Join Ms. for a vibrant weekend celebrating feminist art, activism and community at Carole Richard Kaufmann’s New York City studio—315 W 39th Street, Studio 600, New York City, on Saturday, May 31, and Sunday, June 1, from noon to 5 p.m. each day.
Fine Art
Theater in the Time of Trump: Feminist Storytelling Against the Backdrop of Authoritarianism
The Trump administration’s assault on the John F. Kennedy Center for the Performing Arts continues, with another tranche of staff fired last Friday—employees in its government relations, marketing and social media departments. A prevailing question remains: What does the future of national public theater hold? Will the show(s) go on?
News of the latest job cuts overlapped with the one-year anniversary of opening night of the Broadway show Suffs. Its anniversary got me thinking about the vital role of feminist storytelling against the backdrop of authoritarianism. We know that in a robust democracy, live performance is not merely “nice to have” or an outlet for escape. The ideas to which we are exposed in the theater mean exponentially more: They are a measurement of our collective pulse, a gauge of our collective potential and a glimpse into how much farther forward we might propel (or fall).
With all that in mind, I headed off to Broadway to check out the shows I suspected might smack of such sensibility. With Tony nominations just one week away, here are recommendations for the hottest shows for which pro-democracy viewers can root.
The ‘Woman in Charge’: Diane von Furstenberg’s Lifelong Commitment to Empowering Women, Fashion and Philanthropy
Though her fame as a designer came through the success of her iconic wrap dress, Diane von Furstenberg has said, “I don’t think I had a vocation for fashion; I had a vocation to be a woman in charge.”
Towards the end of the exhibit—on display at the Skirball Cultural Center in Los Angeles until Aug. 31, 2025—a QR code directs visitors to sign up for her more recent innovation: the “InCharge platform,” which serves as “a place to rally, where we use our connections to help all women be the women they want to be.” Its aim urges women to make “first a commitment to ourselves” by “owning who we are” and then to use the platform to “connect, expand, inspire, and advocate.” It is her latest project in a lifetime of advocacy meant to strengthen women.
Remembering the Late Faith Ringgold—the Black Feminist Artist Who Knew Who She Was
The late Faith Ringgold was a feminist, an activist, a teacher, a mother and an artist known for her innovative use of mediums, ranging from the more traditional oil on canvas, murals and mosaics, to story quilts, protest posters and soft sculptures.
(This article originally appears in the Summer 2024 issue of Ms. Join the Ms. community today and you’ll get issues delivered straight to your mailbox!)
The Abolitionist Aesthetics of Patrisse Cullors, Co-Founder of Black Lives Matter
“Imagine if culturally we understood that protecting Black women meant protecting all of us,” said Patrisse Cullors, renowned for her activist work with Black Lives Matter, a global network she co-founded in 2013 with Alicia Garza and Ayo Tometi. “I think that’s what this show means to me.”
The show referenced here, “dedicated to all Black women and femmes around the world,” is the exhibit Between the Warp and Weft: Weaving Shields of Strength and Spirituality—an introduction to Cullors as an artist wielding her protection spell over Black women. The exhibit opens Saturday, June 15, at the Charlie James Gallery in downtown Los Angeles.
Art as Protest—and Therapy—in War-Ravaged Ukraine
Art inspired by the Russian invasion of Ukraine fills Rivne, a city in northwestern Ukraine within a three-hour drive from the Polish border—where an exhibition of 44 paintings by Ukrainian artists opened last year at The Euro Gallery.
“Every moment is precious,” one artist said. “If I have a last opportunity to say something, I have to make it through art by telling the truth.”
Francesca Gabbiani’s Art of Transformation
Francesca Gabbiani’s art explodes with color and luminosity, and challenges the viewer with emotions of beauty and terror, with echoes of mythology, ecofeminism and finally, community and excitement.
‘The Second Half’: Ellen Warner’s Portraits of Life Over 50
Over the course of 15 years, Ellen Warner—American photojournalist, portrait photographer and author—interviewed and photographed women from different cultures about life after age 50. These women ranged from an author and translator in Connecticut, to a sacred healer in Indonesia, a doctor in Saudi Arabia, a retired cook in Antigua, and the first French woman TV anchor.
These photos will be on display at the Women’s Studies Research Center at Brandeis University in Waltham, Mass., part of a solo art exhibition titled, “The Second Half: Forty Women Reveal Life After Fifty,” on view from Sept. 30 to Oct. 29, 2022.
Camille Brown on Movement, Power and Creative Identity: ‘Creating Safe Spaces to Share Our Stories’
Camille Brown, director and choreographer of the powerful new Broadway revival of “for colored girls who have considered suicide / when the rainbow is enuf,” is the first Black woman to direct and choreograph a play on Broadway in more than 60 years. Drawing inspiration from her own lived experience as a Black woman, Brown uses movement and dance to tell unique stories of humanity and sisterhood. In this interview, she shares lessons she’s learned in her career.
‘If These Dolls Could Talk’: Art Exhibit Explores Role of Black Dolls in U.S. History and Challenges Racial Stereotypes
Dolls—from ancient representation of humans in art, to familiar children’s toys or use in religious rituals—have held meanings more than meets the eye. Now employing the lens of race and gender, the New-York Historical Society exhibition “Black Dolls” explores further the significant role of the Black doll in American history.
From the horrors of slavery through Reconstruction and Jim Crow, to the beginnings of the civil rights movement of the 1960s, this collection of 200 objects, textiles, sewing tools, photographs and ephemera represents a push back against negative racial stereotypes.