Rest in Power

Gloria Steinem: The People’s Feminist

PUBLISHED 9/3/2026 by

Lately I’ve been in a groove that has me up before the sun most days. Though I try resist the impulse to pick up my phone, this morning I opened Instagram at 4 a.m. and saw Gloria Steinem’s account—a somber post that she died peacefully overnight at age 92. It took several hours before the media started reporting on it, and in those quiet moments, I reflected on the myriad ways her words and deeds have impacted the world we inhabit and altered my own world view.

As Contrarian readers may know, I am also proudly part of the team at Ms. magazine—one of Gloria’s many legacies, and which still thrives as an essential feminist news and storytelling hub today. Her words, her wisdom, her exclamations of “fan-fucking-tastic,” even her very physical appearance—honey hair, ever-cool aviators, low-slung belts—swirl in my psyche every day.

By mid-morning, my social media feed had exploded into a wall of tributes—photos, anecdotes, news clips. I surely knew how much she meant to women of all ages—it seems everyone can quote a pithy on-the-mark phrase attributed to Gloria Steinem—but what I found so riveting was how many have an intimate firsthand interaction to recount, a prized selfie to share, a sense of real connection and meaning when it comes to Gloria. My Ms. colleague Roxy Szal refers to her as the “people’s feminist”—a pairing of words that may seem simply strung together, but represent a depth of generosity, compassion, savvy and social intelligence and skill that is rare.

Rest in Power: Gloria Steinem, Ms. Cofounder and Feminist Visionary

PUBLISHED 9/3/2026 by

Gloria Steinem, the journalist, organizer and cofounder of Ms. whose name became inseparable from the modern movement for women’s equality, died Wednesday, Sept. 2, at her home in New York City. She was 92.

In 2001, Gloria came to Ellie Smeal and me to discuss the possibility of the Feminist Majority Foundation taking on the publication of Ms. She had rescued the magazine from a series of commercial publishers that had nearly killed it, and it was now facing the headwinds of a rapidly changing media landscape.

We understood, we were being entrusted with far more than a publication—we were being asked to preserve an independent feminist institution, and to keep it alive, questioning and relevant for generations.

That responsibility is more urgent today than at any time in recent memory.

Gloria understood from the beginning that feminism needed its own media—not because feminists should withdraw from the larger public conversation, but because independent media can introduce truths the mainstream has not yet learned to recognize.

Gloria Steinem changed the story women were permitted to tell about themselves. Now it is our responsibility to keep telling the truth.

Rest in Power, Dolly Parton: Feminist Country Icon, Advocate for Women and Children, Philanthropist and Gifted Songwriter

PUBLISHED 8/27/2026 by

Dolly Parton understood the power of being underestimated. Beneath the rhinestones, towering blond hair and self-deprecating jokes was a gifted songwriter, a shrewd businesswoman and a philanthropist whose work transformed the lives of millions of children and families.

Parton left behind a body of work that stretches far beyond the songs and films that made her one of the most beloved performers in American life. She sang about the dignity of working women. She placed hundreds of millions of books in the hands of children. She supported healthcare, disaster relief and lifesaving medical research. And she repeatedly used her enormous cultural influence to affirm the humanity of people who were too often marginalized, including Black and LGBTQ+ Americans.

Parton’s concern for women and children was expressed not only through her art, but in what she did with the wealth and influence her art created. We heard her legacy in the songs that made working women feel seen. We saw it in the books delivered to children, the families supported after disaster and the medical research that saved lives.

May Dolly Parton rest in power. May her legacy live on in every child who discovers a new world inside a book, every woman who demands dignity in the workplace and every person who chooses compassion when indifference would be easier.

‘It’s Killing the Women You Represent’: Texas Widower’s Plea to Lawmakers to End Abortion Ban

PUBLISHED 8/21/2026 by

After his 35-year-old wife bled to death from a miscarriage in a Houston-area hospital, a Texas father is suing—and taking her story to Capitol Hill.

“Choosing to bring new life into the world shouldn’t be a death sentence,” insisted Michelle Maloney, the San Antonio attorney working to bring justice to Texas widower Hope Ngumezi and his two young sons.

Three years ago, in June 2023, Hope’s beloved wife Porsha was happily expecting the couple’s third child until she began to miscarry at 11 weeks pregnant. The healthy 35-year-old finance manager for a charter school went to the emergency room at Houston Methodist Sugar Land Hospital, just 10 minutes from her home in suburban Houston.

Both she and Hope were certain that she would receive the safe and critical medical care that she needed as she passed fetal tissue and blood clots the size of grapefruits at the hospital. An ultrasound confirmed that she had partially miscarried and that her fetus no longer had a heartbeat. But the heavy bleeding didn’t stop.

Still, the hospital’s OB-GYN, who examined her just once, moved Porsha from the ER—where staff were equipped to respond to emergencies—to a regular floor, where she received less monitoring. Porsha arrived at the hospital at 3:37 p.m. By 2 a.m., she began gasping for air and within minutes, she had died of hemorrhage.

A dozen doctors who reviewed her medical records for ProPublica, which broke the story about her death, said that Porsha should have urgently received a very simple and standard procedure for a miscarriage—a D&C (dilation and curettage). The 10-15 minute D&C would have removed all remaining fetal tissue in her womb, which her uterus was trying to expel with heavy contractions and bleeding. The procedure would have stopped the bleeding.

“The poor thing bled to death for lack of a D&C. It’s atrocious,” Austin OB-GYN Nancy Binford told Courier Texas.

Hope Ngumezi Took His Wife Porsha to a Texas Hospital for a Miscarriage. She Left in a Body Bag.

PUBLISHED 8/18/2026 by

When Hope Negumezi took his pregnant wife, Porsha, to a Texas hospital for a miscarriage, he expected routine emergency care. Ten hours later, she bled to death.

Hope Ngumezi shares with journalist Bonnie Fuller how his pregnant wife, Porsha, bled to death while waiting in agony for hours for medical care. In this harrowing personal account, Hope recounts Porsha’s final hours—and the dangerous legal “gray area” that kept doctors from saving her life.

“Why did this nightmare happen?

“Our first meeting was at my 21st birthday party. … As soon as I saw her, it was like in the movies, when everything stops. There seemed to be an aura around her. I went to the bathroom to splash water on my face to sober up and to figure out how I was going to talk to her.

“She was a great mother. She just loved her boys so much and they loved her, too. They were both mama’s boys and were always hanging around her, which I loved.”

Rest in Power: Marjane Satrapi, Whose Masterpiece ‘Persepolis’ Transformed the World’s Understanding of Iran

PUBLISHED 6/8/2026 by

Marjane Satrapi, best known for her memoir and film Persepolis, has died, aged 56. The death of this much loved Iranian French artist, graphic novelist, filmmaker and activist has been met with widespread celebration of her life—and its dedication to resistance, freedom and humanity. French president Emmanuel Macron paid tribute to “a great artist who transformed an Iranian childhood into a universal fable.”

Satrapi illustrated the dislocations of revolution, migration, adolescence and return in such a way that her memoir travelled far beyond her home country.

Through its deceptively simple black-and-white illustrations, Persepolis became globally influential because it offered an intimate account of revolutionary Iran and exile that challenged dominant stereotypes.

For many readers, Satrapi is still the woman who explained Iran in the simplest, yet most powerful way.

‘Who Will Revere the Black Woman?’ Remembering Nancy, Cerina and So Many More

PUBLISHED 4/22/2026 by

Even though I did not know Nancy Metayer, my heart is utterly broken by the loss of her life and the violence of her death. The night before her funeral, I joined a virtual vèyè in her honor—a space to keep watch, to remember her impact and to hold one another in communal care.

That same day, news broke about Dr. Cerina Fairfax, also killed in her home. I did not know her either, and still, I was gutted.

Nor did I know Pastor Tammy McCollum, Ashly Robinson, Qualeisha Barnes, Davonta Curtis or Barbara Deer—Black women killed in just a matter of weeks. And to think these are only the names we know.

In moments like this, I find myself returning to a question first posed by Abbey Lincoln decades ago: “Who will revere the Black woman?” The reality of this violence—and the way it is so often explained away or softened—makes that question feel as urgent as ever.

Black feminists have long named the patterns, the structures and the stakes. And still, we are left mourning, naming and insisting: We will not let their lives be forgotten. We will continue the work in their honor—because we revere them.

He Called Me ‘Doc.’ I Called Him ‘Rev.’ Remembering Jesse Jackson’s Moral Leadership

PUBLISHED 2/17/2026 by

I knew Rev. Jackson beyond the conventions. He married me and my husband, Gregory Shaffer, almost 25 years ago. He always showed up and gave graciously of himself when I called—whether it was to host a convening on HIV/AIDS at Rainbow PUSH in the early 2000s, or to bring together hundreds of working-class residents from the South Side of Chicago to engage on matters of national healthcare, or to meet with (mostly women) academics coming together to figure out the intersections of law, family and reproductive rights at the University of Chicago Club 20 years ago. 

He called me “Doc” or “Doctor Michele.” I called him “Rev.”

A week ago, by his father’s bedside, Rep. Jonathan Jackson (D-Ill.) and I spoke by phone. He had just delivered a speech at the National Prayer Breakfast calling the president to account—to be more humane and just, and to “do what is right.” It was clear that Rev. Jackson’s legacy is already living on.

Rest in Power: Catherine O’Hara Lit Up Every Scene She Entered

PUBLISHED 2/2/2026 by

Catherine O’Hara—the beloved actor and comedian who died on Friday at the age of 71—occupied that rare position in contemporary screen culture: a comic actor, a cult figure and a mainstream star.

Her work spanned more than 50 years, from improv sketch comedy to Hollywood features and off-beat TV classics. Her beloved characters proved that comedy doesn’t require mockery; only commitment, timing and trust in character.

Her role as Moira Rose, the eccentric, ex-soap opera star in the Canadian sitcom Schitt’s Creek, created by Eugene Levy and his son Dan, became O’Hara’s most significant late career move. Written for O’Hara’s unique talents, Moira was a larger-than-life character with a bizarre, unforgettable vocabulary, dramatic mood swings and a wardrobe that became nearly as famous as the character herself. Feminist media scholars have noted the rarity of such complex roles for older women, particularly in comedy, making O’Hara’s performance culturally significant.

bell hooks Taught Us to Imagine Freedom. Universities Are Forcing Us to Fight for It.

PUBLISHED 12/15/2025 by

On the day bell hooks became an ancestor, four years ago today, my beloved friend, comrade and co-conspirator Black feminist sociologist Shawn McGuffey and I were consoling one another over text when he wrote, “We should do something.” “Say less,” I replied.

We had institutional support from Northeastern University at a time when universities and other institutions were publicly and ceremoniously committing to funding DEI related initiatives in the tidal wave of so-called racial reckoning that occurred in the aftermath of George Floyd’s death. The first symposium took place two months later on a cold and clear February morning in 2022. This annual gathering became an important tradition that we looked forward to each year.

This week, we mark four years since the woman born Gloria Jean Watkins, a Black feminist writer, academic, professor and activist became an ancestor. But in 2026, there will be no bell hooks symposium at my university. Due to university wide fiscal austerity, we will not mark the anniversary this year in any official way. It is a tremendous loss, for our students and for our community locally, nationally and internationally.

As I grappled with my own grief over this loss, I had to also reflect deeply about what it means to be a Black feminist scholar in the academy today.