issue, when Parton was named one of Ms. magazine’s Women of the Year. Steinem celebrated Parton not only as a gifted songwriter and magnetic performer, but as a shrewd businessperson who transformed femininity into a source of humor and power—and used her success to lift up working women, poor communities and the mountain people of her native Tennessee.)

If feminism means each of us finding our unique power, and helping other women do the same, Dolly Parton certainly has done both.

Her strength and capacity to dream seems to have been born into Dolly, as one of 12 children of a poor family in those mountains.

By the time she was 7, she was playing the guitar, reading books and dreaming of a world beyond the poverty and beauty of the Smoky Mountains.

By the time she was 10, she had coaxed support from her free-thinking mother, braved the opposition of her protective father, and earned her first public applause by singing before live audiences at a radio station in Knoxville. With that taste of success, she vowed to conquer the larger world beyond the mountains, but never to betray the country way of life that had nurtured her.

Keeping Our Eyes on the Prize: Building a Future Beyond Roe

PUBLISHED 8/21/2026 by

Nearly 50 years after Roe came, it went.

The Dobbs decision brought a devastating reversal—but it simultaneously ushered in a moment akin to 1972 … the opportunity to reimagine bodily autonomy and build something better.

And now, in 2026, we have begun to see glimmers of such vision emerge in the law by way of more expansive court rulings and bolder legislation.

Beyond André Breton: The Life and Art of Jacqueline Lamba, the Surrealist Woman That Art History Forgot

PUBLISHED 8/21/2026 by

Jacqueline Lamba lived in the shadow of her French poet husband and was essentially erased from modern art history. A groundbreaking biography Jacqueline Lamba: The Forgotten Surrealist (published April 7, 2026, by Merrell Publishers) from art historian and author Salomon Grimberg, repositions Lamba as a major creative force in her own right, while uncovering a previously unknown love affair between Lamba and Frida Kahlo.

Inspired by the Greek Myth, Independent Film Series ‘The Cassandra Project’ Asks Viewers to Believe Women

PUBLISHED 7/26/2026 by

Even in the wake of the #MeToo movement and heighteend awareness around sexual vioelnce, sexual assault is still one of the most underreported crimes. Although one in four women will experience sexual violence in her lifetime, fewer than 5 percent of these cases ever get reported to the police. In many situations, women fear that the police won’t believe them.

Unfortunately, this fear is well founded. Even though so few reports of sexual assault make it to the police in the first place, data shows that law enforcement will determine that one in five reported cases is “unfounded” and dismiss it.

There are dire consequences to not believing women. The Cassandra Project, a new trilogy of independent short films spearheaded by filmmaker Barclay DeVeau, hopes to illustrate “the profound consequences that arise when women are not believed and their voices are disregarded and dismissed.”

July 2026 Reads for the Rest of Us

PUBLISHED 7/1/2026 by

Each month, Ms. provides readers with a list of new books being published by writers from historically excluded groups.

Dear feminist reader friends, I don’t ask you for much. But now, I want to hear from you. 

Do you prefer more titles with less descriptive summaries? Or fewer titles with more thoughtful annotations? Is there anything else I can do to improve the columns? 

If I don’t hear from you, I will just keep on keepin’ on, but I’d prefer to give you what you want. So, go to my website and use my contact form to send me some feedback, please!

And until next month, I hope you enjoy these 10 titles as much as I did.

A Visual Depiction of Lactation Rooms in the U.S.: Inside the Spaces Where Mothers Pump

PUBLISHED 6/6/2026 by

My latest book Milk Factory is the first visual study of America’s lactation rooms. Photographing spaces where mothers pump—disparate sites such as a prison, corporate offices, a farm laborer’s tent, schools, an airport and the U.S. Capitol—I reveal the hidden architecture of care. I wanted to give participants a record of their labor and make that labor visible to others.

Born out of my own experience, Milk Factory is personal and political. It challenges romanticized portrayals of motherhood and breastfeeding, underscoring the complexity and labor behind an act that is widely expected but rarely supported.

June 2026 Reads for the Rest of Us

PUBLISHED 6/1/2026 by

Each month, Ms. provides readers with a list of new books being published by writers from historically excluded groups.

Happy June! Happy Pride! Happy Caribbean-American Heritage Month! Happy summer!

Wherever you are and however you spend your month, I hope you are able to slow down, rest and enjoy life with a good book. 

Dispatches From Ukraine’s Frontlines, Where Feminist Organizing Has Become an Act of Survival

PUBLISHED 5/28/2026 by

A lecture and discussion were about to begin in a local public library. It could have been a scene in New York, London or Melbourne. Yet this event was in Zaporizhzhia, Ukraine, just 25 kilometers from invading Russian forces, where most of the attendees had fled from Russian occupied cities and villages.

The meeting was one of many organized by Natalia Lobach and the Ukrainian LGBTQ+ human rights group, Insight. Lobach said these events aim to create “safe community spaces for people from different age and social groups,” but they are especially “a good way for vulnerable groups to socialize.”

“Putin’s military is trying to destroy us not only physically, but psychologically as well—to take away our identities,” she said. “We are surviving physically, but we are also preserving our identities and our pride. … Isn’t that a kind of miracle, what we continue to do despite the pressure of such a brutal enemy?”