Tag: Film

Listen to Black Women! A Review of ‘The Exorcist: Believer’

The Exorcist: Believer employs its Caribbean-based opening scene not to locate an “origin” for demonic possession, but to follow an actual blessing in the form of a protection spell over an unborn child. Given how Haiti has been traditionally demonized in Western culture, this representation already elevates this film as a counter-narrative.

In the end, the latest installment of The Exorcist does much to alter Black representations in the horror genre, giving them due reverence and centrality in a mainstream movie while also allowing them to survive.

‘Oppenheimer’ and the Work of Wives

In Oppenheimer, Nolan’s depiction of atomic history is credited to one man. We sometimes see women and wives, albeit as a backdrop. Emily Blunt and Frances Pugh do great work with very few words spoken. The women’s work in—in this case meaning their function—is sexual: as muse, mistress, mama. But any potential power in these roles shifts at the whims of men. The real performances of this film—science, law, politics, violence, espionage—are seen and spoken without them.

“What work do wives do? They understand male scientific and military might and destruction from the perspective of the unwitting receiver (or observer or support), which is the role most of us play.”

What Boys and Men Can Learn from Ken

The Barbie movie reveals one of the patriarchy’s dirty little secrets: Not only does the patriarchy exclude and punish women; but it also harms men who don’t meet the very narrow definitions of ‘manhood’ that are most favored.

Millions of men have already seen the movie and enjoyed it immensely. This success is a testament to our ability to laugh at ourselves and some of the less attractive features of male-dominated cultures, without crying foul and embracing an unearned victim status.

Girl Bond Summer: Taylor, Barbie and Power of Collective Joy

Girls are showing up, shaping popular culture for the better. Their choices tell us about friendship, connection, and how to forge joy in this world.

Of course, the power of girls as consumers and taste-makers isn’t new. And life remains pretty damn hard for young people. But when I see the Swifties in their ecstatic thrall, or the pink-clad Barbie hordes stampeding toward the theater, I think: We could all use a little more of that sincerity and exuberance in our lives.

Summer at the Movies: On the Successes and Failures of Imagination

Despite our collective love for larger-than-life motion pictures, I must lament the dearth of images of Black women in heroic, star-turning roles.

But in Barbieland, a topsy-turvy world where women run things—in contrast to the “real world” of patriarchy—we can imagine women in every possible role. Let’s hope Barbie’s commercial success encourages more support for films that feature diverse women as big-screen heroes. There are so many more stories to be told.

‘Women’s Pain Is Less Important’: Documentary ‘Below the Belt’ Shows Why Endometriosis Is a Feminist Issue

A new documentary Below the Belt, executive produced by Hillary Clinton and directed by Shannon Cohn, demonstrates why endometriosis—and women’s health—is an urgent social justice issue for feminists.

The film follows the lives of four women living with endometriosis—a disease that can cause debilitating pain, infertility and menstrual issues.