An American Requiem: Beyoncé’s Country Statement at the Grammys

With all the upheaval, just two weeks in, that has accompanied the second term of the current presidential administration, the 67th annual Grammy Awards show came and went Sunday night like a welcome distraction. Even calling the event a “distraction” misses the serious work of art and its purpose in troubled times: to mobilize the masses, reaffirm our values and spread joy and light amid the darkness.

The big night, however, went to pop star Beyoncé, who not only made history as the first Black woman to win Best Country Album, but finally earned Album of the Year for her politically salient album Cowboy Carter, after previously losing in the category. The album, which opened with a “requiem” for America and closed on a prayer that “we’ll be the ones to purify our fathers’ sins,” calls on all of us to witness this nation’s history and its present, to reckon with its “sins” of exclusion and discrimination and demand that we purify it toward the democratic promise it has always held out for all of us and not just a select few determined to set us back on a backward course.

Feminist Musicals ‘Teeth’ and ‘Suffs’ Steel Us for the Next Four Years

As feminist resistance faces a critical crossroads, Suffs and Teeth present two diverging paths: marching forward or tearing it all down.

It is the feminist movement’s challenge moving into a time that will most certainly require vigilance and resistance to consider how to reconcile these two paths forward. Will we keep marching? Or will we lick our teeth? 

One More Award Due to ‘Baby Reindeer’: Best Filming of a Rape Scene

Much ink has been spilled on the extraordinary series Baby Reindeer, especially its refusal to be reductive in depicting complex and charged sexually subjects and the groundbreaking nature of its portrayal of male-on-male sexual assault and its consequences. What gets overlooked: Baby Reindeer is a vivid, visceral lesson in how to film a rape scene.

The filming of episode four—the construction, the point of view, the relentless focus, the utter absence of sensationalism and exploitation—can serve as a valuable lesson in how to film a rape scene: steering difficult scenes away from the abuser’s point of view, placing them in a space that allows the audience to understand, defend and respect the survivor.

Feminist Wins and Firsts at the 2025 Golden Globes

This special edition of Ms.‘ “Keeping Score” highlights the feminist wins and milestones at the 2025 Golden Globes. From Nikki Glaser’s sharp, solo-hosted monologue that tackled sexism in Hollywood, to historic wins by women like Demi Moore, Karla Sofía Gascón and Fernanda Torres, the event marked a notable shift in celebrating diverse and older female talent. With awards for films like Emilia Pérez and Wicked, the night underscored progress in recognizing women’s contributions across genres.

We Heart: Trans Activists Stage Peaceful (and Joyful) Dance Party Protest in Capitol Hill Women’s Restroom

Anyone walking into the bathroom on Capitol Hill Thursday morning found a buoyant dance party in progress: A group of trans artists and activists staged a protest in a women’s restroom in the U.S. Capitol, dancing to the song “Meeting in the Ladies Room” by the all-women pop and R&B band Klymaxx.

“It always starts with things that people feel are insignificant, like public restrooms, but it never stops there,” said Hope Giselle-Godsey, one of the Capitol Hill dancers. “We’re here today to ensure they understand that we will not be erased—one bathroom at a time—or shoved back into the proverbial closet out of deference to the comfort of those who speak to eradicate us.”

‘Mercutio Loves Romeo Loves Juliet Loves’ Brings Joy Into Its ‘Queer Kinda’ Adaptation at NYC Theater

Boomerang Theatre Company’s premiere production of Mercutio Loves Romeo Loves Juliet Loves by Gina Femia is keenly, tenderly aware of the pain of high school theater and being a teenage girl.

Directed by Scott Ebersold, the play is “a new queer kinda adaptation of Romeo and Juliet,” according to Boomerang’s online program, marking the first-ever production of Femia’s new play.

Mercutio Loves Romeo Loves Juliet Loves is running at The Jeffrey and Paula Gural Theatre at ART/New York until Nov. 24, 2024.

Will Taylor Swift’s Endorsement Swing the Election?: The Ms. Q&A With Scholar Janell Hobson

Since Taylor Swift announced her endorsement of Vice President Kamala Harris on the night of the debate with former President Donald Trump, publications from NBC to Fox have been debating what it might mean for Harris’ campaign and the outcome of November’s election.

An Instagram post from Sept. 10 shows the pop star posing with a fluffy cat in her arms—a direct reference to JD Vance’s quip deriding single and childless women. Before signing the post, “With love and hope, Taylor Swift, Childless Cat Lady,” Swift told followers that she plans to vote for Harris “because she fights for the rights and causes I believe need a warrior to champion them. I think she is a steady-handed, gifted leader and I believe we can accomplish so much more in this country if we are led by calm and not chaos.”

Ms. spoke with contributing editor and scholar Dr. Janell Hobson about about what the endorsement might mean.

“She Is Risen” Albums Brings Feminist Voices to “Jesus Christ Superstar”

"She Is Risen" Albums Brings Feminist Voices to "Jesus Christ Superstar"

The concept album started with a dream. Singer, songwriter, and Broadway actor Morgan James dreamed that she performed “Jesus Christ Superstar.” In her dream, she was Jesus and Shoshana Bean was Judas. She told her friends about the dream, and they encouraged her to make her idea of an all-women production a reality. What Morgan says started out as a lark became the (so far) two-volume “She Is Risen.”

The Lost Season: COVID-19’s Impact on Underrepresented Playwrights

The Lost Season: COVID-19’s Impact on Underrepresented Playwrights

Donnetta Grays is just one of many playwrights whose productions were cut short this year due to COVID-19—since the spring season is generally when theaters “take more risks” in producing shows outside of the traditional canon. So the pandemic, unsurprisingly, is disproportionately affecting playwrights who produce such “radical” work—namely, Black, queer and marginalized writers.

The Kilroys’ LIST aims to memorialize those productions.