‘Activism On and Off the Field’: Art Exhibit Commemorates 50 Years of Title IX, Prohibiting Sex Discrimination

Now on the 50th year anniversary of its historical passage, the “Title IX: Activism On and Off the Field” exhibit at The Center for Women’s History at The New-York Historical Society, celebrates the addition to the Education Amendments Act of 1972 that fundamentally reshaped American society by prohibiting discrimination based on sex in education programs or activities that receive federal assistance. 

Camille Brown on Movement, Power and Creative Identity: ‘Creating Safe Spaces to Share Our Stories’

Camille Brown, director and choreographer of the powerful new Broadway revival of “for colored girls who have considered suicide / when the rainbow is enuf,” is the first Black woman to direct and choreograph a play on Broadway in more than 60 years. Drawing inspiration from her own lived experience as a Black woman, Brown uses movement and dance to tell unique stories of humanity and sisterhood. In this interview, she shares lessons she’s learned in her career.

Photographer Natalie Keyssar Illuminates the Plight of Women in Russia’s Invasion of Ukraine

Award-winning, Brooklyn-based photojournalist Natalie Keyssar says the six weeks she spent in Ukraine and at the Poland-Ukraine border gave her an opportunity to see the best of humanity. But she also admits that she saw absolute horror. Her photos depict grit and determination, as well as sorrow, and offer vivid testimony to the resistance on display in much of Ukraine.

‘If These Dolls Could Talk’: Art Exhibit Explores Role of Black Dolls in U.S. History and Challenges Racial Stereotypes

Dolls—from ancient representation of humans in art, to familiar children’s toys or use in religious rituals—have held meanings more than meets the eye. Now employing the lens of race and gender, the New-York Historical Society exhibition “Black Dolls” explores further the significant role of the Black doll in American history.

From the horrors of slavery through Reconstruction and Jim Crow, to the beginnings of the civil rights movement of the 1960s, this collection of 200 objects, textiles, sewing tools, photographs and ephemera represents a push back against negative racial stereotypes.

What Kate Tsang’s ‘Marvelous and the Black Hole’ Can Teach Us About Magic, Connection and Coming of Age

When Marvelous and the Black Hole premiered at the 2021 Sundance Film Festival, I was instantly charmed by its clever, unique story and excellent performances—from both relative newcomer Miya Cech and the always unforgettable Rhea Perlman. The film is coming to theaters on April 22—the perfect opportunity to revisit the film and speak with writer and director Kate Tsang about her powerful debut feature.

With a Powerhouse All-Women Cast, ‘Suffs’ Explores Activists Who Made Women’s Voting Rights Happen

Unlike the limited lessons of women’s suffrage many learn—Seneca Falls and Susan B. Anthony—Suffs digs deep into the gamesmanship wielded by the movement’s early 20th century leaders. Suffs opens April 6 at the venerable Public Theater in New York City. Lin-Manuel Miranda himself tweeted this week that >Suffs is “gobsmackingly incredible” and its writer and star, Shaina Taub as Alice Paul, is “the FUTURE.” I couldn’t agree more.

‘Artists 4 ERA’ Demand Equal Rights for All Americans: ‘It Is Overdue That Gender Equality Becomes the Law of the Land’

On International Women’s Day, VoteEquality launched the Artists 4 ERA initiative. In partnership with 28 prominent artists, including Shepard Fairey, Artists 4 ERA will be releasing limited edition, signed prints to benefit non-partisan, grassroots efforts for the Equal Rights Amendment. The full collection of artwork will make its debut at the launch event March 19 in Oakland, Calif. From there, the collection will tour the country at events organized by VoteEquality, partner organizations and artists advocating for gender equality.

“As gender rights are rolled back across the country and as the Supreme Court signals its willingness to forgo precedent, a new generation of activists is stepping up to the fight,” said Kati Hornung, executive director of VoteEquality. “Art as a form of expression has a unique way of motivating people.”

The Movie Star and Madame Salon: The Friendship of Anna May Wong and Bernardine Szold Fritz

In the mid-1930s, Anna May Wong was Hollywood’s preeminent Asian American starlet frustrated by a racist film industry. She connected with Bernardine Szold Fritz, a Jewish American writer and American salon hostess in Shanghai.

Today, 100 years after Anna May starred in her first leading role, The Toll of the Sea, stereotypes and casting white actors for Asian roles are still all too prevalent. Outside Hollywood, the U.S. is just beginning to recognize her groundbreaking achievements—Anna May Wong will be one of five American women to be featured on a U.S. quarter this year. It’s a start.