Author: Simone Jacques

Simone Jacques is a scholar, curator and homegirl, originally from San Francisco. She received her bachelor’s in comparative women’s studies and Spanish with a focus in artivism (arts as a praxis of activism) at Spelman College, the historically Black women’s college. As an AfroLatina scholar activist, by way of Haiti and Mexico, she is proficient in examining borderland and forced migration politics through a Black feminist lens. She is rooted in community and resistance through literacy, arts and creativity from a Black feminist pedagogy. She sees her commitment to her community as one of a griot, cultural worker and academic.

Who’s American? Whose America? Bad Bunny’s Radical Halftime Message

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Thirteen minutes is how long it lasted, and global superstar Bad Bunny—full name Benito Antonio Martínez Ocasio—more than delivered. Set against pulsating Afro-Latin rhythms and brimming with the energetic dancing bodies of Black, Brown and other multicolored peoples, the 2026 Super Bowl halftime show transformed this historic moment of the first all-Spanish musical spectacle into a cultural reset. Now counted among the most watched halftime performances—with close to 130 million views—the Super Bowl was rightfully renamed the “Benito Bowl.”

Bad Bunny’s performance came just one week after he made history as the first artist recording exclusively in Spanish to win the Grammy’s top honor for Album of the Year. It arrived, too, amid escalating violence tied to ICE enforcement and the policing and deportation of Brown and Black communities. At a moment when the U.S. president is railing against diversity, equity and inclusion—and circulating virulently racist content targeting his predecessor and the nation’s first Black president and first lady during Black History Month—the cultural resonance of this halftime show feels all the more potent.

Bad Bunny’s dynamic performance is an affirmation of the same communities currently terrorized by state-sanctioned violence. At rallies and marches, people play Bad Bunny. In moments of grief and passion, people play Bad Bunny. His refusal to be silenced, to be forgotten, is an inspiration of hope and resilience for social movements. His music is music of the revolution, which was spectacularly televised in the middle of a widely watched football game.  

Trey Reed’s Death—and Its Swift Labeling as Suicide—Demands the Scrutiny Ida B. Wells Called For

Trey Reed, a young Black student, was found hanging from a tree on his college campus of Delta State University in Mississippi on Sept. 15, 2025. Trey Reed was a computer science major from Grenada, Miss., and a first-generation student, described as ambitious and eager to create a positive future for himself and his family.

Mississippi police and the Bolivar County coroner’s office have labeled the death a suicide. But Reed’s family members and other advocates, including Reps. Bennie Thompson (D-Miss.) and Ayanna Pressley (D-Mass.), activist and former NFL quarterback Colin Kaepernick, attorneys Ben Crump and Vanessa J. Jones (both of whom are representing the family), are calling for further investigation. 

Cases like Reed’s awaken questions rooted in legacies of racial violence in the South. “While the details of this case are still emerging, we cannot ignore Mississippi’s painful history of lynching and racial violence against African Americans,” said Thompson in the days following Reed’s death. That history is not distant: Mississippi recorded more lynchings than any other state, and the echoes of those crimes persist in how the deaths of Black people are investigated and discussed. The reflex to dismiss possible racial motives—or to declare a death a suicide before all evidence is known—reflects a deeper national unwillingness to confront the full scope of anti-Black violence.

White Femininity Is Still the Poster Girl for American Capitalism

In July, American Eagle released a jeans campaign with Euphoria actor Sydney Sweeney, and there’s a lot to unpack. The ad is her clad in a Canadian tuxedo, whilst her gestures and mannerisms indicate a level of seduction.

When marketing to the male gaze sex sells, and it is used as a persuasive attempt to influence consumerism, but it does not stop there. Her blonde hair and blue eyes being the selling point and the center of this advertisement with the punchline, “Sydney Sweeney has great jeans.” This (not so) subtle play on words becomes explicit when she describes how genes are passed down by “offspring,” affecting things like eye color that make her “jeans blue.”

Men Are Impersonating ICE to Attack Immigrant Women. MAGA Emboldened Them.

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Multiple men have been arrested in at least three states since President Donald Trump’s inauguration for allegedly posing as immigration enforcement officers to perpetrate sexual violence against immigrant women.

The Trump administration is emboldening and reinvigorating such violence by providing more tools to harm women of color, including both systemic tools (mass detention and deportation) and a cover for any man looking to kidnap immigrant women in broad daylight.